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Lucky Blue – A Short LGBTQ Movie Review

06/05/2025 By ACOMSDave Leave a Comment

Lucky BlueLucky Blue: Alright, so picture this: every summer, for as long as I can remember, my dad and I have this little tradition. We pack up the tent and head to the same camping ground, the one with the slightly dodgy showers but the best view of the lake. It’s not just us, though. There’s a whole crew of familiar faces, people we’ve camped with for years. It’s our little summer bubble, and it always wraps up with a gloriously off-key karaoke night.

Now, I’m not exactly the life of the party. I’m more of a quiet observer, happy to just soak it all in. I guess you could say I’m a bit introverted, maybe a little innocent even. I just… accept things, I suppose. People are nice, the world is mostly good, and love? Well, it just is.

But this one summer, something shifted. Our family friend, bless her heart, decided to bring her nephew, Kevin. Now, Kevin was different. You could tell he was a ‘city boy’ right away – a bit reserved, a bit wary. And he had this little budgerigar, a bright blue flash of feathers that he seemed genuinely attached to.

And then, because that’s just how things happen sometimes, I messed up. The budgie, in a moment of feathered rebellion, zipped out of its cage, and just like that, it was gone. Panic, a flurry of apologies from me, and a whole lot of quiet tension from Kevin.

What followed wasn’t what I expected. Instead of anger, there was… a sort of connection. Searching for that little bird, we started talking. And I started to see it – the layers of caution around Kevin, the way he seemed to flinch away from genuine warmth. It hit me that he’d probably had a tougher time of it than I ever had, that maybe love and acceptance weren’t as simple and straightforward for him as they were for me.Lucky Blue

And somewhere between searching for a runaway budgie and sharing hushed conversations under the stars, something new started to bud. A friendship, yes, but something deeper too. It was like he was learning to trust, and I was learning that love isn’t always just given; sometimes, it needs to be found, carefully and patiently, especially when it’s been lost before. It was a summer I won’t forget, the summer a little blue bird flew away and brought two very different people together.

 

Links:

  • Lucky Blue [2007] 
  • IMDB – Lucky Blue [2007]
  • Reel by Jens Choong – A Short LGBTQ Movie Review

 

Filed Under: Movie Reviews Tagged With: acceptance, budgerigar, camping, city boy, friendship, introverted, karaoke, love, Lucky Blue, relationships, summer tradition, trust

Belfast Listed Buildings

06/05/2025 By ACOMSDave Leave a Comment

Belfast Listed Buildings

On Saturday, February 22, 2025, the Belfast Telegraph (Sam McQuade) published a compelling piece titled “Belfast is a great city, but swathes of it are crumbling…”, in this he is referring to our listed buildings in the main, but by inference to the general state of Belfast.

The article boiled down to two main ideas:

1. Belfast’s crumbling buildings and neglected areas
2. Why do the authorities seem powerless to halt the decay?

Like many cities, Belfast has always been a hub of change, shaped by shifts in population, employment, and development. Yes, our history is marked by the Troubles, which devastated both people and infrastructure. But Belfast has shown resilience, bouncing back with new developments like Castle Court, the Victoria Centre, and the Waterfront. Still, vast parts of the city remain overlooked, opportunities lost.

Take, for example, the area between the Short Strand and the Lagan, or the Tribecca site between Donegall Street, Rosemary Street, and Royal Avenue. I’m not here to rewrite the article, but what struck me most was the missed opportunities—funding sitting idle in bank accounts for years, generating interest, while nothing materialises on the ground.

The planning department seems to lack a clear, coherent strategy to preserve what heritage remains. Meanwhile, politicians at Stormont appear to play at politics, failing repeatedly to safeguard Belfast’s history, its fabric, and its future.

Then there’s the case of the Victorian houses in the University area, recommended for listed status as of March 15, 2025. They’re interesting, no doubt, but what really caught my attention was the broader context: Northern Ireland currently has 9,000 listed buildings, yet this is only the second survey since 1974—that’s 51 years between checks. That’s simply too long.

