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Thirteen or So Minutes: A Quiet Revolution in the Span of a Coffee Break

08/10/2025 By ACOMSDave Leave a Comment

 

13 or so minutes Nick Soper - 13 or so minutesShort films often struggle to justify their existence, either feeling like a rushed concept or an overlong sketch. William Branden Blinn’s award-winning Thirteen or So Minutes avoids both pitfalls by distilling a lifetime of confusion, discovery, and sudden intimacy into its brief runtime. This isn’t just a snapshot; it’s a profound seismic event that happens quietly, in a single room, between two strangers.

The setup is deceptively simple and, let’s be honest, instantly intriguing: Lawrence Jefferies (Soper) and Hugh Greerey (Salas) are two straight men who have just met. Both have a history of girlfriends. Now, a mere handful of minutes later—thirteen or so, if you want to be precise—they are left staring at the ceiling, or maybe at the wall, grappling with the fact that they’ve just spontaneously had sex.

The film’s true genius lies in what follows. Once the physical act is over, the real intimacy begins. The narrative pivots entirely to the conversation, the hesitant, vulnerable, and often comical dialogue between the two men as they attempt to map out the uncharted territory of their shared experience verbally. This isn’t about sensationalising a sudden moment of fluidity; it’s about the raw, honest human response to discovering a desire you never knew you possessed.

Soper and Salas are excellent. They play the moment not for shock, but for genuine, bewildered chemistry. You feel their confusion, their panic, and the underlying, undeniable strong desire that the Wikipedia premise refers to. Director and writer Blinn understands that the biggest stakes often exist not in explosions or car chases, but in the terrifying moment when you have to admit something true and unexpected about yourself.

By winning prizes at festivals like the Rainbow Film Festival, the film proves that its exploration of social and sexuality issues resonates powerfully. It suggests that attraction isn’t always a rigidly defined path, but sometimes a sudden, inexplicable detour. Thirteen or So Minutes is a thoughtful and essential watch that manages to convey more about the messy, beautiful complexities of human sexuality in fourteen minutes than most feature-length dramas do in two hours. A great piece of work.

 

Director: William Branden Blinn 

Writer: William Branden Blinn 

Stars: Nick Soper, Carlos Salas 

Running Time: 14 minutes

 

Links:

  • IMDB – 13 or so Minutes
  • Here TV – 13 or so Minutes
  • Oranges (2004) – A Small Story with Lasting Taste

Filed Under: Movie Reviews Tagged With: award-winning, Carlos Salas, independent film, intimacy, LGBTQ, Nick Soper, sexual fluidity, short film review, Thirteen or So Minutes, William Branden Blinn

Oranges [2004] Movie Review

25/09/2025 By ACOMSDave Leave a Comment

Oranges (2004) – A Small Story with Lasting Taste

Oranges 2004Oranges, the 2004 Australian short, is striking in its simplicity. Nothing grand happens here, yet everything that matters does. A bicycle accident brings two boys together; one brags about his experiences with girls, though whether it’s truth or bravado is left for us to quietly consider. What unfolds in these ordinary exchanges is less about the words spoken and more about the silences between them—the hesitations, the glances, the fragile reach of teenage bravado colliding with real curiosity.

What gives the film its coherence is the spirit of age—that tender, awkward threshold where innocence meets awareness. Two boys, trying to impress one another, trying to test the edges of possibility, and eventually circling the fascination of a kiss. The moment arrives with a delicacy that feels unforced. It is not spectacle, not melodrama, but something closer to memory itself. For many viewers, it will stir recognition: the taste of first encounters, the fragile intensity of being young and unsure, the imprint of moments that change everything even as they pass quickly.

The casting matters here. Both actors are of the right age, and there is no artifice in their performances. Their willingness to share that kiss without hesitation makes the film feel honest, free from the self-consciousness that often burdens such portrayals. The beauty of Oranges lies in this lack of pretension.

And then, the final image: the orange itself, tied back to the story in a way that lingers. Its taste—sweet, sharp, and fleeting—becomes the memory that covers over the awkwardness of the encounter, leaving behind something strangely whole. Like Proust’s madeleine, it anchors the moment, giving it both poetry and permanence.

