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Oranges [2004] Movie Review

25/09/2025 By ACOMSDave Leave a Comment

Oranges (2004) – A Small Story with Lasting Taste

Oranges 2004Oranges, the 2004 Australian short, is striking in its simplicity. Nothing grand happens here, yet everything that matters does. A bicycle accident brings two boys together; one brags about his experiences with girls, though whether it’s truth or bravado is left for us to quietly consider. What unfolds in these ordinary exchanges is less about the words spoken and more about the silences between them—the hesitations, the glances, the fragile reach of teenage bravado colliding with real curiosity.

What gives the film its coherence is the spirit of age—that tender, awkward threshold where innocence meets awareness. Two boys, trying to impress one another, trying to test the edges of possibility, and eventually circling the fascination of a kiss. The moment arrives with a delicacy that feels unforced. It is not spectacle, not melodrama, but something closer to memory itself. For many viewers, it will stir recognition: the taste of first encounters, the fragile intensity of being young and unsure, the imprint of moments that change everything even as they pass quickly.

The casting matters here. Both actors are of the right age, and there is no artifice in their performances. Their willingness to share that kiss without hesitation makes the film feel honest, free from the self-consciousness that often burdens such portrayals. The beauty of Oranges lies in this lack of pretension.

And then, the final image: the orange itself, tied back to the story in a way that lingers. Its taste—sweet, sharp, and fleeting—becomes the memory that covers over the awkwardness of the encounter, leaving behind something strangely whole. Like Proust’s madeleine, it anchors the moment, giving it both poetry and permanence.

Oranges is a lovely short film. Touching, tender, fragile, more than realistic. In its small gestures, it finds truth. In its simplicity, it offers revelation. And like the fruit itself, it lingers—bright, bittersweet, unforgettable

Director:  Kristian Pithie

Writer:     Kristian Pithie

Stars:       Martin Sharpe,  Thomas Blackburne,  Robyn Nethercote

 

Oranges 2004

Oranges 2004

Oranges 2004

Links:

  • IMDB – Oranges [2004]
  • Boys Grammar [2005]

Filed Under: Movie Reviews Tagged With: Australian short films, coming of age short film, gay youth stories, LGBT representation in film, LGBTQ cinema Australia, LGBTQ film reviews, Oranges 2004 film, Oranges movie analysis, Oranges short film review, queer short films, teenage first kiss film, tender short movies

Boys Grammar [2005] – Movie Review

18/09/2025 By ACOMSDave Leave a Comment

 

Boys Grammar – A Harrowing Short Film

Boys GrammarBoys Grammar is a short film that lingers with you long after the screen fades. Directed by Dean Francis and written by Rozlyn Clayton-Vincent, the 2005 award-winning piece pulls no punches in its portrayal of bullying, toxic masculinity, and the silence of institutions that should protect the vulnerable.

The story follows Gareth – or Gary – a student at a prestigious boys’ school. When a magazine with nude male images is found in his possession, he insists it is for art, saying simply, “I like the human form.” But his classmates seize on it as proof of something else, and in moments he is branded a “faggot” and subjected to escalating abuse. What begins with taunts quickly spirals into physical and sexual assault, shot with such raw intensity that it feels less like schoolyard cruelty and more like a descent into horror.

The film’s most chilling turn comes afterwards, not in the violence itself but in its aftermath. Gareth comes home late to a family dinner, only to discover one of his tormentors – Nick – sitting comfortably at the table as a guest. Gareth, still shaken and desperate to leave school, finds no comfort in his father. Mr. Jaeger dismisses his son’s pleas, insisting that these ordeals are part of growing up – “a rite of passage” that will harden him into a man.

The dinner scene is unbearable to watch for its quiet betrayal. While Gareth sits in silence, his father and his abuser bond over the philosophy that “what doesn’t kill you makes you stronger.” The cruelty is not in the words themselves, but in their weight: Gareth’s pain is ignored, his voice erased, while his abuser is validated. When his father offers him a cigar as a token of manhood, it becomes clear that violence has not only been excused but sanctified, passed down as tradition.

Boys Grammar is not an easy film to watch. Its power lies in exposing how cruelty is normalised – at school, at home, in the very structures meant to nurture. The violence in the playground is shocking, but the quiet violence at the dinner table cuts even deeper. It shows how cycles of abuse are sustained, not just by the perpetrators, but by the fathers, teachers, and authority figures who look away or even nod in approval.

This is a film that unsettles because it is so plausible, so close to reality. It reminds us that the harshest lessons are not always taught in classrooms, but in homes where empathy is replaced with a rigid, destructive code of masculinity.

 

Boys Grammar Boys Grammar Boys Grammar

Links:

  • Boys Grammar (2005) Short Drama Award Winning Short Film
  • IMDB – Boys Grammar
  • An Instant (Une Instante) – Movie Review

 

Filed Under: Editor to ACOMSDave Tagged With: Australian short films, Boys Grammar 2005 short film, Boys Grammar film review, bullying in films, Dean Francis, LGBT cinema, psychological horror short, queer short films, rites of passage in film, Rozlyn Clayton-Vincent, toxic masculinity

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