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Review of “Oskar | A Coming-of-Age Short Film”

27/01/2026 By ACOMSDave Leave a Comment

OskarJoris Deffte’s “Oskar” is a student project that delves into familiar territory, focusing on the poignant transition of letting go of old friendships to embrace new beginnings. Deffte himself acknowledges a degree of dissatisfaction with the final product, yet his decision to share it offers viewers a glimpse into the challenges and rewards of youthful self-discovery.
 
The film centres around Oskar, played by Julian Maucher, as he navigates the shifting sands of adolescence. The narrative hinges on Oskar’s relationship with his old friend, Nick (played by Joris Deffte), and the necessity of moving on to find “new people and more joy in life.” While the description remains vague about the specific events that trigger this change, it’s clear that the film explores themes of growth, change, and the sometimes painful process of leaving the past behind.
 
The supporting cast, including Lara Jermann as Anna and Hamo Othman as Alex, likely play roles in Oskar’s journey, perhaps representing the “new people” he encounters. The involvement of family members, with Heike Werner von Niessen as Oskar’s Mother, Silke Deffte as Nick’s Mother, and Michael Deffte as Nick’s Father, suggests that the film also explores familial relationships and their impact on adolescent development.
Oskar Oskar
 
Technically, the film benefits from the work of Jan-Oliver Schenke as Director of Photography, with Linda Schmitz and Christopher Meier-Wilkening handling light and sound. The music, featuring Jack Vallier’s “Change Your Mind,” likely complements the film’s emotional tone.
 
Despite Deffte’s reservations, “Oskar” presents a relatable narrative about the complexities of growing up. Its exploration of friendship, change, and the search for personal fulfilment resonates with audiences who have experienced similar transitions in their own lives. While its status as a student project might imply certain limitations, the film’s heart and its willingness to tackle universal themes make it a worthwhile watch. The film is available on Joris’s YouTube channel.
Oskar
 
 
Oskar – CAST
Oskar – Julian Maucher
Anna –  Lara Jermann
Alex –   Hamo Othman
Nick-   Joris Deffte
Oskar’s Mum –  Heike Werner von Niessen
Nick’s Girlfriend –  Linda Schmitz
Nick’s Mother –  Silke Deffte
Nick’s Father –  Michael Deffte

CREW
Director of Photography –  Jan-Oliver Schenke
Light & Sound –  Linda Schmitz + Christopher Meier-Wilkening
Helping Hands –  Alexander Kläsener + Elvira Antipova

Editing =  Joris Deffte

MUSIC
Jack Vallier – Change Your Mind

Written and directed by Joris Deffte
Produced by Linda Schmitz & Joris Deffte

Links:

  • Oskar | A Coming-of-Age Short Film
  • ’17’ A Small Hookup Story with a Heavy Echo – A movie review
 
 

Filed Under: Movie Reviews, Reviews Tagged With: change, coming of age, English subtitles, friendship, growth, independent film, Joris Deffte, Oskar, short film, student project

The Gold Thread Gallery – Exhibition Review for Sophie Calle

18/08/2025 By ACOMSDave Leave a Comment

 

Golden Thread Gallery - Sophie CalleThe Golden Thread Gallery is hosting an exhibition of Sophie Calle’s work, titled

‘Beyond the Gaze – Shared Perspectives.’

1. Downstairs – is showing Sophie Calle’s Voir la mer (To See The Sea), which shows the reactionsLa Mer - Sophie Calle
of several residents of Istanbul who had never seen the sea or the seashore before.
Three separate projectors show the individuals and their expressions on seeing the
sea/seashore for the first time.

 

La Mer - Sophie Calle

 

 

 

 

 

 

2. Upstairs – L’Hotel (The Hotel), which has several panels which are organisedL'Hotel - Sophie Calle
by date and show several photographs taken by Sophie Calle whilst working ‘undercover’ as
a chambermaid in a Venice Hotel.

The whole exhibition (downstairs and upstairs) is interesting, and may well resonate with
many viewers, however, I was not sold on either floor of work; indeed, the upstairs showing
photos of people’s items, from their lives, in their rooms, felt like I was a
voyeur intruding on their privacy.

I would be interested in receiving other people’s observations, views, and comments.

 

Link:

  • Wikipedia – Sophie Calle
  • The Guardian – Photographer Sophie Calle’s best shot
  • Decoys & Ghosts – Art Exhibition – Golden Thread Gallery, Belfast

The Gold Thread Gallery
Address: 23-29 Queen St, Belfast BT1 6EA

Website: goldenthreadgallery.co.uk

Filed Under: Reviews Tagged With: art critique, art gallery belfast, art installations, beyond the gaze shared perspectives, contemporary art exhibition, golden thread gallery belfast, goldenthreadgallery.co.uk, istanbul residents see the sea, l’hotel, modern art ireland, photography exhibition belfast, sophie calle, sophie calle exhibition 2025, venice hotel photography, voir la mer, voyeurism in art

Mrs. McCutcheon – Movie Review

11/08/2025 By ACOMSDave Leave a Comment

Review: Mrs. McCutcheon – A Radiant Short About Identity, Friendship, and Daring to Dance
By David McFarlane

Mrs McCutcheon Now and then, a short film comes along that says more in 16 minutes than some features manage in two hours. Mrs. McCutcheon, directed by John Sheedy and co-written with Ben Young, is one such gem — a heartfelt, unapologetic embrace of childhood difference, gender identity, and the bravery it takes to simply be yourself in a world that prefers conformity.

…Hey

This here, is my skin

This here is your skin

You got to be proud of that…

 

At the heart of the film is Tom — or rather, Mrs. McCutcheon — a 10-year-old child who knows, without hesitation, that the name assigned at birth does not reflect who they truly are. In a world that struggles to handle nuance, Mrs. McCutcheon strides forward in floral dresses and honesty, yearning not for attention but for belonging. Alec Golinger’s performance is luminous — tender without being twee, assured without being overly precocious. It’s the kind of portrayal that feels rare: childlike, but deeply wise.

Navigating a new school for the third time, Mrs. McCutcheon is predictably met with the usual cocktail of curiosity, ridicule, and cruelty. But amid the storm stands Trevor, played beautifully by Wesley Patten — a boy who understands what it means to be on the outside. As an Aboriginal child in a predominantly white school, Trevor’s marginalisation quietly mirrors Mrs. McCutcheon’s. Their friendship is the film’s heartbeat: subtle, sturdy, and transformative.

What Mrs. McCutcheon captures so well is the dual truth of childhood — that it can be both wildly cruel and deeply compassionate. The school dance, that almost-mythic rite of passage, becomes a stage for something far greater than a night of awkward swaying and bad punch. Without spoiling the moment, let’s just say the ending is bold, liberating, and quietly revolutionary. It left me teary-eyed and hopeful.

Technically, the film is a joy. Its cinematography bathes the story in warmth and colour, refusing to dull its vibrancy for the sake of “grit.” There’s humour, too — gentle, clever, and never at the expense of its characters. Sheedy and Young never preach, but they do remind us that courage isn’t always loud. Sometimes, it’s wearing a dress to a school dance and daring the world not to look away.Mrs McCutcheon Mrs McCutcheon

Mrs. McCutcheon is not just a celebration of gender diversity and youthful resilience — it’s a reminder that our differences are not flaws to overcome but truths to be honoured. And in today’s climate, where LGBTQ+ youth still face so many barriers, stories like this aren’t just important. They’re essential.

This award-winning short, lauded across festivals from Melbourne to São Paulo, deserves to be seen, shared, and remembered — not only for what it says, but for how beautifully it says it.

Director

John Sheedy

Writers

Ben Young

John Sheedy

Stars

Alec Golinger

Wesley Patten

Nadine Garner

 

Links:

  • YouTube – Mrs. McCutcheon
  • IMDb – Mrs. McCutcheon
  • Movie Lists

 

Filed Under: Movie Reviews, Reviews Tagged With: Alec Golinger, Australian short film, award-winning short, coming of age, diversity in film, friendship, gender identity, inclusive storytelling, John Sheedy, LGBTQ+ film, LGBTQ+ representation, Melbourne Queer Film Festival, Mrs. McCutcheon, queer cinema, Sao Paulo Short Film Festival, school dance, short film, Stream Short Films, trans youth, Wesley Patten

El Paisa – Movie Review

10/08/2025 By ACOMSDave Leave a Comment

El Paisa‘El Paisa’ is a raw, heartfelt journey that vividly captures the vibrant pulse of East LA’s streets and the hidden layers of its communities. Fernando’s story—a gay goth skater navigating the shadowy corners of love and identity—resonates with an authenticity that speaks to anyone who’s ever felt torn between worlds. The film’s portrayal of his rescue by a stern vaquero isn’t just a plot point; it’s a powerful symbol of unexpected kinship and the breaking down of barriers.

What truly elevates *El Paisa* is how it seamlessly weaves alternative Latine subcultures with universal themes of belonging, heartache, and self-acceptance. It’s a coming-of-age tale that refuses to shy away from the complexities of queer identity, all while celebrating the strength found in community—be it through family, chosen or blood. The film’s visual style and soundtrack pulse with the energy of East LA’s streets, creating an immersive experience that honours its diverse characters and their stories.

In its core, *El Paisa* is a unifying anthem—a reminder that beneath our different facades lies a shared humanity, one that unites us through stories of love, loss, and resilience. It’s a must-watch for anyone craving a film that’s as bold and colourful as the communities it celebrates.

 

Links:

  • YouTube – El Paisa
  • PBS Short Film Festival 2024
  • August (Août) – Movie Review
El Paisa

El Paisa
El Paisa

Filed Under: Movie Reviews, Reviews Tagged With: alternative culture, coming out stories, coming-of-age drama, community, East LA, El Paisa, Latine subcultures, Latinx cinema, LGBTQ+ films, queer identity, resilience

August (Août) – Movie Review

08/08/2025 By ACOMSDave Leave a Comment

Review: August (Août) – A Fever Dream of Queer Youth and Unspoken Longing
By David McFarlane

Aout or AugustThere’s something elusive, almost spectral, about August (Août), Louis Thines’ short film about youth, identity, and the electric charge of uncertain desire. Like the haze of a sun-drenched French summer, it is beautiful to look at but often slips through your fingers the moment you try to hold onto it.

Thines, who writes, directs, and stars, gives us Louis — a young man drifting between adolescence and adulthood, unsure whether the world he’s entering will accept the parts of him still forming. He visits his best friend Roxane in the south of France, and we are drawn immediately into the languid rhythms of long days, warm light, and the emotionally loaded quiet between people who are not quite saying what they feel.

Enter Jérémy (played with understated magnetism by Jérémy Papallardo), a stranger met at a party who seems to reflect all that Louis is unsure of in himself. Their interactions, captured through soft, intimate cinematography, shimmer with possibility. It’s less about dialogue and more about proximity — bodies not touching, glances exchanged, silences that thrum with meaning.

And then — a kiss. Or rather, the suggestion of one. A brief, pivotal moment when Jérémy leans in and Louis recoils, not with revulsion, but confusion. We hold our breath. And then… nothing. The moment vanishes, like a wave that never breaks.

It’s in this unresolved space that August both finds its mood and loses its momentum. The film never quite allows us to know what Louis wants, or even who he is — and perhaps that’s the point. But while ambiguity can be powerful, here it feels more like absence. As a viewer, I felt not only suspended but slightly abandoned.

Technically, though, August is stunning. From the golden palette of late afternoons to the sound design that captures the lazy hum of a southern summer, Thines has crafted a world I believed in completely. Every frame feels lived-in, every gesture natural, every moment held just long enough to suggest there is more beneath the surface.Aout or August

But narrative, like desire, needs direction. And here, August hesitates when it most needs to speak. The queer experience, especially in youth, is often defined by silences — those moments when we don’t say what we feel, or don’t know how. Thines understands this deeply. But in the end, I wanted a little more certainty, even if it was just emotional honesty.

August is a film about the in-between — between boyhood and manhood, friendship and love, self-assurance and fear. It is gorgeously observed, but narratively restrained. Whether that restraint is poetic or simply withholding will depend on the viewer. For me, it was a beautiful near-miss: tender, evocative, and frustratingly incomplete.

Still, I’d rather a filmmaker risk saying too little than too much. And I’ll be watching Thines’ future work with great interest. He has an eye — and a heart — worth paying attention to.

Aout or August

Links:

  • YouTube – Aout or August
  • IMDB – Aout or August
  • Orange Cheesecake

 


Would you like a shorter version for social media or a tagline for promotion?

Filed Under: Movie Reviews, Reviews Tagged With: Août, August, coming of age, European cinema, film criticism, French short film, gay romance, indie film, Jérémy Papallardo, LGBTQ+ film, LGBTQ+ storytelling, Louis Thines, queer cinema, queer identity, queer representation, queer youth, Roxane Hérault, short film review, summer romance, unresolved desire

Everybody’s Talking About Jamie – Review

04/08/2025 By ACOMSDave Leave a Comment

“Everybody’s Talking About Jamie”, brought to life by the talented students of The Alfie Boe James Huish Academy of Theatre Arts, is a remarkably inspiring and vibrant musical that captivates audiences with its heartfelt story and energetic production. Performed at The MAC Theatre in Belfast, it’s described as a “bold, beautiful, and perfectly timed” piece of theatre.

BEveryone is talking about Jamieased on a true story, Everybody’s Talking About Jamie, the musical follows 16-year-old Jamie New from Sheffield, a young dreamer with a big heart, a supportive mum, and the courage to live authentically. His journey of self-acceptance reaches a climax when he prepares to attend prom dressed in a dress—a moment that celebrates identity, pride, and the power of being true to oneself. As Director James Huish emphasises, “Jamie isn’t just a musical; it’s a message about growing up, finding your tribe, and standing tall in your truth.” Lead actor Dara Setanta McNaughton sums it up perfectly: the story will resonate with any young person who’s ever 

Everyone is talking about Jamiefelt like an outsider.

The production pulses with vibrant energy, showcases incredible talent, and features a stellar cast. Audiences are treated to catchy songs, heartfelt storytelling, and eye-catching staging. RehEveryone is talking about Jamieearsals buzzed with energy, and the cast—comprising talented young adults and seasoned performers from across Northern Ireland—delivered performances described as absolutely superb. The opening night was a hit, with audiences loving every moment.

Dara Setanta McNaughton, a young actor from the North Coast and former Ballywillan Drama Group member, takes on the role of Jamie. For Dara, playing Jamie has been “one of the most rewarding experiences” he’s ever had, describing the show as funny, emotional, and empowering. Sharing this story with a cast that feels like family made the journey even more meaningful.

This fantastic show is directed by James Huish, with choreography by Gemma Greene and musical direction by Andrew Robinson. It’s an amateur production, brought to life through the generous arrangement of Concord Theatricals Ltd.

Running from Wednesday 23rd to Saturday 26th July 2025 at 7:30 pm, the timing is perfect—just as Belfast Pride 2025 kicks off. With an age recommendation of 14+ due to some language, it’s a must-see production that promises to leave a lasting impression.

This wonderful musical production also reminded me of  Sequins, which I reviewed in Jan 2022

Links:

  • Sequins 
  • Everybody’s Talking about Dara: North Coast actor takes lead in Mac musical

 

https://acomsdave.com/wp-content/uploads/Sneak-preview-of-wonderful-cast-day-2-of-rehearsal.mp4

Filed Under: Reviews, Theatre Reviews Tagged With: Belfast Pride 2025, Belfast theatre, Everybody’s Talking About Jamie, inspiring musical, LGBTQ+ theatre, live performance, musical review, Pride, self-acceptance, theatre arts

The Letter Men – Movie Review

03/08/2025 By ACOMSDave Leave a Comment

Review: The Letter Men – A Quiet Masterpiece of Queer Remembrance

The Letter MenIt’s not every day that a story finds you — especially one as moving and improbable as that of The Letter Men. But that’s precisely what happened to director Andy Vallentine. In his own words, he stumbled across the love story of Gilbert Bradley and Gordon Bowsher while scrolling online, yet what followed was no casual discovery. It became a deeply personal pilgrimage to honour lives lived in secret, with love expressed in ink but forbidden in the flesh.

 

…No conception of what our love is…
 
…How far away we seem from the rest of the world…

 

Gilbert Bradley kept Gordon’s letters until he died in 2007, and they were then rediscovered in 2015. bringing their love story to light.

Based on the largest surviving collection of queer love letters from the Second World War, The Letter Men does more than dramatise a historical romance. It gives voice to the silenced — not in anger, but in reverence. Vallentine’s Director’s Statement reveals not only the historical weight of the story but also the emotional and ethical responsibility he felt in telling it. This isn’t opportunistic filmmaking; it’s stewardship.

The casting of Garrett Clayton as Gilbert and Matthew Postlethwaite as Gordon brings authenticity and tenderness to roles that could so easily have slipped into caricature. But under Vallentine’s hand, every gesture, glance, and silence feels earned. This is a film about longing — not just the yearning between two men separated by war, but the aching for recognition, dignity, and permanence in a world determined to forget them.The Letter Men

It’s also a visually rich experience. Oren Soffer’s cinematography is painterly, with the production and costume design capturing 1940s England not in sepia-toned nostalgia, but with a lived-in texture. Even the visual effects — subtle as they are — seem to serve the memory of these men, never overshadowing the human drama at the core.