Oranges is a lovely short film. Touching, tender, fragile, more than realistic. In its small gestures, it finds truth. In its simplicity, it offers revelation. And like the fruit itself, it lingers—bright, bittersweet, unforgettable

Director:  Kristian Pithie

Writer:     Kristian Pithie

Stars:       Martin Sharpe,  Thomas Blackburne,  Robyn Nethercote

 

Oranges 2004

Oranges 2004

Oranges 2004

Links:

  • IMDB – Oranges [2004]
  • Boys Grammar [2005]

Filed Under: Movie Reviews Tagged With: Australian short films, coming of age short film, gay youth stories, LGBT representation in film, LGBTQ cinema Australia, LGBTQ film reviews, Oranges 2004 film, Oranges movie analysis, Oranges short film review, queer short films, teenage first kiss film, tender short movies

Summer Friends [2021] – Movie Review

01/09/2025 By ACOMSDave Leave a Comment

Summer FriendsSummer Friends (2021) – Between Tides and First Feelings

Maxime Hermet’s short film Summer Friends takes us into the fragile, in-between world of adolescence, where friendships stretch and shift under the weight of new encounters.

Tom and Ellis, both fifteen, have known no summer without each other. Their days are spent at sea, casting lines into the water, their bond built on an ease that requires little talk. Their friendship feels as steady and unbroken as the horizon they face together.

When Lucie arrives in their small village for the holidays, that horizon tilts. Played by Syrine Conesa, she is at once familiar and new—an outsider who draws them out of their habits. What begins as idle company slowly takes on a different shape, carrying with it the electricity of first intimacies and the quiet fear of change.

Jean Aviat and Tim Rousseau embody Tom and Ellis with a raw naturalism, letting glances and pauses do most of the speaking. Hermet resists dramatics, instead allowing theSummer Friends silences, the play of light on water, and the passing days to carry the story forward. The film is less concerned with what happens than with the unspoken tension of what might.

Summer Friends runs under twenty minutes, but its images linger. It leaves the aftertaste of a season remembered: the sense of time both endless and fleeting, the discovery that friendship can expand and fracture in the same breath, and the knowledge that even the smallest summer can leave permanent marks.

Links

  • OK.ru video – (Summer Friends | 2021 | Original title: L’amie De L’été
  • IMDB – L’amie de l’été
  • Gay School Musical to help homeless gay teens

Filed Under: Movie Reviews Tagged With: adolescent friendship film, coming-of-age short movie, French short film, Jean Aviat, LGBTQ+ short film, Maxime Hermet director, Summer Friends 2021, Summer Friends short film, summer holiday film, Syrine Conesa, Tim Rousseau

As I Am

26/08/2025 By ACOMSDave Leave a Comment

Movie Review: As I Am (2020)

As I AmAnthony Bawn’s As I Am (2020) is a haunting portrait of a man wrestling with the weight of his past and the fear of what his reflection might reveal. It’s a story that sits at the crossroads of LGBTQ+ drama and romance, but its true power lies in its unflinching exploration of memory, regret, and identity.

At its core is August Chandler (Andre Myers), once celebrated for his athletic talent, now teetering on the edge of emotional collapse. A young man who has long run from the truth of his childhood, August returns to confront the shadows of his past in hopes of correcting old mistakes. Yet what he discovers is more than a reckoning with others—it’s the unearthing of a side of himself he has long suppressed.

Haunted by warped ideals of love and the damage his choices have caused, August faces what Bawn frames as a metaphorical mirror: a painful, unrelenting reflection of his actions and the people who have borne the brunt of them. Denial gradually gives way to realisation, forcing him into the most difficult confrontation of all—the one with himself.

The ensemble cast—Judeline Charles, Rashad Davis, Bradon Moten, Devion Andrez Coleman, and Dre Matthews—provides grounding and authenticity, their performances amplifying the consequences of August’s spiralling choices. Their presence makes clear that personal collapse is never private; it reverberates outward, leaving scars in its wake.

Bawn’s direction leans into stillness and silence, capturing the unease of moments where truth hovers unspoken. The film asks whether a man defined by mistakes can genuinely change, or whether redemption is only ever an illusion we chase.

Ultimately, As I Am is a stirring, sometimes unsettling journey into the complexities of love, responsibility, and self-forgiveness. It challenges not only August to face his reflection, but invites the audience to consider the parts of themselves they, too, may have long suppressed.

 

Links:

  • IMDB – As I Am
  • Arlo and the Sea – Movie Review

Would you like me to now also add a concise meta description and SEO tags for As I Am (2020) in the same style as we’ve done with your other reviews?

Filed Under: Movie Reviews Tagged With: Andre Myers actor, Anthony Bawn film, As I Am 2020 review, August Chandler movie, childhood trauma film, indie LGBTQ+ films, LGBTQ+ drama film, queer cinema review, romance drama 2020, self-discovery movie

Arlo and the Sea – Movie Review

22/08/2025 By ACOMSDave Leave a Comment

Arlo & the Sea – A Quiet Tide of Longing

Arlo and the SeaArlo & the Sea is a short film by Damian Overton and Ruben Russo that was shot on an iPhone 14.

