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The Missing Reel

05/11/2025 By ACOMSDave Leave a Comment

Why Northern Ireland Urgently Needs Its Own Annual LGBTQ+ Film Festival

The Missing Reel‘The Missing Reel’ – In the cultural landscape of the British Isles and Ireland, Northern Ireland stands as a notable anomaly. London has BFI Flare 1, Cardiff boasts the world-leading Iris Prize 2, Glasgow hosts the accessibility-focused Scottish Queer International Film Festival (SQIFF) 3, and Dublin celebrates GAZE.5 Yet, Northern Ireland remains the sole nation/major region without a dedicated, institutionally supported annual LGBTQ+ film festival. This is more than an artistic oversight; it is a critical cultural and economic gap that demands immediate attention.

We currently rely commendably on multi-arts festivals, such as Outburst Arts 6, and episodic initiatives like the Belfast Film Festival’s ‘Pride On The Big Screen’.7 While these efforts are vital, their multi-disciplinary mandates prevent them from providing the focused, year-round engine required for serious film sector development.

Crucially, this structural gap leaves NI sidelined from major international initiatives. For example, the British Council and BFI Flare partner with GAZE in Dublin as the official Irish hub for the global #FiveFilmsForFreedom campaign.8 Northern Ireland is left relying on ad-hoc screenings, rather than serving as an institutional partner to leverage this soft power and secure focused funding.1

A dedicated festival, which we can call NI-QueerFilm, is the missing catalyst. The blueprint for success already exists in Wales. The Iris Prize is an economic powerhouse that awards a £40,000 short film prize, stipulating that the winner must make their next film in Cardiff.2 Adopting this model in Belfast or Derry-Londonderry would create a direct, annual investment pipeline into the local queer film economy, retaining talent and leveraging national funding that is explicitly prioritised for regions outside London.11

Beyond the economics, film festivals are essential engines for social justice and cohesion. They create communal spaces to challenge discrimination and tackle acute social issues, such as the documented isolation and loneliness experienced by LGBTQI+ people in rural NI.12 A dedicated festival, designed with a mandatory outreach program—like the Iris Prize’s Iris on the Move model 13—would be a powerful tool for community upskilling and social service delivery, aligning directly with the Department for Communities’ LGBTQI+ Strategy goals.14

It is time for Northern Ireland to secure parity of cultural provision —not just to screen films, but to commission them, fund them, and utilise them as the powerful vehicles they are for advancing social equality and projecting an inclusive, modern identity to the world. I refer to the Missing Reel because, in the past, all movies were distributed on acetate and movie reels – bulky and also a fire hazard, but not today, so no need for reels, but there is a need for our own movie festival.

Links:

  • Breaking The Gay Code
  • The History of LGBT (now LGBTQ+) in Northern Ireland

 

Sources used:

 

committees.parliament.uk
SCS0159 – Evidence on The social impact of participation in culture and sport – UK Parliament Committees

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travelagewest.com
Year-Round LGBTQ+ Events to Know in the U.K. | TravelAge West

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thejournal.ie
‘From the outside it looks like everything’s great, but there’s still a lot to do’: The film festival that celebrates Ireland’s LGBT community – The Journal

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en.wikipedia.org
Outburst Queer Arts Festival – Wikipedia

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northernirelandscreen.co.uk
BELFAST FILM FESTIVAL 2024 Launches Today – Northern Ireland Screen

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irisprize.org
Iris Prize LGBTQ+ Film Festival (13-19 Oct 2025)

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bfi.org.uk
38th BFI Flare: London LGBTQIA+ Film Festival wraps with audiences up, global talent attendance and 5 world premieres

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researchgate.net
Negotiating a local gaze: Belfast tour guides and the challenge of post-conflict representation | Request PDF – ResearchGate

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communities-ni.gov.uk
Sexual Orientation Strategy | Department for Communities

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committees.parliament.uk
Written evidence submitted by British Film Institute (SFT0083) About the BFI

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artscouncil.org.uk
Other sources of funding | Arts Council England

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britishcouncil.ie
GAZE International LGBT Film Festival – British Council | Ireland

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queensfilmtheatre.com
Imagine Festival: Five Films for Freedom + discussion showing at Queen’s Film Theatre, Belfast.

