ACOMSDave

Community Journalist

  • Home
  • Community Journalist
  • Events
  • Media Page and Press Kit
    • Projects and Work
  • Resources & Documents
    • LGBTQ+ Support Groups and Documents
  • NIGRA
  • Archives
  • Contact

The Missing Reel

05/11/2025 By ACOMSDave Leave a Comment

Why Northern Ireland Urgently Needs Its Own Annual LGBTQ+ Film Festival

The Missing Reel‘The Missing Reel’ – In the cultural landscape of the British Isles and Ireland, Northern Ireland stands as a notable anomaly. London has BFI Flare 1, Cardiff boasts the world-leading Iris Prize 2, Glasgow hosts the accessibility-focused Scottish Queer International Film Festival (SQIFF) 3, and Dublin celebrates GAZE.5 Yet, Northern Ireland remains the sole nation/major region without a dedicated, institutionally supported annual LGBTQ+ film festival. This is more than an artistic oversight; it is a critical cultural and economic gap that demands immediate attention.

We currently rely commendably on multi-arts festivals, such as Outburst Arts 6, and episodic initiatives like the Belfast Film Festival’s ‘Pride On The Big Screen’.7 While these efforts are vital, their multi-disciplinary mandates prevent them from providing the focused, year-round engine required for serious film sector development.

Crucially, this structural gap leaves NI sidelined from major international initiatives. For example, the British Council and BFI Flare partner with GAZE in Dublin as the official Irish hub for the global #FiveFilmsForFreedom campaign.8 Northern Ireland is left relying on ad-hoc screenings, rather than serving as an institutional partner to leverage this soft power and secure focused funding.1

A dedicated festival, which we can call NI-QueerFilm, is the missing catalyst. The blueprint for success already exists in Wales. The Iris Prize is an economic powerhouse that awards a £40,000 short film prize, stipulating that the winner must make their next film in Cardiff.2 Adopting this model in Belfast or Derry-Londonderry would create a direct, annual investment pipeline into the local queer film economy, retaining talent and leveraging national funding that is explicitly prioritised for regions outside London.11

Beyond the economics, film festivals are essential engines for social justice and cohesion. They create communal spaces to challenge discrimination and tackle acute social issues, such as the documented isolation and loneliness experienced by LGBTQI+ people in rural NI.12 A dedicated festival, designed with a mandatory outreach program—like the Iris Prize’s Iris on the Move model 13—would be a powerful tool for community upskilling and social service delivery, aligning directly with the Department for Communities’ LGBTQI+ Strategy goals.14

It is time for Northern Ireland to secure parity of cultural provision —not just to screen films, but to commission them, fund them, and utilise them as the powerful vehicles they are for advancing social equality and projecting an inclusive, modern identity to the world. I refer to the Missing Reel because, in the past, all movies were distributed on acetate and movie reels – bulky and also a fire hazard, but not today, so no need for reels, but there is a need for our own movie festival.

Links:

  • Breaking The Gay Code
  • The History of LGBT (now LGBTQ+) in Northern Ireland

 

Sources used:

 

committees.parliament.uk
SCS0159 – Evidence on The social impact of participation in culture and sport – UK Parliament Committees

Opens in a new window

travelagewest.com
Year-Round LGBTQ+ Events to Know in the U.K. | TravelAge West

Opens in a new window

thejournal.ie
‘From the outside it looks like everything’s great, but there’s still a lot to do’: The film festival that celebrates Ireland’s LGBT community – The Journal

Opens in a new window

en.wikipedia.org
Outburst Queer Arts Festival – Wikipedia

Opens in a new window

northernirelandscreen.co.uk
BELFAST FILM FESTIVAL 2024 Launches Today – Northern Ireland Screen

Opens in a new window

irisprize.org
Iris Prize LGBTQ+ Film Festival (13-19 Oct 2025)

Opens in a new window

bfi.org.uk
38th BFI Flare: London LGBTQIA+ Film Festival wraps with audiences up, global talent attendance and 5 world premieres

Opens in a new window

researchgate.net
Negotiating a local gaze: Belfast tour guides and the challenge of post-conflict representation | Request PDF – ResearchGate

Opens in a new window

communities-ni.gov.uk
Sexual Orientation Strategy | Department for Communities

Opens in a new window

committees.parliament.uk
Written evidence submitted by British Film Institute (SFT0083) About the BFI

Opens in a new window

artscouncil.org.uk
Other sources of funding | Arts Council England

Opens in a new window

britishcouncil.ie
GAZE International LGBT Film Festival – British Council | Ireland

Opens in a new window

queensfilmtheatre.com
Imagine Festival: Five Films for Freedom + discussion showing at Queen’s Film Theatre, Belfast.

Opens in a new window

gcn.ie
International LGBTQ+ short films to show as part of Belfast’s Imagine Festival – GCN

Opens in a new window

frameline.org
Iris Prize: The LGBTQ+ Film Prize, Explained – Frameline

Opens in a new window

irisprize.org
About Iris – Iris Prize

Opens in a new window

en.wikipedia.org
Iris Prize – Wikipedia

Opens in a new window

artscouncil-ni.org
Stories of LGBTQI+ people living in rural North… | Arts Council NI

Opens in a new window

queensfilmtheatre.com
LGBT Heritage NI Project: The Troubles I’ve Seen showing at Queen’s Film Theatre, Belfast.

Opens in a new window

gaze.ie
gaze 2020 programme.indd

Opens in a new window

cgiii.com
Scottish Queer International Film Festival – CGiii

Opens in a new window

theskinny.co.uk
Scottish Queer International Film Festival returns for 2025 – The Skinny

Opens in a new window

belfastfilmfestival.org
Statement From Belfast Film Festival

Opens in a new window

filmhubni.org
Foyle Film Festival: We Were Always Here + Q&A – Film Hub NI

Opens in a new window

eurotravelo.com
Outburst Queer Arts Festival – Belfast, Northern Ireland 2025 – Euro Travelo

Opens in a new window

nireland.britishcouncil.org
Northern Ireland organisations awarded grants to support creative international partnerships

Opens in a new window

arts.britishcouncil.org
Outburst – British Council Arts

Opens in a new window

nireland.britishcouncil.org
Arts projects secure funding for international digital collaborations | British Council

Opens in a new window

bfi.org.uk
Applying for BFI National Lottery Impact Feature Funding

Opens in a new window

bfi.org.uk
BFI Filmmaking Fund – Discovery and Impact feature funding

Opens in a new window

ucc.ie
Queer Visibility, Media Industries and Production Cultures: An Irish Case Study. Dr. Páraic Kerrigan (UCD) | University College Cork

Opens in a new window

research.ie
Gay (in)visibility in Irish media | #LoveIrishResearch

Opens in a new window

the-low-countries.com
By, For And With The Community: LGBTQ+ Film Festivals In The Low Countries

Opens in a new window

charitycommissionni.org.uk
Outburst Arts Festival – The Charity Commission for Northern Ireland

Opens in a new window

hansard.parliament.uk
Irish Diaspora in Britain – Hansard – UK Parliament

#NorthernIreland, #QueerFilm, #LGBTQArts, #FilmFestival, #Belfast, #CulturalGap, #IrisPrize, #FiveFilmsForFreedom, #NIArts, #SocialInclusion

Filed Under: Campaigns, Community Journalist Tagged With: Arts policy, Belfast arts, bfi flare, Cultural funding, GAZE, Iris Prize, LGBTQ film festival, Northern Ireland, outburst, queer cinema

Un Invincible Été

26/10/2025 By ACOMSDave Leave a Comment

Un Invincible Été: A Tender Coming-of-Age Story

Un invincible étéA Brief but Powerful Exploration of Teenage Desire and Self-Discovery

Arnaud Dufeys’ short film Un Invincible Été captures a pivotal moment in adolescence with remarkable sensitivity and restraint. In just a brief runtime, the film manages to convey the complexity of teenage sexuality, vulnerability, and the sometimes uncomfortable gap between expectation and reality.

The premise is deceptively simple: 16-year-old Clément (Vadiel Gonzalez Lardued), bored and restless during a hot summer evening by the pool, decides tonight’s the night he’ll lose his virginity. Armed with Grindr and a lie about his age, he arranges to meet 24-year-old Naël. What follows is a delicate portrait of anticipation, nervous energy, and ultimately, a different kind of awakening than Clément expected.

What makes this film particularly effective is its refusal to sensationalize. Writer Nicolas Moulin crafts a narrative that understands the urgency and single-mindedness of teenage desire while also acknowledging the emotional complexity beneath it. The film’s turning point—when Clément encounters a body “completely different from Naël’s”—becomes not just about physical intimacy but about accepting reality versus fantasy, and the messy, imperfect nature of growing up.