What struck me most, however, wasn’t the historical significance — which is undeniable — but the contemporary resonance. As Vallentine notes, telling diverse, underrepresented stories is not just a moral imperative, but the very reason for making art at all. In a cultural moment where LGBTQ+ histories are still at risk of erasure or dismissal, The Letter Men becomes more than a film. It becomes testimony.

It’s a rare thing to watch a director so transparently moved by his subject and so determined to let it speak for itself. Andy Vallentine doesn’t just tell Gilbert and Gordon’s story; he listens to it. That humility, that attentiveness, is what elevates this short film into something unforgettable.

In the end, The Letter Men isn’t only about love letters. It is a love letter — to the past, to the possibility of queer futures, and to all those who wrote their truths down in hope, never knowing if anyone would ever read them.

Links:

  • IMDB – The Letter Men
  • Wikipedia – Man in an Orange Shirt
  • BBC – Forbidden love: The WW2 letters between two men
  • YouTube – The Letter Men
  • Escapade – Movie Review

Filed Under: Movie Reviews, Reviews Tagged With: Andy Vallentine, director's statement, Garrett Clayton, gay love letters, gay romance, Gilbert and Gordon, historical drama, LGBTQ+ cinema, LGBTQ+ film, LGBTQ+ storytelling, LGBTQ+ visibility, Matthew Postlethwaite, queer history, queer remembrance, queer representation, short film review, The Letter Men, wartime romance, WWII love story

Mad About The Boy – Noel Coward

13/06/2023 By ACOMSDave Leave a Comment

Mad About The BoyI watched Mad About The Boy the documentary about Noel Coward in the Queens Film Theatre, Belfast and was intrigued and entranced with Noel’s life, his ability to have escaped from poverty with a father who is mentioned briefly in the beginning and who was a piano salesman, and his mother who was his bedrock throughout his life until she died in 1954.

The Beginning

Coward was born on the 16th of December 1899 and lived until 1973.  He had very little formal schooling, leaving full-time education when he was 9 years old, but haunting his local library where he was a voracious reader and self-educated himself.  But he had been bitten by the performing bug early on and at age 7 appeared in local productions.  This was encouraged by his mother, who arranged for him to attend a dance academy.  Then through a small (wee) advertisement in the Mirror which asked for young boys to apply for a part in a play with Lila Field The Goldfish.  The road was set.

War Service

His career had its ups and downs, he didn’t see World War 1 service due to being ‘unfit for service’; however, during World War 2 he worked early on with the British Secret Service in Paris and then in the USA.  In both locations, he gathered intelligence and passed it on, and he also sought to influence people to support the United Kingdom.

Unfortunately, during this time, the British Media were very anti-Coward – ‘why should he be able to prance about and live the high life, when his fellow countrymen were being killed’.  Coward was deeply hurt by this but was unable to reply to their barbs due to the Official Secrets Act.

Relationships

Running in conjunction with his acting was his social life, including his gay life.  He had a number of discreet relationships – most of substantial length, the longest being with the film actor Graham Payne, and this began in the mid-1940s and lasted until Coward’s death.

Noel Coward loved people, men and women, and had deep friendships with a select band throughout his life.Mad About the Boy

And binding all this together was his ability to act, write plays and musicals, write lyrics, poetry and also music – he was the ‘Quintessential British Gentleman’.

The documentary shows all of the above and more, being able to show highlights from home videos made by Coward and his friends, but also the newsreels of the time, picture archives and Rupert Everett reading some of his journals extracts, and Alan Cummings narration it is fully entrancing, you get some idea of the man.

I enjoyed the movie/documentary, but at times it felt weird to watch a current showing with black-and-white excerpts.  Yes, the home movies probably did not have sound, but a lot of the films of his work would and I cannot understand why these were not included.  Their silences did not add to the overall structure of the documentary.

The Man

Coward was a unique man, and like all of us had good and bad bits, but without doubt he was in most ways a renaissance man.

