This book was reviewed in the North Philly Notes in November 2021. This review is comprehensive, as is the book, so I am reprinting the review to remind our readers of this history we have lived through, and why it is so important that we monitor government, both local and national, to ensure we do not loose all the gains we have made.
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This week in North Philly Notes, Charles Upchurch, author of “Beyond the Law,” writes about the first public debate in the Commons over the ethics of punishing sex between men.
The first sustained debate in the British Parliament (and likely in any parliament anywhere) over the ethics of punishing sex between men occurred 180 years ago and no one has remembered it—at least until now. That’s the premise of “Beyond the Law,” which explains how and why this happened. Most historians think this time frame is far too early for anything like this to have occurred, since it is too early for modern sexual identities to have formed, let alone for there to have been a political effort organized around them. But a modern homosexual identity is not needed to have an ethical objection to the execution of individuals for a private consensual act, which is what sodomy was in some cases. In the first decades of the nineteenth century, the law allowed for such executions. While many upper- and middle-class men did publicly rail against sodomy as “the worst of crimes” and supported the executions, others, drawing on enlightenment philosophy or more latitudinarian religious ideas, thought such executions were more immoral, perhaps far more immoral, than the acts themselves. These men included Lord John Russell, leader of the Whig majority in the House of Commons, who eventually argued against executions for sodomy in 1841, even as he kept the government at a distance from the private member’s bill that was the focus of the reform effort.
Russell, like almost every other politician of his era, did not want to publicly speak about sex between men, but broader events were forcing him and the government to do so. That was because the death penalty was being eliminated for hundreds of crimes. Up to the start of the nineteenth century, it was the terror of the gallows that was to scare individuals away from committing crime. Theft of even small amounts might be punished with death, since there had previously been only minimal systems for policing or imprisonment. But that policing and incarceration infrastructure was created in the early nineteenth century, and the number of capital crimes tumbled, so that by the end of the 1830s there were only slightly more than a dozen. Those capital crimes included murder, attempted murder, treason, piracy, rape, a few minor crimes that were missed by previous reform legislation, and sodomy, which could be a private consensual act. With the death penalty now gone for almost everything else, the anomaly of retaining it for sodomy was glaring for many. But almost no man wanted to be the person who stood up on the floor of the House of Commons to argue for the lessening of the penalties for sex between men, knowing that some of the most evangelical members of that body would likely denounce them for defending immorality (as did eventually happen).
The reform effort did happen, though, and two exceptional men stepped forward to shepherd the bill through the Commons in a process that played out over the better part of a year. They had the prestige of Jeremy Bentham behind them since, contrary to what has been written by other scholars, Bentham published some of his arguments against the punishment of sex between men in his lifetime. He did so in a way that would likely only be understood by legal experts, but those were exactly the people who were drafting the recommendations to parliament on which laws to amend, and which ones to retain without alterations. Bentham’s ideas of legal reform were shaping the entire process of eliminating the death penalty within the English criminal law, and his arguments against punishing sex between men in general, let alone executing men for a private consensual act, were known to the men shaping the reform.
Reasoned arguments were not enough to motivate a man to sponsor such a bill, to risk his reputation, and to speak publicly against such an injustice. It can be proven that both Jeremy Bentham and Lord John Russell agreed with this reform, but neither man would publicly champion it. A judge at the time privately told Russell that he was “convinced that the only reason why the punishment of death has been retained in this case is the difficulty of finding any one hardy enough to undertake what might be represented as the defense of such a crime.” And that brings us to the most remarkable discovery in ‘Beyond the Law’, because the two men who were brave enough to do this were inspired to act not primarily through reasoned arguments, but through the emotional and affective bonds of family. Fitzroy Kelly, a newly elected Tory MP, grew up in economic hardship, only saved from poverty through the work of his mother, the novelist Isabella Kelly. The Kelly family was helped repeatedly by the gothic novelist Matthew Gregory Lewis, whose sexual interest in men was remarked on at the time. Moreover, William Kelly, Isabella’s son and Fitzroy’s brother, has been identified by scholars at least since the 1930s as Matthew’s strongest emotional attachment. Matthew’s sister was also married to the brother of the other co-sponsor of the 1840 and 1841 legislation, the lawyer and abolitionist Steven Lushington. It was Lushington, also, more than a decade before, who had worked with Lady Byron during her separation from Lord Byron, and it was Lushington who had raised the threat of accusing Byron of committing sodomy within his marriage as leverage in the separation proceedings. This web of family connections, cemented by love more than sex, is dense, convoluted, and still in significant parts obscure and unrecoverable. Nevertheless, ‘Beyond the Law’ recounts much of it, and tells a story wholly different from anything previously recovered for the early nineteenth century. It pieces together many public and private aspects of the first debates in the nineteenth century over the ethics of punishing sex between men.
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This book, The Truth About Alex, was originally entitled ‘Counterplay’ and has since been made into a film by HBO starring Scott Baio. The story is about an adolescent growing up in a pressured society, with a domineering absentee father and a placating mother. It is about his development, about how he deals with his “best” friend’s gayness and other people’s inability to handle the situation. Counterplay, or The Truth About Alex, tells the story of Alex Prager, a high school student who is inadvertently outed as gay and the difficulty his best friend Brad has in coming to terms with it.
I found Night Kites in the teenage fiction section of a local mobile library. It was the very pleasant cover design that caught my eye and then the blurb which mentions AIDS.
Kinderkill brings into print the subject of “snuff” movies, and the related topics of child sex fanatics. The characters whether cops or child molesters are stereotypes, of no real depth or interest. The story development is progressive, with one or two hiccups due to the author’s attempts to assign qualities to his characters that are not necessary to the story. Indeed the author’s preoccupation with having clear black and white characters gives the book an unreal quality.
Who Lies Inside by Timothy Ireland, deals with a young man’s struggle to come to terms with his sexual attraction to other men. Martin Conway comes from a typical English working-class family in which any manifestation of emotion meets with rental disapproval. Martin or “Jumbo”, is a rugby player, and a wimp, and an 18 year old sixth former. He becomes increasingly alienated from his parents and from his straight friends, and, despite his initial unwillingness to confront the ‘stranger’ inside him he eventually decides that the ‘stranger’, i.e. his gayness, must ‘step out into the light and be seen’, if he is to be truly happy.
‘Jack Robinson’ is a pseudonym, I assume, though given the sweep fo ‘Teardrops On My Drum’, anything is likely, parts of it are so unlikely they must be true! It chronicles the life of a Liverpool slummie from 5 to 15, when he joins the Army. The BA in the 20s seems to have been very gay.
Though our copy of the Boys on the Rock by John Fox is a proof copy, I could find very little that was in need of correction; except for the basis of the story.
Firestorm by Gerald Wening is a book that follows a standard format, including that of the homophobic minister, and “we can save you” doctor. As I don’t wish to destroy your reading enjoyment, let me say that the book provides a quick, ‘light’, read (all 170 pages in total).
Parallel Lives by Peter Burton, is a memoir that falls into three unequal parts: the first section sees PB (Peter Burton) coming to terms with his adolescent self. this is very gracefully written as is the very end of the book describing the last few years.