The performances are naturalistic and unforced, particularly Gonzalez Lardued’s portrayal of Clément’s mix of bravado and uncertainty. Dufeys directs with a light touch, letting moments breathe and trusting his audience to read between the lines. The summer setting—the pool, the heat, the isolation—creates an almost dreamlike atmosphere that perfectly captures that strange liminal space of adolescence.

Un Invincible Été doesn’t provide easy answers or moralize about its subject matter. Instead, it offers an honest, empathetic glimpse into a formative moment, reminding us that coming of age is rarely about grand revelations but rather small, sometimes awkward moments of truth that shape who we become.

A thoughtful, mature short that lingers in the mind long after its brief runtime.

 

Un invincible été Un invincible été Un invincible été Un invincible été

Links:

  • IMDB – Un Invincible Ete 
  • YouTube – Un Invinvible Ete

 

#UnInvincibleÉté #GayShortFilm #LGBTQCinema #QueerCinema #FrenchFilm #ComingOfAge #ShortFilm #GayMovie #QueerFilm #IndieFilm #LGBTQShort #GayTeen #FrenchCinema #ArnaudDufeys #SummerFilm #QueerStory #GayRomance #ShortFilmReview #LGBTQ #QueerMedia

Filed Under: Movie Reviews Tagged With: arnaud dufeys, coming of age, french gay film, French short film, gay coming out, gay short film, gay teen movie, grindr movie, independent cinema, lgbtq short, LGBTQ+ cinema, queer cinema, queer short film, summer romance, teen sexuality, un invincible été, vadiel gonzalez lardued

HeartDrop — When Love Presses ‘Accept’

17/10/2025 By ACOMSDave Leave a Comment

Heartsrop“Will love survive the silence — or will fear keep pressing decline?”

In a world where honesty often feels like a luxury, HeartDrop emerges as a quiet yet defiant whisper of truth.

This poignant and bold short film follows Dylan and Max, a young queer couple in a small town, as they navigate the complexities of identity, secrecy, and love. One person embraces their true self with courage, while the other conceals it beneath the mask of social expectations.

Between them lies a fragile thread: a hidden phone feature — their silent, secret way to express the love that words can’t.

As HeartDrop unfolds, we are asked a simple but piercing question:
Can love survive when it’s forced to hide?

The Story Behind the Screen

At its core, HeartDrop is not merely a story of young love — it’s about truth, fear, and the courage to be seen.  The film captures that delicate moment between expression and repression, between what the world expects and what the heart needs.

Created by a team of emerging queer filmmakers, it feels deeply personal — intimate yet universal. Every pause, every gesture, every vibration of a phone carries emotional weight. It’s cinema that lingers quietly long after the final frame.


🌟 Cast

  • Daniel YaqoHeartdrop

  • Will Trineer

  • Idaya Bello

  • Haig Jamkodjian

  • Tyler Holmes

  • Jacob Versace


🎥 Crew

Producers: Daniel Yaqo, Matt Latreille
Writers: Daniel Yaqo, Matt Latreille
Director: Daniel Yaqo
Director of Photography: Eliana D’Assisi
Editors: Jasmine McLaughlin, Matt Latreille
Sound Design / Mixing: Daniel Zea

1st AD: Alyssa Rose Hunt
1st AC: Lily Chiasson
2nd ACs: Alyssa Rose Hunt, Alexandra Morrison
Drone Operator: Matt Latreille
Location Sound: Kyla Marie Supat, Sophia Lam
Gaffers: Lily Chiasson, Joseph Liu
Wardrobe: Adrian Ally (Martianally)
Key Hair & Makeup: Wade Dane
Production Assistant: Karen Pascal

Extras: Wade Dane, Alyssa Rose Hunt, Holly Loggie

🙏 Special Thanks

  • UNTITLEDToronto by Flaunt Boutique Hair Salon — for providing the café location

  • The Ally Family — for providing the bedroom sets


🌈 Connect & Follow

📸 HeartDrop Short Film – Instagram
🎬 Daniel Yaqo – Instagram


💭 Final Thoughts

HeartdropHeartDrop is more than a short film — it’s an emotional exploration of what happens when love exists in the shadows.
For many queer people, it feels like a mirror: the first text that wasn’t sent, the kiss that didn’t happen, the truth that waited too long to be spoken.

Its power lies in its quietness — a tenderness that refuses to hide.
HeartDrop doesn’t shout its message; it whispers — and in that whisper, we hear something profoundly true.