 

Links

  • Wikipedia – Noel Coward 
  • The Guardian – Mad About the Boy: The Noël Coward story review – fascinating portrait of a 20th-century great
  • IMDB – Mad About the Boy: The Noel Coward Story 
  • YouTube – Mad About The Boy 
  • YouTube Trailer for Mad About the Boy Documentary
  • Photographs – A Gay Movie Review

 

Movie Information:

Directed by Barnaby Thompson

Writing Credits – Barnaby Thompson

Music by – Rael Jones

Editing by – Ben Hilton

 

 

 

 

 

Filed Under: Movie Reviews, Reviews Tagged With: British Intelligence Service, gay, Gay Partner, Mad About The Boy, Noel Coward, Paris, Queen's Film Theatre, USA

Queen’s University, Naughton Gallery Sports Exhibition – Fix Your Pony

07/04/2023 By ACOMSDave Leave a Comment

This is the Naughton Gallery’s fifth sports exhibition series, celebrating ‘art and sport’ coming together and delving into the areas of diversity and inclusion.

Fix Your PonyFix Your Pony is an interesting exhibition in its scope, width and range of contemporary artists:

  • Rachelle Baker
  • Laura Callaghan
  • Nial Cullen
  • Emile-Samory Fofana
  • Justin French
  • M. S. Harkness
  • Jaime Hernandez
  • A Klass
  • Dougal McKenzie
  • Thenjiwe Niki Nkosi
  • Nana Yaw Oduro
  • Bram Paulussen
  • Sars Perovic 

and the artists in various degrees tackle

  • race
  • gender
  • politics
  • sexuality

but they also go beyond this to look at areas such as

  • basketball
  • skateboarding
  • gymnastics
  • tennis
  • lucha libre (Mexican wrestling)

and not least bull racing in Bali!  Fix Your Pony makes you think because the answers are not always obvious.   Oscar Wilde said, 

“If a thing is worth doing, it is worth doing well. If it is worth having, it is worth waiting for.

If it is worth attaining, it is worth fighting for. If it is worth experiencing, it is worth putting aside time for.”

 

If you have not been to Queens University for a visit, and also the Naughton Gallery, it is very easy to discover – a simple 22 min stroll for Belfast City Centre.

 

All the artists have their own story, but I’ve delved back in time to two who I remember:

  • Hello Mr - Fix Your PonyRyan Fitzbiggon and his “Hello Mr” (01/06-30/07/2017) showed the diversity of gay culture …it is a community of “men who date men”, starting new conversations about their interests, loves, hopes and fears…

and

  • Brock Williams and Chris Lin - Fix Your PonyBrock William and Chris Lin and their “Yummertime” (18/10-12/12/2018) … s San Francisco-based lifestyle and photography blog co-founded..

Please do go and find this small, wonderful gallery, and view the current showing but remember, the story is always changing at the Naughton as do the exhibitions.

 

 

 

Links:

  • 2017 – Royal Ulster Academy of Arts Exhibition

 

Filed Under: Reviews Tagged With: Brock William, Chris Lin, Fix Your Pony, Hello Mr, Naughton Gallery, Queen's University, Ryan Fitzgibbon, Yummertime

Where Have All The Lesbians Gone

19/05/2022 By ACOMSDave Leave a Comment

Where Have All the Lesbians Gone is this excellent documentary is still on More 4 from its broadcast date and time (Thu 28 Apr, 10.30 pm).  It is an in-your-face documentary, exploring what a lesbian is, is the term ‘lesbian’ is right for today and is it an old dated term that carries connotations from the past.  As a documentary, it shows a wide range of wonderful women who are not frightened talking about themselves, their love and sex life, and the expectations of society – inclusive of which is how the media treats lesbians in movies, and soap operas, books etc.

The documentary explores the opportunities of lesbians to have children, indeed have and live a wonderfully fulfilling life.  Where Have All The Lesbians Gone premiered in the middle of ‘Lesbian Visibility Week’, and it brought to the screen with sometimes hilarious anecdotes about the real lives of lesbians. It didn’t shy from using swear words when appropriate to a story; it wasn’t done with gratification, it was done in normal speech.

Links:

  • Channel 4 – Where Have All The Lesbians Gone
  • Where have all the Lesbians gone? (2000) from Vancouver dykes
  • Where Have All the Lesbians Gone? Part 1 (The Eight Square’s Corner) – a dramatic reading of an article by Katie Herzog
  • The same-sex marriage referendum has transformed Ireland before it’s even begun
  • Book Review: Serious Pleasure
  • Homotopia presents… 1967: Where are all the Lesbians?

 

 

Where Have All the Lesbians Gone Where Have All the Lesbians Gone

 

 

 

 

 

Filed Under: Reviews, TV programme reviews Tagged With: gay women, history, Lesbians, love lesbians, marginalised, powerful

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