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The Wolfenden Report: A Turning Point for Gay Rights

05/10/2025 By ACOMSDave Leave a Comment

Wolfenden ReportWolfenden Report

When the Wolfenden Report was published on 4 September 1957, its dry, academic 155 pages sparked an unexpected firestorm. The first print run of 5,000 copies sold out within hours, and Sir John Wolfenden found himself cursed by religious groups and confronting graffiti outside his home.

A Response to Government Discomfort

Home Secretary Sir David Maxwell Fyfe had commissioned the committee to address two issues troubling the government: the visibility of sex workers on London’s streets and the rising arrests of gay men. Ironically, this increase stemmed from Maxwell Fyfe’s own policy of deliberate police entrapment of homosexual men.

The crackdown had ensnared high-profile figures including codebreaker Alan Turing, actor Sir John Gielgud, and Lord Montagu of Beaulieu. These prosecutions embarrassed the establishment and generated extensive press coverage—exactly what the government hoped to avoid.

“You knew what could happen,” recalled Rex Batten, a gay man living in London at the time. “You knew the cases that had come up, the people who were in jail for a year, two years, three years.”

Groundbreaking Yet Flawed Recommendations

After three years of testimony from police, psychiatrists, religious leaders, and some affected gay men, the committee recommended that consensual homosexual acts between men over 21 in private should no longer be criminal. The report’s philosophy was clear: “We’re concerned primarily with public order and not with private morality,” Sir John told the BBC.

However, the recommendations weren’t pioneering—many European countries, including France, Italy, and the Netherlands, had already decriminalized homosexuality. The report also contradicted itself by condemning homosexuality as “immoral” and “psychologically destructive” while rejecting the idea that it was a mental illness.

Harsh Treatment of Sex Workers

The report’s stance on prostitution was far more punitive. Rather than decriminalisation, it recommended harsher penalties, including three months’ imprisonment for third offences. Sir John justified this by wanting to avoid making detours when walking with his teenage daughter through certain London streets. Notably, the committee never consulted any sex workers.

Public Backlash and Eventual Success

The report faced fierce opposition. The Daily Mail warned that “great nations have fallen and empires decayed because corruption became socially acceptable.” Even Maxwell Fyfe rejected the homosexuality recommendations, though the government quickly adopted the prostitution measures in the 1959 Street Offences Act.

Despite resistance, the report sparked a crucial public debate. The Homosexual Law Reform Society was formed in 1958 to campaign for change. A decade later, the 1967 Sexual Offences Act finally decriminalised consensual homosexual acts in England and Wales, though it took until 1980 for Scotland and 1982 for Northern Ireland to follow.

Legacy

While deeply flawed, the Wolfenden Report opened a conversation about equal rights and the state’s role in private behaviour. As Rex Batten reflected: “We just wanted to be left alone to live our lives.” That simple wish, eventually granted, remains the report’s most important legacy.

 

Links:

  • ‘It provoked a fierce public debate’: The 1957 homosexuality report that divided the UK
  • Beyond The Law by Charles Upchurch – Gay Book Review

Filed Under: Editor to ACOMSDave Tagged With: 1950s Britain, 1967 Sexual Offences Act, Alan Turing, British legal history, gay rights movement, gay rights UK, homosexual law reform, homosexuality decriminalization, LGBTQ legislation, LGBTQ+ History, Maxwell Fyfe, prostitution laws, queer history, sex work laws, sexual offences law, Sir John Wolfenden, social justice history, Street Offences Act 1959, UK civil rights, Wolfenden Report

The Letter Men – Movie Review

03/08/2025 By ACOMSDave Leave a Comment

Review: The Letter Men – A Quiet Masterpiece of Queer Remembrance

The Letter MenIt’s not every day that a story finds you — especially one as moving and improbable as that of The Letter Men. But that’s precisely what happened to director Andy Vallentine. In his own words, he stumbled across the love story of Gilbert Bradley and Gordon Bowsher while scrolling online, yet what followed was no casual discovery. It became a deeply personal pilgrimage to honour lives lived in secret, with love expressed in ink but forbidden in the flesh.

 

…No conception of what our love is…
 
…How far away we seem from the rest of the world…

 

Gilbert Bradley kept Gordon’s letters until he died in 2007, and they were then rediscovered in 2015. bringing their love story to light.

Based on the largest surviving collection of queer love letters from the Second World War, The Letter Men does more than dramatise a historical romance. It gives voice to the silenced — not in anger, but in reverence. Vallentine’s Director’s Statement reveals not only the historical weight of the story but also the emotional and ethical responsibility he felt in telling it. This isn’t opportunistic filmmaking; it’s stewardship.

