This book was reviewed in the North Philly Notes in November 2021. This review is comprehensive, as is the book, so I am reprinting the review to remind our readers of this history we have lived through, and why it is so important that we monitor government, both local and national, to ensure we do not loose all the gains we have made.
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This week in North Philly Notes, Charles Upchurch, author of “Beyond the Law,” writes about the first public debate in the Commons over the ethics of punishing sex between men.
The first sustained debate in the British Parliament (and likely in any parliament anywhere) over the ethics of punishing sex between men occurred 180 years ago and no one has remembered it—at least until now. That’s the premise of “Beyond the Law,” which explains how and why this happened. Most historians think this time frame is far too early for anything like this to have occurred, since it is too early for modern sexual identities to have formed, let alone for there to have been a political effort organized around them. But a modern homosexual identity is not needed to have an ethical objection to the execution of individuals for a private consensual act, which is what sodomy was in some cases. In the first decades of the nineteenth century, the law allowed for such executions. While many upper- and middle-class men did publicly rail against sodomy as “the worst of crimes” and supported the executions, others, drawing on enlightenment philosophy or more latitudinarian religious ideas, thought such executions were more immoral, perhaps far more immoral, than the acts themselves. These men included Lord John Russell, leader of the Whig majority in the House of Commons, who eventually argued against executions for sodomy in 1841, even as he kept the government at a distance from the private member’s bill that was the focus of the reform effort.
Russell, like almost every other politician of his era, did not want to publicly speak about sex between men, but broader events were forcing him and the government to do so. That was because the death penalty was being eliminated for hundreds of crimes. Up to the start of the nineteenth century, it was the terror of the gallows that was to scare individuals away from committing crime. Theft of even small amounts might be punished with death, since there had previously been only minimal systems for policing or imprisonment. But that policing and incarceration infrastructure was created in the early nineteenth century, and the number of capital crimes tumbled, so that by the end of the 1830s there were only slightly more than a dozen. Those capital crimes included murder, attempted murder, treason, piracy, rape, a few minor crimes that were missed by previous reform legislation, and sodomy, which could be a private consensual act. With the death penalty now gone for almost everything else, the anomaly of retaining it for sodomy was glaring for many. But almost no man wanted to be the person who stood up on the floor of the House of Commons to argue for the lessening of the penalties for sex between men, knowing that some of the most evangelical members of that body would likely denounce them for defending immorality (as did eventually happen).
The reform effort did happen, though, and two exceptional men stepped forward to shepherd the bill through the Commons in a process that played out over the better part of a year. They had the prestige of Jeremy Bentham behind them since, contrary to what has been written by other scholars, Bentham published some of his arguments against the punishment of sex between men in his lifetime. He did so in a way that would likely only be understood by legal experts, but those were exactly the people who were drafting the recommendations to parliament on which laws to amend, and which ones to retain without alterations. Bentham’s ideas of legal reform were shaping the entire process of eliminating the death penalty within the English criminal law, and his arguments against punishing sex between men in general, let alone executing men for a private consensual act, were known to the men shaping the reform.
Reasoned arguments were not enough to motivate a man to sponsor such a bill, to risk his reputation, and to speak publicly against such an injustice. It can be proven that both Jeremy Bentham and Lord John Russell agreed with this reform, but neither man would publicly champion it. A judge at the time privately told Russell that he was “convinced that the only reason why the punishment of death has been retained in this case is the difficulty of finding any one hardy enough to undertake what might be represented as the defense of such a crime.” And that brings us to the most remarkable discovery in ‘Beyond the Law’, because the two men who were brave enough to do this were inspired to act not primarily through reasoned arguments, but through the emotional and affective bonds of family. Fitzroy Kelly, a newly elected Tory MP, grew up in economic hardship, only saved from poverty through the work of his mother, the novelist Isabella Kelly. The Kelly family was helped repeatedly by the gothic novelist Matthew Gregory Lewis, whose sexual interest in men was remarked on at the time. Moreover, William Kelly, Isabella’s son and Fitzroy’s brother, has been identified by scholars at least since the 1930s as Matthew’s strongest emotional attachment. Matthew’s sister was also married to the brother of the other co-sponsor of the 1840 and 1841 legislation, the lawyer and abolitionist Steven Lushington. It was Lushington, also, more than a decade before, who had worked with Lady Byron during her separation from Lord Byron, and it was Lushington who had raised the threat of accusing Byron of committing sodomy within his marriage as leverage in the separation proceedings. This web of family connections, cemented by love more than sex, is dense, convoluted, and still in significant parts obscure and unrecoverable. Nevertheless, ‘Beyond the Law’ recounts much of it, and tells a story wholly different from anything previously recovered for the early nineteenth century. It pieces together many public and private aspects of the first debates in the nineteenth century over the ethics of punishing sex between men.
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Much is known about the British painter Keith Vaughan thanks to his extensive journals, written between 1939 and his death in 1977, and described as some of “the greatest confessional writing of the 20th-century”. They document the trials he faced as a gay artist whose principal focus was the male nude, rendered first in an erotic, Neo-Romantic style, and later an increasingly abstracted one.
I was asked to listen to and possibly review George Lewis and his work ‘Minds in Flux’. I decided to listen to some of his other works:
Breathe is about a young boy (played by Lee O’Donoghue as Francie) in a ‘Traveller’ family whose father believes him to be to effeminate, and who then decides to make him toughen up through the manly art of ‘boxing’ (and in traveller form, this leads to bare-knuckle fighting).
This article was published in Openly, Reuters: