It is anticipated that the exhibition will travel to various Northern Ireland and UK venues, and will also be on show at Kent State University, USA.

The thanks of everyone involved in the project (befrienders, volunteers) are also given to photographer Timothy O’Connell and oral historian Dr. Molly Merryman. Many thanks also to the team at the Queer NI – Sexuality Before Liberation Project (funded by the AHRC, AH/V008404/1), including Dr. Charlie Lynch, for their support throughout the project.

 

 

 

 

Brad Davis

 

Brad DavisBrad Davis: The Untold Story of Love, Courage, and Hidden Battles

 

Brad Davis’s life was a tapestry woven with talent, resilience, and secrets he carried silently. Born Robert Creel Davis on November 6, 1949, in Tallahassee, Florida, he grew up amid the gentle hum of a middle-class Southern family. His father, Eugene Davis, was a dentist and navy officer, while his mother, Anne Creel Davis, was a homemaker with a passion for theater administration. From childhood, Davis exhibited a natural flair for storytelling and performance—an early sign of the star he would become. But beneath the surface, his world was tinged with emotional turbulence, questions of identity, and a restless search for belonging.

His teenage years saw him dabbling in music and singing before he realized his true calling lay on stage. Enrolling at Florida State University briefly, he soon shifted gears, seeking out Miami Dade Community College and eventually NYC’s prestigious American Academy of Dramatic Arts. There, he refined his raw talent, shaping the emotionally intense actor that audiences would come to admire.

In the early 1970s, Davis’s career began with theater, where his authentic, naturalistic style caught attention. He moved swiftly into television, guest-starring on shows like *Policewoman* and *Starsky & Hutch*. His early roles often portrayed troubled, passionate characters—misunderstood souls just waiting for their moment in the spotlight.

That moment arrived in 1978 with *Midnight Express*. As Billy Hayes, a young American imprisoned in Turkey for drug smuggling, Davis delivered a performance so visceral it shook viewers to their core. His portrayal was raw, physically demanding, emotionally piercing. It earned him the Golden Globe for Best Actor, catapulting him into Hollywood’s spotlight. Suddenly, he was seen as one of the most promising talents of his generation.

Following that breakthrough, Davis continued to impress. Films like *A Small Circle of Friends* (1980), set against the backdrop of the turbulent ’60s, and *Chariots of Fire* (1981), where he played Jackson Schultz, cemented his reputation. His participation in Larry Kramer’s *The Normal Heart* off-Broadway in 1982 was equally significant—his portrayal of Ned Weekes during the early AIDS crisis was both courageous and compassionate, reflecting his deep commitment to social justice.

Yet, behind the curtain, Davis faced personal demons. Substance abuse and health struggles cast shadows over his career. Despite this, he delivered memorable performances in projects like *A Rumor of War* and *Corell*, showcasing a resilience that belied his inner turmoil.

His personal life was equally complex. In 1976, he married Susan Bluestein, a talented casting director. Their union was more than romantic; it was a partnership rooted in mutual support and shared resilience. Susan was his anchor, supporting him through Hollywood’s fickle landscape and later, the devastating challenges of his health. When Davis was diagnosed HIV positive in 1985—during a time when fear and misinformation about the disease ran rampant—Susan stood unwaveringly by his side. They chose to keep his diagnosis private, fearing the devastating stigma and the impact on his career.

The secret weighed heavily. Despite his struggles, Davis continued working, hiding his illness from the public eye. The physical toll grew, and in 1991, at just 41, he made the heartbreaking decision to end his life through assisted suicide, with Susan at his side. Her devotion didn’t waver; she supported his choice, honoring his dignity and the love they shared.

In the years that followed, Susan became a fierce advocate for AIDS awareness and compassionate end-of-life choices. Her memoir, *After Midnight*, shed light on their private battles—his bisexuality, his pain, and the courage it took to face his mortality.