Some experts understand the intricacies of our listed building process better than I do, but even I can see that without a cohesive, forward-thinking plan—beyond mere politics—the gaps in protecting our city’s heritage are glaring.

Belfast Listed BuildingsBelfast Listed Buildings Belfast Listed Buildings Belfast Listed Buildings

 

 

Links:

  • Belfast is a great city, but swathes of it are crumbling, the dereliction is getting worse – and the authorities seem powerless
  • Three Victorian houses in Belfast’s university area proposed for listing#
  • Assembly Rooms could be cultural oasis in city centre
  • Ed Reynolds – Artist – About Belfast

 

 

 

 

 

 

Filed Under: Editor to ACOMSDave Tagged With: authorities, Belfast, crumbling, database, decay, development, future, heritage, history, listed buildings, listed status, Northern Ireland, planning, Stormont, survey, Victorian houses

Reel by Jens Choong – A Short LGBTQ Movie Review

21/04/2025 By ACOMSDave Leave a Comment

Review of “Reel” by Jens Choong

Reel by Jens ChoongIn “Reel,” director and writer Jens Choong delivers a poignant exploration of friendship, identity, and the bittersweet nature of growing up. Set against the backdrop of a city on the cusp of change, the film centres on Victor (Fanny Ketter) and his best friend Robert (Toft Hervén) during the last day before Victor moves away. This timeline cleverly encapsulates the fleeting moments before a significant life transition, making the stakes feel personal and urgent.

The film opens with Victor and Robert engaging in their favourite pastimes—skateboarding, spraying graffiti, and simply hanging out. Each scene is imbued with a palpable sense of nostalgia and youthful exuberance, allowing viewers to reminisce about their friendships. However, beneath the light-hearted banter and carefree moments lies an undercurrent of tension, as the boys grapple with unspoken feelings and the impending distance that will soon separate them.

Choong’s direction is skilful, capturing both the joy of companionship and the struggles of self-discovery. The chemistry between Ketter and Hervén is electric, making their evolving dynamic feel authentic and relatable. As they navigate their day together, subtle shifts in their interactions signify a deeper connection, bringing to light the complexities of love and friendship at this age.

The cinematography enhances the narrative, with vibrant visuals that mirror the boys’ emotional journey. The streets of their city become a canvas for theirReel by Jens Choong expressions, both a playground and a reminder of what they stand to lose. The film’s pacing allows for moments of reflection, giving audiences space to absorb the weight of their impending separation.

“Reel” resonates not just as a short gay teenage friendship tale but as a universal exploration of identity and acceptance. It’s a heartfelt reminder that friendships can be transformative and often come with an intimacy that can be difficult to articulate. As Victor prepares to leave, the audience feels the ache of possibilities unvoiced, encapsulating the essence of what it means to navigate the complicated waters of growing up.

In conclusion, Jens Choong’s “Reel” is a beautifully crafted short film that not only captures the essence of youthful friendships but also delves into the profound realisations that come with them. The performances from Fanny Ketter and Toft Hervén are commendable, and together with Choong’s sensitive storytelling, they create a lasting impression that lingers long after the credits roll. This film is a touching exploration of the ties that bind us and the bittersweet nature of change, reminding us that sometimes, the truest connections are the hardest to leave behind.

 

 

 

Reel by Jens choong Reel by Jens Choong

 

Links:

  • Youtube – Reel by Jens Choong
  • “Turn it Around” – by Niels Bourgonje – Gay Movie Review

Filed Under: Movie Reviews Tagged With: acceptance, bittersweet, coming of age, emotional journey, friendship, gay cinema, Identity, Jens Choong, LGBTQ, nostalgia, Reel, relationships, Robert, short film, short gay film., skateboarding, transformation, Victor, youth

Coming Out – Gay Documentary Review

13/04/2025 By ACOMSDave Leave a Comment

Coming Out: A Raw and Honest Journey Toward Self-Acceptance

Coming OutComing Out follows the poignant journey of young filmmaker Alden Peters as he navigates the complexities of coming out as gay, all while capturing the raw moments on camera. This groundbreaking coming-of-age documentary invites viewers into the intimate, often awkward, and frequently hilarious moments that accompany Alden’s revelation of his true identity to family and friends. It’s a narrative that bridges generations and societal divides, challenging us to rethink what it means to live an honest life and ultimately guiding us toward a deeper understanding and acceptance of ourselves and our communities.

