This book, The Truth About Alex, was originally entitled ‘Counterplay’ and has since been made into a film by HBO starring Scott Baio. The story is about an adolescent growing up in a pressured society, with a domineering absentee father and a placating mother. It is about his development, about how he deals with his “best” friend’s gayness and other people’s inability to handle the situation. Counterplay, or The Truth About Alex, tells the story of Alex Prager, a high school student who is inadvertently outed as gay and the difficulty his best friend Brad has in coming to terms with it.
The story is supportive, teenage reading, and it would be pleasant if life treated everyone this way.
Information:
Format: Mass Market Paperback
Language: English
ISBN: 0451149963
ISBN13: 9780451149961
Release Date: February 1987
Publisher: Penguin Publishing Group

Links:
- YouTube – The Truth About Alex Scott Baio (1986) HBO Full Show
- IMDB – The Truth About Alex
- Torch Song Trilogy
- ABC After School Special in 1972.

In September 1989, Torch Song Trilogy had just ended its run at the Queen’s Film Theatre. It was well worth going to pains to see it. Indeed, if you haven’t seen it yet, then do make an effort either on DVD, one of the streaming media or if it ever returns to the cinema theatres. The lead, Harvey Fierstein, also wrote the original stage play and the screenplay. The theatrical origins of the piece are quite obvious but not intrusive – except at one point.

r right’ continue to use whatever methods work for them, and there is little reason to believe that an appeal on moralistic grounds will work, remember, they believe they are on the moral high ground. If we need to beat them then we need to adopt strong tactics within the law, but we have to be as smart if not smarter than them.
Sitting through Carrington I wished that I was at Braveheart, I did not quite think the opposite at Braveheart. Mel Gibson is going to have to face the fact that dallying with women in their twenties is beginning to look dubious in a man who’ll soon be a grandfather.

I found Night Kites in the teenage fiction section of a local mobile library. It was the very pleasant cover design that caught my eye and then the blurb which mentions AIDS.
Kinderkill brings into print the subject of “snuff” movies, and the related topics of child sex fanatics. The characters whether cops or child molesters are stereotypes, of no real depth or interest. The story development is progressive, with one or two hiccups due to the author’s attempts to assign qualities to his characters that are not necessary to the story. Indeed the author’s preoccupation with having clear black and white characters gives the book an unreal quality.
In the Court proceedings against Lady Chatterley’s Lover in 1960, the jury was invited by the prosecution to consider whether “It is a book that you wish your wife or servants to read?”
It is all very well for them to think along these lines, but the fact remains that the advocacy of repressive measures aimed at depriving people of the right to the reading of material of their choice could all too easily result in the targeting of the ‘gay’ community as purveyors of “material likely to deprave and corrupt”. It is not long since HM Customs used their draconian powers to seize material from gay book shops (
The Portsmouth Defence – every solicitor and barrister knows the traditional defence to utilize when defending a client accused of murdering a gay man when there is no other legitimate defence available. Its name indicates that it originated in medieval times in seaports when mariners were caught on rolling/robbing their homosexual clients or victims.
Who Lies Inside by Timothy Ireland, deals with a young man’s struggle to come to terms with his sexual attraction to other men. Martin Conway comes from a typical English working-class family in which any manifestation of emotion meets with rental disapproval. Martin or “Jumbo”, is a rugby player, and a wimp, and an 18 year old sixth former. He becomes increasingly alienated from his parents and from his straight friends, and, despite his initial unwillingness to confront the ‘stranger’ inside him he eventually decides that the ‘stranger’, i.e. his gayness, must ‘step out into the light and be seen’, if he is to be truly happy.