Davis and Susan had one child—Alex Blue Davis—who inherited his parents’ artistic spirit and resilience. Growing up amid whispers of his father’s struggles, Alex carved his own path into entertainment, becoming a well-respected actor and activist. His role as Dr. Casey Parker on *Gray’s Anatomy* was groundbreaking, as he portrayed a transgender man, contributing to vital representation in mainstream media. Alex openly discusses his journey, honoring his father’s legacy while forging his own identity rooted in authenticity and courage.

**A Hidden Love and the Shadows of Hollywood**

In a revelation that rocked Hollywood’s secret corridors, Davis later disclosed intimate details of his romantic entanglements with closeted stars of the golden era. His letters and journals, published posthumously, describe a world where love was cloaked in shadows—where the fear of losing everything kept many from living authentically.

He spoke of a mysterious, marble-jawed leading man from the 1950s, a figure whose silent tenderness left an indelible mark. But he named Anthony Perkins—star of *Psycho*—as someone he shared a passionate, if clandestine, affair with in the late ’70s. Perkins, haunted by his own struggles with identity, understood the weight of hiding. Davis also hinted at a playful, charged relationship with Rock Hudson, the legendary star who would tragically die of AIDS in 1985. Though he stopped short of claiming a full affair, Davis’s words reveal a mutual understanding—a silent acknowledgment of love in a world that demanded silence.

Their stories underscore a painful truth: Hollywood’s golden glow often cast long, dark shadows over its stars’ private lives. The emergence of AIDS shattered many illusions, with Hudson’s death marking a turning point in public awareness. That same year, Davis was diagnosed with HIV—a silent, deadly companion he kept hidden for years.

His decision to stay silent was driven by fear—fear of stigma, career ruin, and social rejection. Yet, in 1991, he chose to reveal his status publicly, a move that took immense courage. Susan’s memoir later detailed how Davis likely contracted HIV through past substance abuse—an echo of the turbulent life he led—and how he faced his final days with quiet dignity.

He wrote a haunting, unpublished manuscript about the pressures to hide his truth, revealing a man fighting not just illness, but the systemic silence that surrounded it. His death, and the secrets he kept, serve as stark reminders of a time when love, illness, and identity were buried behind layers of fear.

**Legacy of Courage and Compassion**

Brad Davis’s story is more than Hollywood trivia; it’s a testament to human resilience. His life, filled with triumphs and hidden battles, reflects the cost of authenticity in an era of repression and misinformation. His grave at Forest Lawn stands as a quiet monument to a man who gave everything on screen and endured so much behind the scenes.

Today, his journey reminds us of the importance of compassion, honesty, and the ongoing fight against stigma. Through the advocacy of his wife Susan and the work of his son Alex, Davis’s legacy endures—not just as a talented actor, but as a symbol of unyielding courage in the face of unimaginable adversity.

 

Link:

LGBTQIA+ Heritage Symposium 2024

AGENDA

Date: Saturday 12th October 2024
Venue: Canada Room, 1st Floor, Lanyon Building, Queen’s University Belfast
Time: 10am – 1pm

Opening Remarks

Adam Murray – Lead Organiser
Dr. Matt Leebody – Chair of Cara-Friend
Dr. Tom Hulme – Reader, School of History, Anthropology, Philosophy & Politics at Queen’s University
Panel 1 – Where Is Our LGBTQIA+ Heritage? 10.10am
Panellist 1 – Dr. Karen Logan (Ulster Museum)
Panellist 2 – Lorraine Bourke (Public Records Office NI)
Panellist 3 – Samantha McCombe (Linenhall Library)
Panellist 4 – Sinéad Bhreathnach-Cashell (NI Screen’s Digital Film Archive)

Comfort Break

Panel 2 – The Value of LGBTQIA+ Heritage 11.00am
Panellist 1 – Dominic Montague (Kabosh Theatre Company)
Panellist 2 – Dr. Richard O’Leary (Performance Storyteller)
Panellist 3 – JT Politzer (Graduate Student, Kent State Uni.)
Panellist 4 – Cathal McGuigan (LGBTQIA+ Heritage Project Volunteer)