Motivated by a lack of genuine representation in existing narratives, Alden recognized that most coming-out stories were portrayed in hindsight, neglecting the immediate emotional upheaval that follows such a monumental declaration. Determined to change this, Alden set out to create the film he wished had existed when he began strategizing how to come out to his loved ones.

The film is enriched by crowdsourced videos from LGBTQ youth around the globe, adding layers of depth to Alden’s narrative. Throughout the journey, he engages in thoughtful discussions with notable figures such as author Janet Mock, developmental psychologist Dr. Ritch Savin-Williams, journalist Zach Stafford, sociologist Greg Hinckley, and YouTuber Kayla Kearney. These insights enhance the film’s framework, encouraging LGBTQ youth to connect with digital communities and tackle larger societal issues that extend beyond their individual experiences.

Ultimately, *Coming Out* acts as an accessible resource, not only for LGBTQ youth but also for families and those seeking to understand the LGBTQ experience better. It’s a heartfelt exploration of honesty, resilience, and the power of embracing one’s truth, making it a must-watch for anyone interested in the authentic journey of self-acceptance.

 

Link:

  • IMDB – Alden Peters
  • YouTube – Coming Out
  • Sequin in a Blue Room
  • Q&A: Filmmaker Captures Reactions of His Family and Friends in Coming Out Doc

Filed Under: Movie Reviews Tagged With: Alden Peters, coming out, coming out journey, digital community, family, Identity, LGBTQ documentary, personal narrative, Representation, self-acceptance, youth voices

“Turn it Around” – by Niels Bourgonje – Gay Movie Review

08/04/2025 By ACOMSDave Leave a Comment

**”Turn it Around” by Niels Bourgonje: A Spiraling Journey of Self-Discovery and Redemption**

Turn It AroundIn “Turn it Around,” Niels Bourgonje crafts a compelling narrative that delves into the intricate landscape of self-discovery and the transformative power of redemption. The story follows the protagonist’s tumultuous journey, filled with struggles and revelations that resonate on multiple levels.

At the heart of the narrative is a poignant exploration of personal failings and the pursuit of change. Bourgonje masterfully portrays the character’s internal battles, highlighting the struggle to confront past mistakes while navigating the complexities of relationships and identity. As the protagonist grapples with their choices, readers are invited to join in a reflection on the universal themes of regret, growth, and the yearning for a second chance.

The storytelling is both vivid and intimate, allowing readers to connect deeply with the protagonist’s emotions. Each moment is steeped in introspection as the characters inch closer to understanding not only themselves but also the impact of their actions on those around them. Through gripping scenes and relatable dialogue, Bourgonje effectively captures the essence of what it means to “turn it around”—to embrace the possibility of change and forge a new path.

Bourgonje’s writing style is engaging and approachable, balancing moments of heart-wrenching honesty with flashes of hope and humor. The pacing maintains a rhythmic flow that keeps readers invested in the character’s journey, making it difficult to put the story down.

Ultimately, “Turn it Around” is more than just a tale of redemption; it serves as a reminder that the human experience is rich with opportunities for growth and transformation. Niels Bourgonje delivers an evocative narrative that resonates long after the last page is turned, inspiring readers to reflect on their journeys of self-discovery and the courage it takes to change. This is a must-read for anyone seeking a story that reflects the complexities of life, love, and the unyielding pursuit of a better tomorrow.