 

#HeartDrop #QueerFilm #LGBTQCinema #ShortFilm #IndieFilm #LoveIsLove #QueerStories #DanielYaqo #FilmReview #ACOMSDave

Links:

  • YouTube – Heardrop
  • IMDB – Heartdrop
  • Thirteen or So Minutes: A Quiet Revolution in the Span of a Coffee Break

 

Filed Under: Movie Reviews Tagged With: Daniel Yaqo, film review, HeartDrop, identity and love, independent film, LGBTQ love story, LGBTQ+ film, queer cinema, queer storytelling, short film

Ace [2018] – Movie Review

15/08/2025 By ACOMSDave Leave a Comment

  Ace 

In ‘Ace’, a short movie, the director and cast create a quietly charged portrait of longing, fear, and the maddening poetry of unspoken desire. Set against the microcosm of a tight-knit college friendship group, the story follows Ace (Lukas Gage), the reserved newcomer who finds himself drawn—reluctantly, helplessly—to Z (Michael Felix), a longstanding member whose own guardedness mirrors his own.

This is not a film that hurries. Instead, it lingers in the silences between words, in the glance that lasts just a beat too long, in the awkward laughter masking something deeper. Gage gives Ace a vulnerability that feels almost too real at times, while Felix balances the role of Z with a mix of warmth and quiet volatility. The supporting cast, including Giselle Bonilla, Jonathan Lipnicki, and Ariel D. King, anchors the story in a believable Acecamaraderie, their interactions subtly revealing the way friendships can both protect and stifle.

The tension here is not born of melodrama but of stillness—of what isn’t said. As the attraction between Ace and Z simmers, their mutual hesitation becomes the real antagonist. Each moment they avoid acknowledging their truth only deepens the ache for what might be, and the audience is left caught in that same limbo, aching alongside them.

By the time the creditsAce roll,Ace  Ace hasn’t so much resolved as it has gently folded itself into you. It’s a story about connection as much as it is about fear, and about the fragile, human hope that the person you can’t stop thinking about might just be thinking of you too.

 

Director: Jordan Gear

Writer: Jordan Gear

 

Links:

  • YouTube – Ace
  • IMdb – Ace
  • Mrs. McCutcheon – Movie Review

Filed Under: Movie Reviews Tagged With: Ace 2018 review, college love story, film review, friendship and love, indie drama, LGBT romance film, Lukas Gage, Michael Felix, queer cinema, unspoken desire

Mrs. McCutcheon – Movie Review

11/08/2025 By ACOMSDave Leave a Comment

Review: Mrs. McCutcheon – A Radiant Short About Identity, Friendship, and Daring to Dance
By David McFarlane

Mrs McCutcheon Now and then, a short film comes along that says more in 16 minutes than some features manage in two hours. Mrs. McCutcheon, directed by John Sheedy and co-written with Ben Young, is one such gem — a heartfelt, unapologetic embrace of childhood difference, gender identity, and the bravery it takes to simply be yourself in a world that prefers conformity.

…Hey

This here, is my skin

This here is your skin

You got to be proud of that…

 

At the heart of the film is Tom — or rather, Mrs. McCutcheon — a 10-year-old child who knows, without hesitation, that the name assigned at birth does not reflect who they truly are. In a world that struggles to handle nuance, Mrs. McCutcheon strides forward in floral dresses and honesty, yearning not for attention but for belonging. Alec Golinger’s performance is luminous — tender without being twee, assured without being overly precocious. It’s the kind of portrayal that feels rare: childlike, but deeply wise.

Navigating a new school for the third time, Mrs. McCutcheon is predictably met with the usual cocktail of curiosity, ridicule, and cruelty. But amid the storm stands Trevor, played beautifully by Wesley Patten — a boy who understands what it means to be on the outside. As an Aboriginal child in a predominantly white school, Trevor’s marginalisation quietly mirrors Mrs. McCutcheon’s. Their friendship is the film’s heartbeat: subtle, sturdy, and transformative.

What Mrs. McCutcheon captures so well is the dual truth of childhood — that it can be both wildly cruel and deeply compassionate. The school dance, that almost-mythic rite of passage, becomes a stage for something far greater than a night of awkward swaying and bad punch. Without spoiling the moment, let’s just say the ending is bold, liberating, and quietly revolutionary. It left me teary-eyed and hopeful.