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gcn.ie
International LGBTQ+ short films to show as part of Belfast’s Imagine Festival – GCN

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frameline.org
Iris Prize: The LGBTQ+ Film Prize, Explained – Frameline

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irisprize.org
About Iris – Iris Prize

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en.wikipedia.org
Iris Prize – Wikipedia

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artscouncil-ni.org
Stories of LGBTQI+ people living in rural North… | Arts Council NI

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queensfilmtheatre.com
LGBT Heritage NI Project: The Troubles I’ve Seen showing at Queen’s Film Theatre, Belfast.

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gaze.ie
gaze 2020 programme.indd

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cgiii.com
Scottish Queer International Film Festival – CGiii

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theskinny.co.uk
Scottish Queer International Film Festival returns for 2025 – The Skinny

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belfastfilmfestival.org
Statement From Belfast Film Festival

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filmhubni.org
Foyle Film Festival: We Were Always Here + Q&A – Film Hub NI

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eurotravelo.com
Outburst Queer Arts Festival – Belfast, Northern Ireland 2025 – Euro Travelo

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nireland.britishcouncil.org
Northern Ireland organisations awarded grants to support creative international partnerships

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arts.britishcouncil.org
Outburst – British Council Arts

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nireland.britishcouncil.org
Arts projects secure funding for international digital collaborations | British Council

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bfi.org.uk
Applying for BFI National Lottery Impact Feature Funding

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bfi.org.uk
BFI Filmmaking Fund – Discovery and Impact feature funding

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ucc.ie
Queer Visibility, Media Industries and Production Cultures: An Irish Case Study. Dr. Páraic Kerrigan (UCD) | University College Cork

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research.ie
Gay (in)visibility in Irish media | #LoveIrishResearch

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the-low-countries.com
By, For And With The Community: LGBTQ+ Film Festivals In The Low Countries

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charitycommissionni.org.uk
Outburst Arts Festival – The Charity Commission for Northern Ireland

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hansard.parliament.uk
Irish Diaspora in Britain – Hansard – UK Parliament

#NorthernIreland, #QueerFilm, #LGBTQArts, #FilmFestival, #Belfast, #CulturalGap, #IrisPrize, #FiveFilmsForFreedom, #NIArts, #SocialInclusion

Filed Under: Campaigns, Community Journalist Tagged With: Arts policy, Belfast arts, bfi flare, Cultural funding, GAZE, Iris Prize, LGBTQ film festival, Northern Ireland, outburst, queer cinema

Northern Ireland Gay Movies

10/10/2021 By ACOMSDave Leave a Comment

Northern Ireland Gay Movie showing; A couple of months ago I approached the Queen’s Film Theatre for a listing of movies they had shown during the past year (Aug 20-Aug 21).  What I was trying to find out was how many ‘gay’ movies had been shown in the QFT during this period, and bearing in mind that it was the pandemic, the community managed to have 5 movies out of a total of 100 (a 5% showing).

In the scheme of things, we cannot really complain, especially as from observation, not all the showings had sufficient seats occupied to break even!  But when you then look at other cinemas in Northern Ireland, there would seem to have even fewer gay movies shown for the LGBTQ+ community, so the number showing drops dramatically.

So is there a sparsity of gay movies for the LGBTQ+ community being produced?  Not from what I can see, in 2020 my brief research has indicated that there were 80 LGBTQ+ movies released that year.  The BFI Flare 2021 Festival has 38 short LGBTQ+ movies showing, and considerably more full movies.

So, OK you might say that the movie industry has obviously improved and that it was different in the past.  In 1991 the Fifth London Lesbian & Gay Film Festival had a combination of 39 items on show, and I can assure you that very few of them reached Northern Ireland cinema halls.  (Details of this can be found in Capital Gay dated February 22nd, 1991)

There used to be a travelling BFI show of Lesbian and Gay movies, indeed the Northern Ireland Gay Rights Association actively worked with many individuals in the community to get it shown at the QFT.  When I approached the BFI about any information on the festival and when it stopped coming to Northern Ireland, they were unable to furnish me with this information, they couldn’t trace anything in their records!