Original title – Turn it Around

Director – Niels Bourgonje

Writer – Paul Bontenbal

Producer – François Pieneman

With – Valentijn Avé, Tonko Bossen, Timo Dries Year – 2017

Links:

  • YouTube – Turn It Around
  • Sequin in a Blue Room

 

Filed Under: Movie Reviews Tagged With: character study, emotional narrative, gay sefl discovery, literature, Niels Bourgonje, personal growth, redemption, relationships, self-discovery, transformative journey, Turn it Around

Sequin in a Blue Room

06/04/2025 By ACOMSDave Leave a Comment

**Exploring Desire and Identity: A Journey into “Sequin in a Blue Room”**

In the throes of the digital age, where meaningful relationships often take a backseat to fleeting encounters, the story of a young boy named Sequin unfolds with captivating intensity. “Sequin in a Blue Room,” co-written by Jory Anast and Samuel Van Grinsven, presents a nuanced exploration of teenage sexuality, obsession, and the complexities of connection in an anonymous world.

Sequin, a 16-year-old high schooler, epitomizes the hook-up generation—constantly logged in but emotionally unavailable. He glides through life in a haze of superficial encounters, ghosting ex-partners without a second thought. Yet, everything shifts during a chance encounter at an anonymous sex party. This exhilarating event unveils a dizzying world of instant gratification and unmoored sexuality, igniting a spark within Sequin that he has never experienced before.

Amidst the pulsating atmosphere of the party, Sequin locks eyes with a mysterious stranger, their connection instant and electric. However, the allure of this encounter turns to frustration when they are abruptly separated. Utterly fixated on the enigmatic man, Sequin embarks on a thrilling yet perilous mission to locate him, plunging deeper into the seductive realm of a hook-up app that threatens to consume his identity.

As he navigates the seductive landscape of no-strings-attached hookups—symbolized by the ever-alluring blue room—Sequin grapples with the risks and thrills of his quest for intimacy. His journey becomes a poignant reflection on desire, identity, and the search for genuine connection in a world that often prioritizes anonymity over authenticity. The film deftly tackles the consequences of his obsession, as Sequin finds himself in increasingly dangerous situations that force him to confront his desires and the emotional fallout that accompanies them.

In delving into these themes, “Sequin in a Blue Room” transcends the typical coming-of-age narrative. It invites audiences to ponder the impact of anonymity on personal connections and the complexities of teenage exploration in an era dominated by digital interactions. The film stands as a breath of fresh air from the Australian independent film scene, bringing forth a story that is both relatable and deeply reflective—a gripping testament to the journey of self-discovery within the chaotic tapestry of modern relationships.

Sequin in a Blue Room

Links:

  • Sequins – A gay movie review
  • YouTube – Sequin in a Blue Room
  • Amazon – Sequin in a Blue Room

Filed Under: Movie Reviews Tagged With: anonymous encounters, Australian cinema, coming of age, desire, hook-up culture, Identity, LGBTQ+ film, modern relationships, Sequin in a Blue Room, teenage exploration

From Roommates to Lovers – Gay Short Movie Review

03/04/2025 By ACOMSDave Leave a Comment

From Roommates to Lovers – What unfolds when two college roommates—one gay and the other straight—embark on an unexpected journey of love? This touching LGBTQ+ short film tells the story of a dashing junior who finds himself drawn to his straight senior roommate. As the days roll by, feelings intensify, culminating in a surprising confession during a casual game of cards. Just when it seems like nothing could come from it, the straight roommate starts to confront his own emotions and opens up to the possibility of love.

From Roommates to Lovers

This romantic short film (From Roommates to Lovers) captures the essence of self-discovery, acceptance, and the transformative power of love that transcends labels. Join them as their love story develops over five weeks in a college dorm, brimming with raw emotion, passion, and a profound connection that alters their lives forever.