  1. Arlo (played by Russo) is a solitary character who lives in a coastal town. He meets Finn (Paris Moletti), and their interactions are mostly unspoken. The film has a narration by Kieton Beilby, which adds to the mood of the film.
  2. The score, composed by Michael Drew, is melancholic, and the sound design by Daniel Pimm is also notable. The film’s use of the iPhone lens gives the visuals an intimate, raw feel.

I think the film’s strength is in what it doesn’t say. It’s less about a grand romance and more about the simple moments of connection. It’s a short film (12 mins long), but it stays with you.

I would be interested in receiving other people’s observations, views, and comments.

Arlo & the Sea Arlo and the Sea Arlo & the Sea

 

 

Director – Damian Overton
Writer – Damian Overton
Stars – Ruben Russo, Paris Moletti, Kieton Beilby

 

Links:

  • IMDB – Arlo and the Sea
  • YouTube – Arlo and the Sea
  • Kiss Me Softly 

 

Filed Under: Movie Reviews Tagged With: Arlo and the Sea, award-winning queer film, Damian Overton, Daniel Pimm sound design, iPhone 14 filmmaking, Kieton Beilby narrator, LGBTQ short film review, LGBTQ+ cinema, Michael Drew score, Paris Moletti, queer short film, Ruben Russo, short film by the sea

Kiss Me Softly – Movie Review

19/08/2025 By ACOMSDave Leave a Comment

 

Kiss Me SoftlyIn Anthony Schatteman’s tender 16-minute short Kiss Me Softly, music becomes both a weight of expectation and a pathway to self-discovery. The film follows Jasper (Ezra Fieremans), the son of a well-known schlager singer, who longs not just to inherit the family legacy, but to express it in a way that feels true to himself. It’s a familiar generational clash—tradition against individuality—but Schatteman infuses it with the intimacy of queer awakening.

Fieremans carries Jasper with a mix of quiet restraint and smouldering vulnerability. His performance hints at the complexity of growing up in the shadow of someone else’s stage, while harbouring a desire to step into the spotlight on his terms. Tim Bogaerts offers a grounded counterpoint, bringing warmth and sensitivity to the role of Jasper’s love interest. Their chemistry provides the film’s most affecting moments: unspoken touches, fleeting glances, and the courage found in a kiss.

Marijke Pinoy, as the mother, delivers a gentle but firm portrayal of familial expectation—never villainous, but still bound by tradition. Her presence adds texture to the story, reminding us that pressure often comes from love, even if misplaced.

Visually, the film is sleek and atmospheric, balancing the bright artifice of the schlager world with the softer, more natural palette of Jasper’s private life. Schatteman’s direction avoids melodrama, instead capturing a tone of quiet rebellion. At its heart, Kiss Me Softly is not just about claiming a song, but about claiming identity—the courage to love, to sing, and to exist authentically.Kiss Me Softly Kiss Me Softly

Though short, the film lingers long after its closing note. It’s a love letter to the act of living truthfully, and a reminder that even within the most glittering traditions, there’s always room for a new voice.

Director – Anthony Schatteman
Writer – Anthony Schatteman
Stars – Ezra Fieremans, Tim Bogaerts, Marijke Pinoy

 

 

Links:

  • IMDB – Kiss Me Softly
  • Peccadillo Film – Kiss Me Softly
  • ACE Movie Review

 

Filed Under: Movie Reviews Tagged With: Anthony Schatteman short film, Ezra Fieremans, gay short film, Kiss Me Softly review, LGBT cinema, LGBTQ film review, Marijke Pinoy, queer short films, schlager singer film, Tim Bogaerts

Ace [2018] – Movie Review

15/08/2025 By ACOMSDave Leave a Comment

  Ace 

In ‘Ace’, a short movie, the director and cast create a quietly charged portrait of longing, fear, and the maddening poetry of unspoken desire. Set against the microcosm of a tight-knit college friendship group, the story follows Ace (Lukas Gage), the reserved newcomer who finds himself drawn—reluctantly, helplessly—to Z (Michael Felix), a longstanding member whose own guardedness mirrors his own.

This is not a film that hurries. Instead, it lingers in the silences between words, in the glance that lasts just a beat too long, in the awkward laughter masking something deeper. Gage gives Ace a vulnerability that feels almost too real at times, while Felix balances the role of Z with a mix of warmth and quiet volatility. The supporting cast, including Giselle Bonilla, Jonathan Lipnicki, and Ariel D. King, anchors the story in a believable Acecamaraderie, their interactions subtly revealing the way friendships can both protect and stifle.

