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Un Invincible Été

26/10/2025 By ACOMSDave Leave a Comment

Un Invincible Été: A Tender Coming-of-Age Story

Un invincible étéA Brief but Powerful Exploration of Teenage Desire and Self-Discovery

Arnaud Dufeys’ short film Un Invincible Été captures a pivotal moment in adolescence with remarkable sensitivity and restraint. In just a brief runtime, the film manages to convey the complexity of teenage sexuality, vulnerability, and the sometimes uncomfortable gap between expectation and reality.

The premise is deceptively simple: 16-year-old Clément (Vadiel Gonzalez Lardued), bored and restless during a hot summer evening by the pool, decides tonight’s the night he’ll lose his virginity. Armed with Grindr and a lie about his age, he arranges to meet 24-year-old Naël. What follows is a delicate portrait of anticipation, nervous energy, and ultimately, a different kind of awakening than Clément expected.

What makes this film particularly effective is its refusal to sensationalize. Writer Nicolas Moulin crafts a narrative that understands the urgency and single-mindedness of teenage desire while also acknowledging the emotional complexity beneath it. The film’s turning point—when Clément encounters a body “completely different from Naël’s”—becomes not just about physical intimacy but about accepting reality versus fantasy, and the messy, imperfect nature of growing up.

The performances are naturalistic and unforced, particularly Gonzalez Lardued’s portrayal of Clément’s mix of bravado and uncertainty. Dufeys directs with a light touch, letting moments breathe and trusting his audience to read between the lines. The summer setting—the pool, the heat, the isolation—creates an almost dreamlike atmosphere that perfectly captures that strange liminal space of adolescence.

Un Invincible Été doesn’t provide easy answers or moralize about its subject matter. Instead, it offers an honest, empathetic glimpse into a formative moment, reminding us that coming of age is rarely about grand revelations but rather small, sometimes awkward moments of truth that shape who we become.

A thoughtful, mature short that lingers in the mind long after its brief runtime.

 

Un invincible été Un invincible été Un invincible été Un invincible été

Links:

  • IMDB – Un Invincible Ete 
  • YouTube – Un Invinvible Ete

 

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Filed Under: Movie Reviews Tagged With: arnaud dufeys, coming of age, french gay film, French short film, gay coming out, gay short film, gay teen movie, grindr movie, independent cinema, lgbtq short, LGBTQ+ cinema, queer cinema, queer short film, summer romance, teen sexuality, un invincible été, vadiel gonzalez lardued

Arlo and the Sea – Movie Review

22/08/2025 By ACOMSDave Leave a Comment

Arlo & the Sea – A Quiet Tide of Longing

Arlo and the SeaArlo & the Sea is a short film by Damian Overton and Ruben Russo that was shot on an iPhone 14.

  1. Arlo (played by Russo) is a solitary character who lives in a coastal town. He meets Finn (Paris Moletti), and their interactions are mostly unspoken. The film has a narration by Kieton Beilby, which adds to the mood of the film.
  2. The score, composed by Michael Drew, is melancholic, and the sound design by Daniel Pimm is also notable. The film’s use of the iPhone lens gives the visuals an intimate, raw feel.

I think the film’s strength is in what it doesn’t say. It’s less about a grand romance and more about the simple moments of connection. It’s a short film (12 mins long), but it stays with you.

I would be interested in receiving other people’s observations, views, and comments.

Arlo & the Sea Arlo and the Sea Arlo & the Sea

 

 

Director – Damian Overton
Writer – Damian Overton
Stars – Ruben Russo, Paris Moletti, Kieton Beilby

 

Links:

  • IMDB – Arlo and the Sea
  • YouTube – Arlo and the Sea
  • Kiss Me Softly 

 

Filed Under: Movie Reviews Tagged With: Arlo and the Sea, award-winning queer film, Damian Overton, Daniel Pimm sound design, iPhone 14 filmmaking, Kieton Beilby narrator, LGBTQ short film review, LGBTQ+ cinema, Michael Drew score, Paris Moletti, queer short film, Ruben Russo, short film by the sea

The Letter Men – Movie Review

03/08/2025 By ACOMSDave Leave a Comment

Review: The Letter Men – A Quiet Masterpiece of Queer Remembrance

The Letter MenIt’s not every day that a story finds you — especially one as moving and improbable as that of The Letter Men. But that’s precisely what happened to director Andy Vallentine. In his own words, he stumbled across the love story of Gilbert Bradley and Gordon Bowsher while scrolling online, yet what followed was no casual discovery. It became a deeply personal pilgrimage to honour lives lived in secret, with love expressed in ink but forbidden in the flesh.

 

…No conception of what our love is…
 
…How far away we seem from the rest of the world…

 

Gilbert Bradley kept Gordon’s letters until he died in 2007, and they were then rediscovered in 2015. bringing their love story to light.

Based on the largest surviving collection of queer love letters from the Second World War, The Letter Men does more than dramatise a historical romance. It gives voice to the silenced — not in anger, but in reverence. Vallentine’s Director’s Statement reveals not only the historical weight of the story but also the emotional and ethical responsibility he felt in telling it. This isn’t opportunistic filmmaking; it’s stewardship.

The casting of Garrett Clayton as Gilbert and Matthew Postlethwaite as Gordon brings authenticity and tenderness to roles that could so easily have slipped into caricature. But under Vallentine’s hand, every gesture, glance, and silence feels earned. This is a film about longing — not just the yearning between two men separated by war, but the aching for recognition, dignity, and permanence in a world determined to forget them.The Letter Men

It’s also a visually rich experience. Oren Soffer’s cinematography is painterly, with the production and costume design capturing 1940s England not in sepia-toned nostalgia, but with a lived-in texture. Even the visual effects — subtle as they are — seem to serve the memory of these men, never overshadowing the human drama at the core.

What struck me most, however, wasn’t the historical significance — which is undeniable — but the contemporary resonance. As Vallentine notes, telling diverse, underrepresented stories is not just a moral imperative, but the very reason for making art at all. In a cultural moment where LGBTQ+ histories are still at risk of erasure or dismissal, The Letter Men becomes more than a film. It becomes testimony.

It’s a rare thing to watch a director so transparently moved by his subject and so determined to let it speak for itself. Andy Vallentine doesn’t just tell Gilbert and Gordon’s story; he listens to it. That humility, that attentiveness, is what elevates this short film into something unforgettable.

In the end, The Letter Men isn’t only about love letters. It is a love letter — to the past, to the possibility of queer futures, and to all those who wrote their truths down in hope, never knowing if anyone would ever read them.

Links:

  • IMDB – The Letter Men
  • Wikipedia – Man in an Orange Shirt
  • BBC – Forbidden love: The WW2 letters between two men
  • YouTube – The Letter Men
  • Escapade – Movie Review

Filed Under: Movie Reviews, Reviews Tagged With: Andy Vallentine, director's statement, Garrett Clayton, gay love letters, gay romance, Gilbert and Gordon, historical drama, LGBTQ+ cinema, LGBTQ+ film, LGBTQ+ storytelling, LGBTQ+ visibility, Matthew Postlethwaite, queer history, queer remembrance, queer representation, short film review, The Letter Men, wartime romance, WWII love story

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