Technically, the film is a joy. Its cinematography bathes the story in warmth and colour, refusing to dull its vibrancy for the sake of “grit.” There’s humour, too — gentle, clever, and never at the expense of its characters. Sheedy and Young never preach, but they do remind us that courage isn’t always loud. Sometimes, it’s wearing a dress to a school dance and daring the world not to look away.Mrs McCutcheon Mrs McCutcheon

Mrs. McCutcheon is not just a celebration of gender diversity and youthful resilience — it’s a reminder that our differences are not flaws to overcome but truths to be honoured. And in today’s climate, where LGBTQ+ youth still face so many barriers, stories like this aren’t just important. They’re essential.

This award-winning short, lauded across festivals from Melbourne to São Paulo, deserves to be seen, shared, and remembered — not only for what it says, but for how beautifully it says it.

Director

John Sheedy

Writers

Ben Young

John Sheedy

Stars

Alec Golinger

Wesley Patten

Nadine Garner

 

Links:

  • YouTube – Mrs. McCutcheon
  • IMDb – Mrs. McCutcheon
  • Movie Lists

 

Filed Under: Movie Reviews, Reviews Tagged With: Alec Golinger, Australian short film, award-winning short, coming of age, diversity in film, friendship, gender identity, inclusive storytelling, John Sheedy, LGBTQ+ film, LGBTQ+ representation, Melbourne Queer Film Festival, Mrs. McCutcheon, queer cinema, Sao Paulo Short Film Festival, school dance, short film, Stream Short Films, trans youth, Wesley Patten

August (Août) – Movie Review

08/08/2025 By ACOMSDave Leave a Comment

Review: August (Août) – A Fever Dream of Queer Youth and Unspoken Longing
By David McFarlane

Aout or AugustThere’s something elusive, almost spectral, about August (Août), Louis Thines’ short film about youth, identity, and the electric charge of uncertain desire. Like the haze of a sun-drenched French summer, it is beautiful to look at but often slips through your fingers the moment you try to hold onto it.

Thines, who writes, directs, and stars, gives us Louis — a young man drifting between adolescence and adulthood, unsure whether the world he’s entering will accept the parts of him still forming. He visits his best friend Roxane in the south of France, and we are drawn immediately into the languid rhythms of long days, warm light, and the emotionally loaded quiet between people who are not quite saying what they feel.

Enter Jérémy (played with understated magnetism by Jérémy Papallardo), a stranger met at a party who seems to reflect all that Louis is unsure of in himself. Their interactions, captured through soft, intimate cinematography, shimmer with possibility. It’s less about dialogue and more about proximity — bodies not touching, glances exchanged, silences that thrum with meaning.

And then — a kiss. Or rather, the suggestion of one. A brief, pivotal moment when Jérémy leans in and Louis recoils, not with revulsion, but confusion. We hold our breath. And then… nothing. The moment vanishes, like a wave that never breaks.

It’s in this unresolved space that August both finds its mood and loses its momentum. The film never quite allows us to know what Louis wants, or even who he is — and perhaps that’s the point. But while ambiguity can be powerful, here it feels more like absence. As a viewer, I felt not only suspended but slightly abandoned.

Technically, though, August is stunning. From the golden palette of late afternoons to the sound design that captures the lazy hum of a southern summer, Thines has crafted a world I believed in completely. Every frame feels lived-in, every gesture natural, every moment held just long enough to suggest there is more beneath the surface.Aout or August

But narrative, like desire, needs direction. And here, August hesitates when it most needs to speak. The queer experience, especially in youth, is often defined by silences — those moments when we don’t say what we feel, or don’t know how. Thines understands this deeply. But in the end, I wanted a little more certainty, even if it was just emotional honesty.

August is a film about the in-between — between boyhood and manhood, friendship and love, self-assurance and fear. It is gorgeously observed, but narratively restrained. Whether that restraint is poetic or simply withholding will depend on the viewer. For me, it was a beautiful near-miss: tender, evocative, and frustratingly incomplete.

Still, I’d rather a filmmaker risk saying too little than too much. And I’ll be watching Thines’ future work with great interest. He has an eye — and a heart — worth paying attention to.

Aout or August

Links:

  • YouTube – Aout or August
  • IMDB – Aout or August
  • Orange Cheesecake

 


Would you like a shorter version for social media or a tagline for promotion?

Filed Under: Movie Reviews, Reviews Tagged With: Août, August, coming of age, European cinema, film criticism, French short film, gay romance, indie film, Jérémy Papallardo, LGBTQ+ film, LGBTQ+ storytelling, Louis Thines, queer cinema, queer identity, queer representation, queer youth, Roxane Hérault, short film review, summer romance, unresolved desire

Categories

Copyright ACOMSDave.com © 2025