The tension here is not born of melodrama but of stillness—of what isn’t said. As the attraction between Ace and Z simmers, their mutual hesitation becomes the real antagonist. Each moment they avoid acknowledging their truth only deepens the ache for what might be, and the audience is left caught in that same limbo, aching alongside them.

By the time the creditsAce roll,Ace  Ace hasn’t so much resolved as it has gently folded itself into you. It’s a story about connection as much as it is about fear, and about the fragile, human hope that the person you can’t stop thinking about might just be thinking of you too.

 

Director: Jordan Gear

Writer: Jordan Gear

 

Links:

  • YouTube – Ace
  • IMdb – Ace
  • Mrs. McCutcheon – Movie Review

Filed Under: Movie Reviews Tagged With: Ace 2018 review, college love story, film review, friendship and love, indie drama, LGBT romance film, Lukas Gage, Michael Felix, queer cinema, unspoken desire

Mrs. McCutcheon – Movie Review

11/08/2025 By ACOMSDave Leave a Comment

Review: Mrs. McCutcheon – A Radiant Short About Identity, Friendship, and Daring to Dance
By David McFarlane

Mrs McCutcheon Now and then, a short film comes along that says more in 16 minutes than some features manage in two hours. Mrs. McCutcheon, directed by John Sheedy and co-written with Ben Young, is one such gem — a heartfelt, unapologetic embrace of childhood difference, gender identity, and the bravery it takes to simply be yourself in a world that prefers conformity.

…Hey

This here, is my skin

This here is your skin

You got to be proud of that…

 

At the heart of the film is Tom — or rather, Mrs. McCutcheon — a 10-year-old child who knows, without hesitation, that the name assigned at birth does not reflect who they truly are. In a world that struggles to handle nuance, Mrs. McCutcheon strides forward in floral dresses and honesty, yearning not for attention but for belonging. Alec Golinger’s performance is luminous — tender without being twee, assured without being overly precocious. It’s the kind of portrayal that feels rare: childlike, but deeply wise.

Navigating a new school for the third time, Mrs. McCutcheon is predictably met with the usual cocktail of curiosity, ridicule, and cruelty. But amid the storm stands Trevor, played beautifully by Wesley Patten — a boy who understands what it means to be on the outside. As an Aboriginal child in a predominantly white school, Trevor’s marginalisation quietly mirrors Mrs. McCutcheon’s. Their friendship is the film’s heartbeat: subtle, sturdy, and transformative.

What Mrs. McCutcheon captures so well is the dual truth of childhood — that it can be both wildly cruel and deeply compassionate. The school dance, that almost-mythic rite of passage, becomes a stage for something far greater than a night of awkward swaying and bad punch. Without spoiling the moment, let’s just say the ending is bold, liberating, and quietly revolutionary. It left me teary-eyed and hopeful.

Technically, the film is a joy. Its cinematography bathes the story in warmth and colour, refusing to dull its vibrancy for the sake of “grit.” There’s humour, too — gentle, clever, and never at the expense of its characters. Sheedy and Young never preach, but they do remind us that courage isn’t always loud. Sometimes, it’s wearing a dress to a school dance and daring the world not to look away.Mrs McCutcheon Mrs McCutcheon

Mrs. McCutcheon is not just a celebration of gender diversity and youthful resilience — it’s a reminder that our differences are not flaws to overcome but truths to be honoured. And in today’s climate, where LGBTQ+ youth still face so many barriers, stories like this aren’t just important. They’re essential.

This award-winning short, lauded across festivals from Melbourne to São Paulo, deserves to be seen, shared, and remembered — not only for what it says, but for how beautifully it says it.

Director

John Sheedy

Writers

Ben Young

John Sheedy

Stars

Alec Golinger

Wesley Patten

Nadine Garner

 

Links:

  • YouTube – Mrs. McCutcheon
  • IMDb – Mrs. McCutcheon
  • Movie Lists

 

Filed Under: Movie Reviews, Reviews Tagged With: Alec Golinger, Australian short film, award-winning short, coming of age, diversity in film, friendship, gender identity, inclusive storytelling, John Sheedy, LGBTQ+ film, LGBTQ+ representation, Melbourne Queer Film Festival, Mrs. McCutcheon, queer cinema, Sao Paulo Short Film Festival, school dance, short film, Stream Short Films, trans youth, Wesley Patten

El Paisa – Movie Review

10/08/2025 By ACOMSDave Leave a Comment

El Paisa‘El Paisa’ is a raw, heartfelt journey that vividly captures the vibrant pulse of East LA’s streets and the hidden layers of its communities. Fernando’s story—a gay goth skater navigating the shadowy corners of love and identity—resonates with an authenticity that speaks to anyone who’s ever felt torn between worlds. The film’s portrayal of his rescue by a stern vaquero isn’t just a plot point; it’s a powerful symbol of unexpected kinship and the breaking down of barriers.