 

 

 

Link:

  • YouTube – From Roommates to Lovers
  • Andy Marshalls, a humble oyster fisherman – Movie Review

Filed Under: Movie Reviews Tagged With: acceptance, college roommates, coming of age, emotional journey, friendship, gay cinema, LGBTQ, love story, romance, self-discovery, short film, transformation

Roger Casement in the Amazon

17/02/2025 By ACOMSDave Leave a Comment

During the 28th October to 1 November 2024, an immersive week of creativity and inquiry into Roger Casement in the Amazon,  artist Mark Maughan opened his door to his latest performance piece, collaborating with thought leaders, innovators, and activists from across the Atlantic. This was a chance to dive into the making process, to dissect a series of questions, and to envision how these ideas might shape a powerful future performance.

About the Project:

The project peels back the layers of a dark chapter in history, focusing on the UK-funded Peruvian Amazon Company that thrived during the rubber boom between 1907 and 1913, on lands now recognized as part of Colombia. In 1911, Roger Casement, a British diplomat born in Ireland, penned a scathing report that revealed the horrific genocide of an estimated 60,000 Indigenous Peoples, drawing parliamentary scrutiny and ultimately leading to the company’s dissolution.

Portrait of Roger Casement, Artist: Sarah Henrietta Purser, 1848-1943, Oil on canvas.

Casement’s name became synonymous with human rights yet fell prey to scandal and personal turmoil, culminating in his execution at Pentonville Prison. The echoes of the UK rubber trade’s brutality still resonate today, leaving the trauma experienced by the Indigenous communities of the Colombian Amazon unresolved.

With a rich background as a translator for NGOs in Colombia, Mark Maughan has spent the past two years engaging with the four nations of La Chorrera—the Uitoto, Okaina, Muinane, and Bora. His theatre project seeks to amplify the unheard narratives of this troubled history, grappling with the tightrope walk between the pursuit of objective truth and the subjective nature of storytelling in theatre.

Check out the ‘Schedule for the Week’ below for details about the sessions and how people participated:

Open-Research-Week-Revisiting-Roger-Casement-int-he-Amazon

Open Research represents a fresh avenue for artists to collaboratively explore creative projects alongside public audiences as part of their making process. It draws inspiration from Reena Kalsi’s Process programme at Roundhouse London in 2022.

On the first day, Mon 28 Oct 24, Jeffrey Dudgeon MBE, Northern Irish politician, historian and gay political activist, author of the ‘Roger Casement: The Black Diaries – with a study of his background, sexuality, and Irish political life’ with Kinti Oreliana, Erna Von-Wall and Almiro Andrade provided content and perspectives to the start of the research.

The three-day event provided many answers and also left a lot to be explored after the event.

Why not start your research by contacting your local library and exploring Roger Casement, or contact NIGRA (Northern Ireland Gay Rights Association) the organisation which helped Jeff Dudgeon in the case Dudgeon v United Kingdom to the European Court of Human Rights; this successfully challenged Northern Ireland’s laws criminalising consensual sexual acts between men in private.

Links:

  • Wikipedia: Jeff Dudgeon
  • OPEN RESEARCH WEEK: Revisiting Roger Casement in the Amazon
  • Amazon: Roger Casement: The Black Diaries – with a study of his background, sexuality, and Irish political life
  • LGBT History club – Roger Casement

Filed Under: Community Journalist Tagged With: amazon, art, Colombia, Genocide, history, Indigenous Peoples, Mark Maughan, Open Research, performance, roger casement, rubber trade, theatre, workshops

Andy Marshalls, a humble oyster fisherman – Movie Review

16/02/2025 By ACOMSDave Leave a Comment

a humble oyster fisherman

Andy Marshall – a humble oyster fisherman

Once a humble oyster fisherman, Andy Marshall escaped to the vibrant chaos of London, where he found a mentor in the avant-garde filmmaker Derek Jarman. He wasn’t just a captivating personality; he was also an innovative furniture designer who became the star of a groundbreaking documentary on gay life.

In the summer of 1982, the promising filmmaker Paul Oremland wandered into a leather and denim pub in East London, ready to meet someone who would profoundly impact his life. “Andy was unforgettable,” Oremland reminisces. “He had remarkable stories, alongside a deep understanding of people and the quirky nightlife of London.”