I am not saying we need special treatment, however, if a festival is already in hand in London, and in the past has been in Northern Ireland at the QFT, has also travelled to Manchester Pride and to Edinburgh to name a few other locations, then I do ask why have we gone backwards?

 



 

Links:

  • BFI marks 50th anniversary of landmark in LGBT rights with major film and TV programme (May 2017)
  • London LGBTQ+ Film Festival (March 2021)
  • London Lesbian and Gay Film Festival On Tour 2010
  • The Truth About Alex
  • List of LGBT-related films by year – 1895-2021

Exploring the history of the BFI Flare LGBTQ+ film festival through posters

Filed Under: Community Journalist Tagged With: BFI, bfi flare, gay movies, LGBTQ+ movies, QFT, Queen's Film Theatre

21 million people take part in global LGBTI film festival

26/03/2015 By David McFarlane Leave a Comment

21 million people take part in global LGBTI film festival

fiveFilms4freedom LGBT film festival finds audience in over 125 countries.
Gay Star News:  25 MARCH 2015 | BY GARETH JOHNSON
Image courtesy of BFI Flare festival.
LGBTI Film Festival

LGBTI Film Festival

The BFI Flare film festivalis popular enough that even if you live in London you have to be lucky to get a ticket to watch the LGBT themed films being shown.
If you are LGBT and live in countries such as India, Poland, or the Ukraine, your opportunities of being able to watch movies that reflect your sexuality and your experiences will be even more remote.
The British Council, which is a UK organisation that internationally promotes British culture and education, has partnered with the BFI Flare festival and UK charity Stonewallto create a digital, global, LGBT film festival.
UK film-maker Paul Greengrass (director of movies such as The Bourne Supremacy, and Captain Phillips) is actively supporting the positive role that film festivals can play:
‘Film festivals at their best are a window and also a mirror’ said Greengrass. ‘…a window through which we can see the world, and a mirror in which we can see ourselves.’
The 5Films4freedom festival runs from 19-29 March 2015, the five films available through the online festival have already reached over 21 million people in 125 different countries around the world.
The five short films that are screening as part of the festival are:
An Afternoon (En Eftermiddag)
Director Søren Green’s new short film is an exploration of nascent sexuality. Mathias and Frederik are two friends who spend an afternoon together; Mathias has decided that this is the time to tell Frederik that he is in love with him.
Chance
Jake Graf’s self-funded short film focuses on older gay love and overcoming loneliness as a chance encounter between Trevor and a mysterious stranger equally troubled by his own past, forces both men to start to live again.
Code Academy
Canadian writer and director Nisha Ganatra is best known as Producer/Director of Transparent, the Golden Globe-winning TV series. When searching for love in all the virtual places, Frankie, Libby and Sheridan of The Code Academy are their own worst enemy.
Morning Is Broken
Director and writer Simon Anderson’s 2014 film is a coming-of-age drama set in the English countryside, following a young man’s struggle to come to terms with his sexuality while at his older brother’s wedding.
True Wheel
Director Nora Mandray’s 2015 documentary focuses on Fender Bender, an inspirational bicycle workshop for Detroit’s queer and transgender communities.
The films showing as part of the festival can be viewed via the BFI online player.

Filed Under: Movie Reviews Tagged With: bfi flare, British Council, British films, British people, Captain, Cinema of the United Kingdom, director, entertainment, Film festival, Independent films, LGBT culture in India, London, Paul Greengrass, Poland, Social Issues, the BFI Flare festival, Ukraine, United Kingdom