The casting of Garrett Clayton as Gilbert and Matthew Postlethwaite as Gordon brings authenticity and tenderness to roles that could so easily have slipped into caricature. But under Vallentine’s hand, every gesture, glance, and silence feels earned. This is a film about longing — not just the yearning between two men separated by war, but the aching for recognition, dignity, and permanence in a world determined to forget them.The Letter Men

It’s also a visually rich experience. Oren Soffer’s cinematography is painterly, with the production and costume design capturing 1940s England not in sepia-toned nostalgia, but with a lived-in texture. Even the visual effects — subtle as they are — seem to serve the memory of these men, never overshadowing the human drama at the core.

What struck me most, however, wasn’t the historical significance — which is undeniable — but the contemporary resonance. As Vallentine notes, telling diverse, underrepresented stories is not just a moral imperative, but the very reason for making art at all. In a cultural moment where LGBTQ+ histories are still at risk of erasure or dismissal, The Letter Men becomes more than a film. It becomes testimony.

It’s a rare thing to watch a director so transparently moved by his subject and so determined to let it speak for itself. Andy Vallentine doesn’t just tell Gilbert and Gordon’s story; he listens to it. That humility, that attentiveness, is what elevates this short film into something unforgettable.

In the end, The Letter Men isn’t only about love letters. It is a love letter — to the past, to the possibility of queer futures, and to all those who wrote their truths down in hope, never knowing if anyone would ever read them.

Links:

  • IMDB – The Letter Men
  • Wikipedia – Man in an Orange Shirt
  • BBC – Forbidden love: The WW2 letters between two men
  • YouTube – The Letter Men
  • Escapade – Movie Review

Filed Under: Movie Reviews, Reviews Tagged With: Andy Vallentine, director's statement, Garrett Clayton, gay love letters, gay romance, Gilbert and Gordon, historical drama, LGBTQ+ cinema, LGBTQ+ film, LGBTQ+ storytelling, LGBTQ+ visibility, Matthew Postlethwaite, queer history, queer remembrance, queer representation, short film review, The Letter Men, wartime romance, WWII love story

Cara Friend – 50 years young

25/06/2025 By ACOMSDave Leave a Comment

Cara Friend50 years young, Cara Friend is celebrating its half century in style.  The bastion of hope and support for so many, during the time of repression, persecution and at times physical attacks for the LGBTQI+ community, Cara Friend is remembering its beginnings and looking forward to its future.

Northern Ireland, in many ways,  has always been reluctant to move forward with change.  In 1967, the Sexual Offences Act decriminalised sexual activity between men over 21 in private in England and Wales; it did not apply to the Armed Forces, Merchant Navy or Scotland (later decriminalised on February 1st 1981), the Channel Islands, or the Isle of Man.

But, Northern Ireland didn’t see change until 1982 with the Homosexual Offences (Northern Ireland) Order, which legalised homosexual acts between consenting adults.  This change was brought about through the result of the Dudgeon v United Kingdom government case, which was the first successful case brought before the European Court of Human Rights (ECHR) on the criminalisation of male homosexuality.

This trial was supported by NIGRA (Northern Ireland Gay Rights Association), the 1974 Committee, and Cara Friend, along with many other organisations andprivate individuals.

During April 2025, there have been several events celebrating Cara Friends’ half century of excellence:

  • A photographic exhibition of volunteers was launched and then put on display in the Linen Hall Library (which is very supportive of our community).  This was brought about through funding from The National Lottery Heritage Fund NI (and again, others, too many to list here – see back of the wonderful booklet “Dear Friend, The History of Cara-Friend 1974-2000”).  The launch took place at a private showing for Cara Friend’s befrienders and selected guests on the evening of February 3, 2025, with the general public able to access it from February 4 to February 28, 2025.  This exhibition of 21 exquisite portraits explores the experiences of Cara-Friend volunteers, including those who founded the charity and guided it through the 1970s and 1980s. 
  • On the 12th February, a panel of four befriender originators of Cara Friend was held in the Linen Hall Library from 1=2pm.  It was very well attended (and honest, no one fell asleep).
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  • A wonderful booklet, as mentioned above, “Dear Friend, The History of Cara-Friend 1974-2000”, researched and produced by Michael Lawrence as part of a six-month internship with CF from Queen’s University.

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It is anticipated that the exhibition will travel to various Northern Ireland and UK venues, and will also be on show at Kent State University, USA.

The thanks of everyone involved in the project (befrienders, volunteers) are also given to photographer Timothy O’Connell and oral historian Dr. Molly Merryman. Many thanks also to the team at the Queer NI – Sexuality Before Liberation Project (funded by the AHRC, AH/V008404/1), including Dr. Charlie Lynch, for their support throughout the project.