At the time, Oremland was discussing the creation of a documentary series with Channel 4, focusing on gay life during an era marred by the AIDS crisis, Thatcher’s conservative policies, and rampant homophobia. Television rarely painted gay individuals in a positive light; they were often portrayed as objects of ridicule or shame. Enter Andy Marshall (a humble oyster fisherman), a proud member of the LGBTQ+ community who defied all stereotypes with his dynamic blend of toughness and vulnerability. Oremland immediately decided to feature him in the network’s trailblazing Six of Hearts series.

In the film ‘Andy the Furniture Maker’, you understand immediately what Oremland saw in Marshall. Bursting with charisma in his mid-20s, his cheeky grin concealed an exhilarating sense of danger. His creative genius shines as the documentary captures his unique ability to transform discarded materials from skips and dilapidated buildings into stunningly original furniture. Giant chairs built from hefty slabs of timber and stool tops crafted from salvaged joists all came to life when Marshall, out of sheer boredom, realized he had no furniture to sit on.

This endeavour transcended simple DIY. Norman Rosenthal, the exhibitions secretary at the Royal Academy of Arts, passionately claims on-screen, “It’s got loads of style… it’s really sculpture at heart.” Production designer Christopher Hobbs connects Marshall’s work to the punk movement, recognizing his creations as a “rebellion against conventional furniture.”

As the documentary unfolds, we’re drawn into Marshall’s unconventional life journey. He began as an oyster fisher in Brightlingsea—one incident saw him dunked underwater by the boat’s propeller for talking back. By the age of 15, he had joined the merchant navy, only to declare it a “terrible experience” marked by relentless teasing. Ultimately, he escaped to London, immersing himself in a whirlwind of nightlife that he described as packed with “every degenerate you can imagine.” When his finances ran dry, he turned to sex work, often catering to straight men looking for discreet encounters in the absence of female sex workers. “I’d hop in the car and ask, ‘Will I do?’ And 99% of the time, it worked out, because all they wanted was a release.”

His life took a turn when he caught Jarman’s interest, who bailed him out of jail and quickly enlisted him to work on his film sets, aided by Hobbs. Jarman praised Marshall’s creations as akin to the works of renowned designers like William Morris and Charles Rennie Mackintosh, admiring his extraordinary eye and the minimalist beauty of his living space. It’s no wonder that those who crossed paths with him were enchanted.

Scarlett Cannon, a longtime friend, was brought on board to interview Marshall for the film. “You couldn’t help but remember Andy; he was so endearing,” she describes. “He looked like he needed a hug, though you might mistake him for a docker or a builder.”

At 22, Cannon exuded fabulousness with her Blitz Kid-style shaved head and dramatic makeup. Reflecting on the film’s production, she recalls, “We had a blast making it.” Their friendship allowed Cannon to coax out incredible stories from Marshall, including one outrageous adventure where he swiped a Chevrolet Impala, wrecked a Mini, and then narrowly escaped police capture by hiding under another car. While she was sceptical of some of his more outrageous tales—particularly the ones about his escapades with rugged fishermen—visiting Brightlingsea confirmed that many of his stories were grounded in truth, albeit with a hint of embellishment.

Yet, as joyful as these anecdotes are, there’s an underlying darkness to Marshall. Rosenthal hints at his “self-destructive” tendencies, while Cannon reveals the painful truth that marred his upbringing—an abusive childhood and a pervasive feeling of unworthiness. The film carefully sidesteps this troubled past at Marshall’s behest; Oremland acknowledges the courage it took for Marshall to agree to be featured, as this kind of openly gay man had rarely been represented on screen in the UK.

*Andy the Furniture Maker* became the most memorable of Oremland’s shorts, showcasing the LGBTQ+ experience alongside lives of influential figures, like lesbian comic Carol Prior and activist Kris Kirk. “Neither of us anticipated the overwhelmingly positive response,” Oremland reflects, crediting Marshall for contributing many of the film’s standout ideas, including the decision to film him in shadow when discussing his past as a rent boy. The soundtrack, too, resonates powerfully, featuring songs like Max Wall’s *Dream Tobacco,* which Marshall cherished.