Full BFI Flare Programme Revealed

15/03/2015 By David McFarlane Leave a Comment

Full BFI Flare Programme Revealed

Reprinted from Front Row Reviews
By

Ollie.Charles

Published: February 22, 2015

Opening with I AM MICHAEL and closing with OUT TO WIN.
The full programme of the 2015 edition of BFI Flare: London LGBT Film Festival was released tonight at a public programme launch at BFI Southbank. The festival will take place 19th – 29th March 2015 at BFI Southbank and is supported by principal sponsor Accenture. BFI Flare is the UK’s leading LGBT film event and one of the world’s longest established with over 50 features, more than one hundred shorts and a wide range of special events, guest appearances, discussions, workshops and more. Tickets go on sale via www.bfi.org.uk/flare on 25th February for BFI members and 2nd March for non members.
Direct from premieres at Sundance and Berlin Film Festivals, we open with the UK Premiere of I AM MICHAEL. A feature directorial debut for Gus Van Sant protégé Justin Kelly, the film stars James Franco and Zachary Quinto in a powerful interrogation of gay identity through the real-life story of Michael Glatze, who went from crusading gay journalist to anti-gay pastor.
As evidence of the strength of documentary work in this year’s Festival, Closing Night will feature the European Premiere of director Malcolm Ingram’s highly topical and rousing OUT TO WIN, charting the experience of LGBT sportspeople working in the highest echelons of professional sport. Featuring contributions from such pioneers as Billie Jean King, Martina Navratilova, David Kopay, John Amaechi and Jason Collins, Ingram returns to the Festival after previously having screened documentaries SMALL TOWN GAY BAR and CONTINENTAL.
Director David Thorpe delivers the Accenture Gala with the European Premiere of DO I SOUND GAY?, a documentary exploring the provocative idea of whether there is a ‘gay voice’ and featuring humorous, insightful contributions from performers and comedians including Margaret Cho, David Sedaris, George Takei and Dan Savage.
Our Centrepiece Screening, the UK Premiere of STORIES OF OUR LIVES, directed by Jim Chu Chu is a drama adapted from real testimonies of LGBT Kenyans (where the film is banned for promoting homosexuality). Fresh from winning a Teddy Jury Prize at the Berlin Film Festival, this is powerful cinema but also essential viewing for those who are concerned about global human rights.
The festival offers rich cinematic insight into LGBT lives and loves around the world with films from the USA, France, UK, Spain, Netherlands, Denmark, Sweden, Germany, Poland, Mexico, Brazil, Argentina, Canada, Australia, Greece and India plus the world’s first LGBT film from Sri Lanka (FRANGIPANI).
Confirmed guests so far  include Justin Kelly (I AM MICHAEL), Malcolm Ingram (OUT TO WIN), Jeffrey Schwarz and Tab Hunter (TAB HUNTER CONFIDENTIAL), Mark Christopher (54: THE DIRECTOR’S CUT), Carol Morley (THE FALLING), Colin Rothbart (DRESSED AS A GIRL),  Jonny Woo and friends. More confirmations expected shortly.
The festival’s films are grouped into themed sections as follows:
HEARTS – films about love, romance and friendship
MATCH stars Patrick Stewart as an eloquent and entertaining dancer-turned-teacher who discovers more than he bargained for when he takes part in an interview about his career. Disco and an infectious beat are at the heart of the UK Premiere of Mark Christopher’s 54: THE DIRECTOR’S CUT, fresh from its world premiere at this year’s Berlin Film Festival and bolder and gayer than ever before.  UK feature film is represented in THE FALLING, Carol Morley’s wonderful tale of girl-school obsessions and hysteria. BROKEN GARDENIAS is a quirky dark comedy where Jenni is forced to confront a series of mishaps which turn into a dream-like quest for her long-lost father in LA. BLACKBIRD brings intense drama to a coming-of-age story set in a Mississippi small town including a stand-out performance by Mo’Nique as a traumatised mother.  FRANGIPANI, the world’s first Sri Lankan LGBT film, features a classic love triangle with two men forced to make difficult decisions. PORTRAIT OF A SERIAL MONOGAMIST is a whip-sharp comedy of 40-something lesbian dating, where commitments never seem to last for long but things of the heart are never simple. GIRLTRASH: ALL NIGHT LONG is that rare thing: a lesbian rock musical, with a healthy disregard for stereotypes and irresistible performances by a bright young cast and some great songs.
BODIES – stories of sex, identity and transformation