  • Founding Cara-Friend Panel Discussion
  • Cara Friend
  • PRONI
  • Queen’s University – Cara-Friend Annual Reports 1971-2005
  • ‘Gay people were living in fear’ – play marks 50 years of helpline
  • Professor Molly Merryman, Ph.D., associate professor in Kent State University’s School of Peace and Conflict Studies
  • NIGRA Communications Forum
  • Founding Cara-Friend

 

 

 

 

Filed Under: Editor to ACOMSDave Tagged With: 50th anniversary, Cara Friend, community support, equality, LGBT rights, LGBTQ advocacy, LGBTQ+ History, LGBTQI+ community, LGBTQI+ organization, LGBTQI+ support, Northern Ireland, Northern Ireland LGBTQ, Pride, queer history

‘And Then I Danced: Traveling the Road to LGBT Equality’ by Mark Segal

30/11/2015 By ACOMSDave Leave a Comment

Snap 2015-11-30 at 15.31.56Lambda Literary

Review by Gena HymowechNovember 24, 2015

And Then I Danced is more than a memoir; it’s a revelation. In writing about his life, Mark Segal not only shines a light on his own achievements but on those of others, including Marty Robinson and Craig Rodwell. These names, like Segal’s, are not as well-publicized as they should be, and that’s a huge part of why this book is so vital. Equally important is how Segal shatters mistaken beliefs about queer history.

Growing up poor and Jewish in a Philadelphia housing project, discriminated against, and living in conditions that are beyond frustrating; Segal experiences the perfect training ground for life as a gay activist. In just a few lines, he perfectly describes the unique heartbreak being poor brings. His mother has taken him to buy a toy after his father practically had a nervous breakdown because he wasn’t able to give Segal something he wanted:

As we entered Wilson Park, [Mom] asked if I liked my toy. I reached into the bag and my train was gone. I said nothing. Seeing my reaction, she took the bag and found the hole in the bottom through which my toy had fallen out. She just started to cry. Watching my mother cry after all that had occurred that day, I wanted to cry and yell as well, but instead I got sick to my stomach. I just stood there in silence, awash in guilt.

As a boy, Segal is tempted mightily by the sexy men’s fashion section of the Sears and Roebuck catalogs, but represses his feelings. Eventually, he sees an episode of the pioneering David Susskind Show, featuring a man from the Mattachine Society. The author’s path is clear; he must go to New York.

But once he lands, things are not as they appear. Robinson tells Segal that the group isn’t in tune with younger activists. This is one of the most important myths Segal busts: The gay movement was not unified and was segmented by, among other things, age and class.

About a month after Segal is in New York, the Stonewall Uprising happens.

Stonewall, notes Segal, wasn’t the first gay protest (it was preceded by the Compton Cafeteria riot in San Francisco and the Dewey’s sit-in in Philadelphia). It wasn’t as big as you might think (Segal estimates a few hundred participated). It wasn’t one night (try four). It was not about Judy Garland dying, and it only included a small representation of the gay population. “[A]nyone with a decent job or family ran away from that bar as fast as they could to avoid being arrested. Those who remained were the drag queens, hustlers, and runaways.”

The movement Stonewall gives birth to results in a different kind of activism involving the media. Segal starts doing zaps, or “nonviolent protests that put us in a light that was not stereotypical.” In front of about 60 percent of America, he interferes with a Walter Cronkite broadcast. It’s a brilliant strategy, taking the weapon out of the hands of an oppressor and using it as a tool of activism.

Segal really puts the movement in context for the post-Stonewall generation. Activism in the 60s and 70s wasn’t about big corporations or celebrity spokespeople, he notes, and most gays didn’t appreciate the efforts activists were making. It also wasn’t the gig you took if you wanted to be a millionaire. Segal finally figures out a way to be paid for his activism by publishing the Philadelphia Gay News, which he still runs.

The flaws here are minor. Obviously, the death of his mother and the raising of his son are important to him, but they don’t translate into riveting copy, and his account of what it was like to help create the Philadelphia Freedom Concert & Ball, starring Elton John, feels pointless.

What Segal does best is provide an accessible history. And Then I Danced makes a great college textbook, or just an excellent guide for young queer leaders. The most important lesson one can learn from Segal’s life is that, no matter what, you just have to keep on fighting.

And Then I Danced: Traveling the Road to LGBT Equality
By Mark Segal
Open Lens/Akashic Books
Hardcover, 9781617754104, 400 pp.
October 2015

– See more at: http://www.lambdaliterary.org/reviews/11/24/and-then-i-danced-traveling-the-road-to-lgbt-equality-by-mark-segal/?utm_source=+Lambda+Literary+Review+November+27th%2C+2015&utm_campaign=Newsletters&utm_medium=email#sthash.4jF2N97f.dpuf

Filed Under: Book Reviews Tagged With: And Then I Danced, Mark Segal, queer history

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