Feature – UTV Archive clips

Panel 3 – Looking To The Future 11.55am
Panellist 1 – Adam Murray (Cara-Friend)
Panellist 2 – Mary Ellen Campbell (LGBTQIA+ Heritage Project)
Panellist 3 – Dr. Tom Hulme (Queer NI Project)
Panellist 4 – Dr. Molly Merryman (Kent State University)

Closing Remarks

This symposium is the opening event of the Founding Cara-Friend: Preserving At Risk LGBTQIA+
Heritage Project made possible thanks to generous funding by The National Lottery Heritage Fund.
Cara-Friend wishes to thank the NLHF and the lottery players who make this possible.

1983 – Gay Conference Comes To Belfast

 
 

Gay Conference Comes To Belfast1983 – Gay Conference Comes To Belfast, what a headline.  When you consider that the Good Friday Agreement was 5 years away.  The ‘troubles’ were still happening all around us, and we were also 8 years away from our first Pride March in Belfast, the fact that a gay conference was held is nothing short of remarkable.  This is the small article that was published in Northern Ireland’s only gay publication, which can be found in the Linen Hall Libary Political Collection on the fourth floor.

 

…This is a short report on the All Ireland Lesbian and Gay Men’s Conference which was held in 1983 in Belfast, at the Crescent Arts Centre and the Gay Centre.  As many as 200 lesbians and gay men were expected at this 3rd annual conference.

The first conference was in Cork in 1981, and in 1982 was in Dublin.  The two of them were organised by ‘independent’ lesbians and gay men and supported by national organisations that provided facilities.  It was significant that only a handful of delegates from Northern Ireland were present at both conferences.

In January 1983 a planning meeting was in Belfast for the 1983 conference which was attended by many of the former committee members from 1981 and 1982.  Belfast representation was limited to half a dozen men – all members of NIGRa (Northern Ireland Gay Rights Association).

The Dublin Conference had been uniquely successful in having equal numbers of women and men attending.  The absence of women from this planning conference augured poorly for the future of a Belfast conference.

The afternoon session was better attended by Belfast/Derry people and a meeting was planned for a fortnight later to bring together ‘non-organisation’ lesbians and gay men in the region.  Six women and six men attended, including Charles Kerrigan of the Dublin Gay Collective.

It was decided in principle, that those non-organisational people would determine the nature and organisation of the conference.

NIGRA’s role was to provide facilities, admin and any other help…

 

We talk about our history, but we have done little to mark it, to record it and remember it.  If you wish to have your history recorded, don’t forget the LGBTQIA+ Heritage Project (link below).

 

Links:

 

 

 

Ulster’s Lesser Spotted Queer Protestant

Ulster's Lesser Spotted Queer ProtestantIn this talk, in conjunction with the LGBT History Club, let Richard O’Leary take you in search of Ulster’s Lesser Spotted Queer Protestant

About this Event

The existence of the LSQP has long been hidden by shy historians and denied by conservative Christians but Dr O’Leary will present evidence to challenge the orthodox, missionary position. Drawing on newly accessed archival material he presents both an objective and subjective view. Imagine a 19th century Ulster same sex couple, erasure, Billy Elliot, pseudonyms, the whack of the crozier, exile and love.

This talk will be followed by a Q&A.

Dr Richard O’Leary is Coordinator of NI’s LGBT Heritage Project and a Visiting Scholar at Queen’s University Belfast. A performance storyteller of true fairy stories, his solo shows include ‘There’s a Bishop in my Bedroom’ (MAC theatre).

OUTing the Past – Festival of LGBT History

PRONI is delighted to be the virtual Belfast Hub for the 2020 OUTing the Past Festival of LGBT History.

About this Event

Join us for the 2021 OUTing the Past Festival of LGBT History.

This event will feature a number of speakers that will explore various aspects of LGBT history, including Richard O’Leary from the LGBT Heritage NI Project.

This event will take place on zoom. Sign-up to the event will close one hour before the event begins. The zoom link will also issue one hour before the beginning of the event.

We look forward to seeing you there.