Our interest in the human form is reflected in a diverse group of films. The World Premiere of DRESSED AS A GIRL is a celebration of an indefatigable group of drag performers, filmed over five years, from London to Glastonbury and back again, up-close and personal with Jonny Woo, Holestar, Scottee, John Sizzle, Ma Butcher, Amber and Pia.  BORN TO FLY: ELIZABETH STREB vs. GRAVITY is a jaw-dropping encounter with the stunning aerial choreography of dancer Elizabeth Streb. DRUNKTOWN’S FINEST follows the lives of three young Native Americans, set against a background of extreme poverty, crime and violence, where coming-of-age presents difficult choices. MIRCO is a playful and thought-provoking documentary about three young people living in Berlin who identify beyond the gender binary, with the film-maker inspired by having spent some time in their early years mistakenly assigned a boy’s name (the Mirco of the title) and male identity. SOMETHING MUST BREAK is a tenderlove story between a shy trans teen and a young straight man, from the director of the acclaimed She Mail Snails. FULBOY is an insightful documentary into the real life of an Argentinian, professional football team, with camerawork which suggests there might be a ‘gay gaze’ or aesthetic, and offeringa surprisingly intimate look at these athletes in their prime.
MINDS – reflections on art, politics and community
Tab Hunter is a legend whose career as a Hollywood leading man was famously sacrificed when he was outed by his agent (to save the reputation of his other client Rock Hudson). Jeffrey Schwarz’s film TAB HUNTER CONFIDENTIAL, in its European Premiere, reveals the utterly compelling Tab Hunter and his extraordinary life at the movies and beyond, and will be presented by Tab Hunter at the Festival; Jenni Olson’s thoughtful essay film THE ROYAL ROAD (also here a European Premiere, fresh from its Sundance debut) is a meditation on life and art and the politics of landscape, wrapped up in a dizzyingly beautiful range of images, with musings on Hitchcock’s Vertigo and being a butch dyke. WE CAME TO SWEAT celebrates the Starlite, one of New York’s pre-Stonewall gay bars, a black-owned and operated influential dance club where some of the disco sound originated, and now in danger as the threat of redevelopment looms. EVERLASTING LOVE is a haunting tale of a teacher and student, and a group of friends caught up in illicit sexual encounters. The film’s languid camerawork belies the intensity of vision. THE LAST ONE: UNFOLDING THE AIDS MEMORIAL QUILT is an affecting account of the final episode in the rich history of what is now the largest folk art project in the world, celebrating the lives of those taken too soon by HIV. Céline Sciamma’s GIRLHOOD, a powerful, truthful story of young black girls growing up in Paris, subtly examines female friendship and gender dynamics. The ravishingly beautiful DIOR AND I celebrates the arrival of new designer Raf Simons at the house of Dior as he assembles his first couture collection in a film which truly gets under the skin of the fashion industry.
Special events:
This year is the 40th anniversary of the film THE ROCKY HORROR PICTURE SHOW which launched a thousand devotional dress-ups, and we’re having a special anniversary screening at the BFI IMAX followed by a Blue Room party; dressing up is definitely encouraged. In our regular lecture series We Love… this year’s subject is Xena Warrior Princess which will celebrate the 20th anniversary of Xena and other glorious female role models, followed by a suitably themed Warrior Women after party. The pioneering archive classic from Germany, Different from the Others (1919) will screen at the V&A.
And for book lovers, a special Flare bookclub ‘Reading Between the Lines: Queer Books on Film’ will allow a chance for discussion through screenings of key LGBT literary adaptations: ORLANDO, THE COLOR PURPLE, STRANGERS ON A TRAIN and FRIED GREEN TOMATOES AT THE WHISTLE STOP CAFE.
We’ll reprise some of the year’s most thrilling, previously released LGBT films in our BEST OF YEAR programme: APPROPRIATE BEHAVIOR, a delicious Persian-American bisexual comedy; THE DUKE OF BURGUNDY, a coolly modern take on a stylish 70s, European porn; and PRIDE, the beloved Brit hit. Pride will be followed by a talk with some of the people on whom the film’s characters were based who will share memories and experiences..

Filed Under: Movie Reviews Tagged With: bfi flare, LGBT annual movie fair, movies

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