As the film nears its conclusion, we witness Marshall—having risen above his modest beginnings—dining luxuriously among a diverse, artistic crowd. “Andy’s friends were a mix—hardened gangsters to lords,” Oremland notes. “I thought it fitting for them to share a meal together.” Cannon recalls the boisterous atmosphere, noting somberly, “So many people around that table are now gone due to AIDS.”

While Marshall sidestepped that tragic fate, his own struggles were profound. “He fell into a dark spiral,” Cannon recalls. “By the end, he had grown negative and often drunk, sinking into a despair that pushed friends away.” His battle with alcoholism culminated in stomach cancer, a cruel twist for someone who had once radiated such vibrant energy.

As his drinking escalated, his creativity waned. In the mid-2000s, Cannon recounts a fateful bicycle accident that left him with brain swelling severe enough to require part of his skull to be removed. Eventually, he found himself in a hospice, having surrendered to despair. “He had given up on life,” lamented Cannon.

Yet, watching *Andy the Furniture Maker* is a celebration of a truly rebellious spirit, making it hard to reconcile the bright, daring personality of Marshall with the tragedy of his demise. “That film captured the essence of Andy,” Cannon states. “The fact that it’s still being watched and discussed—his legacy endures.”

Catch *Andy the Furniture Maker,* part of the *Queer on 4* series, at the Triangle LGBTQ+ Cultural Centre in London on February 1st.

 

Links:

  • YouTube – Andy The Furniture Maker1
  • The Guardian – ‘He was unforgettable’: the mesmerising star of cult documentary Andy the Furniture Maker
  • “The Woodfolk” : Movie Review

Filed Under: Movie Reviews Tagged With: andy marshall, artistic brilliance, documentary, film, furniture maker, gay icon, LGBTQ, London, queer scene, rebellion, six of hearts series

Jag ar Polisen – Gay Movie Review

02/02/2025 By ACOMSDave Leave a Comment

Jag ar PolisenSet against the backdrop of Southern Sweden, Jag ar Polisen tells the compelling tale of a mismatched pair: a Swedish police officer grappling with a malfunctioning police car and a Dutch hitchhiker. Their journey along a remote road to a gas station seems unremarkable at first, but everything shifts when they encounter two other police officers. In this moment, their need for each other becomes undeniable.

Marco van Bergen’s films always challenge and intrigue, and this one is no exception. With a narrative defined by its subtle nuances, the story captures the interaction between two young men who find themselves thrown together in an isolated setting. Their trek toward the gas station is not just physical; it as a journey into the complexities of human connection and the truths that lie beneath the surface. The simplicity of a broken car, an open road, and a gas station sets the stage for profound character development, marked by sharp dialogue and transformative meetings.

The performances are commendable, delivering a valuable lesson wrapped in a narrative that lingers in memory long after viewing. Jag ar PolisenWith its deft construction and thoughtful use of ambiguity, Jag ar Polisen* offers a poignant exploration of loneliness, openness, and the instinct to judge what we don’t fully understand. Marco van Bergen, renowned for his thought-provoking short films such as ‘WATER VATTNET’ and ‘WASTELANDS’, once again showcases his mastery in storytelling, crafting a film that resonates deeply on multiple levels.

Directed by
Marco van Bergen

Writing Credits 
Marco van Bergen

Cast
Tobias Kersloot Tobias Kersloot … Kieran Toussaint
Jochum van der Woude Jochum van der Woude … Lasse Kristensen
Boel Larsson Boel Larsson … Beatrice Ahlström (as Boel Marie Larsson)
Oskar Larsson Oskar Larsson … Conny Luthander

Rest of cast listed alphabetically:
Kristofer Ahlm  … Polis 2
Gustav Akerman G … Polis 1 

Links:

  • You Tube – Jag ar Polisen (2014)
  • IMDB – Jag ar Polisen (2014)
  • The Woodfolk : Movie Review

Filed Under: Movie Reviews

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