What truly elevates *El Paisa* is how it seamlessly weaves alternative Latine subcultures with universal themes of belonging, heartache, and self-acceptance. It’s a coming-of-age tale that refuses to shy away from the complexities of queer identity, all while celebrating the strength found in community—be it through family, chosen or blood. The film’s visual style and soundtrack pulse with the energy of East LA’s streets, creating an immersive experience that honours its diverse characters and their stories.

In its core, *El Paisa* is a unifying anthem—a reminder that beneath our different facades lies a shared humanity, one that unites us through stories of love, loss, and resilience. It’s a must-watch for anyone craving a film that’s as bold and colourful as the communities it celebrates.

 

Links:

  • YouTube – El Paisa
  • PBS Short Film Festival 2024
  • August (Août) – Movie Review
El Paisa

El Paisa
El Paisa

Filed Under: Movie Reviews, Reviews Tagged With: alternative culture, coming out stories, coming-of-age drama, community, East LA, El Paisa, Latine subcultures, Latinx cinema, LGBTQ+ films, queer identity, resilience

August (Août) – Movie Review

08/08/2025 By ACOMSDave Leave a Comment

Review: August (Août) – A Fever Dream of Queer Youth and Unspoken Longing
By David McFarlane

Aout or AugustThere’s something elusive, almost spectral, about August (Août), Louis Thines’ short film about youth, identity, and the electric charge of uncertain desire. Like the haze of a sun-drenched French summer, it is beautiful to look at but often slips through your fingers the moment you try to hold onto it.

Thines, who writes, directs, and stars, gives us Louis — a young man drifting between adolescence and adulthood, unsure whether the world he’s entering will accept the parts of him still forming. He visits his best friend Roxane in the south of France, and we are drawn immediately into the languid rhythms of long days, warm light, and the emotionally loaded quiet between people who are not quite saying what they feel.

Enter Jérémy (played with understated magnetism by Jérémy Papallardo), a stranger met at a party who seems to reflect all that Louis is unsure of in himself. Their interactions, captured through soft, intimate cinematography, shimmer with possibility. It’s less about dialogue and more about proximity — bodies not touching, glances exchanged, silences that thrum with meaning.

And then — a kiss. Or rather, the suggestion of one. A brief, pivotal moment when Jérémy leans in and Louis recoils, not with revulsion, but confusion. We hold our breath. And then… nothing. The moment vanishes, like a wave that never breaks.

It’s in this unresolved space that August both finds its mood and loses its momentum. The film never quite allows us to know what Louis wants, or even who he is — and perhaps that’s the point. But while ambiguity can be powerful, here it feels more like absence. As a viewer, I felt not only suspended but slightly abandoned.

Technically, though, August is stunning. From the golden palette of late afternoons to the sound design that captures the lazy hum of a southern summer, Thines has crafted a world I believed in completely. Every frame feels lived-in, every gesture natural, every moment held just long enough to suggest there is more beneath the surface.Aout or August

But narrative, like desire, needs direction. And here, August hesitates when it most needs to speak. The queer experience, especially in youth, is often defined by silences — those moments when we don’t say what we feel, or don’t know how. Thines understands this deeply. But in the end, I wanted a little more certainty, even if it was just emotional honesty.

August is a film about the in-between — between boyhood and manhood, friendship and love, self-assurance and fear. It is gorgeously observed, but narratively restrained. Whether that restraint is poetic or simply withholding will depend on the viewer. For me, it was a beautiful near-miss: tender, evocative, and frustratingly incomplete.

Still, I’d rather a filmmaker risk saying too little than too much. And I’ll be watching Thines’ future work with great interest. He has an eye — and a heart — worth paying attention to.

Aout or August

Links:

  • YouTube – Aout or August
  • IMDB – Aout or August
  • Orange Cheesecake

 


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Filed Under: Movie Reviews, Reviews Tagged With: Août, August, coming of age, European cinema, film criticism, French short film, gay romance, indie film, Jérémy Papallardo, LGBTQ+ film, LGBTQ+ storytelling, Louis Thines, queer cinema, queer identity, queer representation, queer youth, Roxane Hérault, short film review, summer romance, unresolved desire

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