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What of the LGBTQ community on British society since the 1800s?

10/07/2025 By ACOMSDave Leave a Comment

LGBTQ CommunityThe LGBTQ community and individuals have significantly shaped British society since the 1800s, influencing social attitudes, legal reforms, culture, and rights movements.

In the 19th century, LGBTQ identities were largely marginalised and criminalised, with laws like the Labouchere Amendment of 1885 criminalising male homosexual acts. Despite heavy repression, underground communities and discreet networks persisted, laying the groundwork for future activism.

The early 20th century witnessed the emergence of pioneering figures who challenged societal norms and fought for recognition. The 1950s and 1960s marked a turning point with the formation of advocacy groups, such as the Homosexual Law Reform Society, which campaigned for decriminalisation.

In 1967, the Sexual Offences Act decriminalised private male homosexual acts in England and Wales, a landmark victory that catalysed further legal and social change. The subsequent decades witnessed the gradual removal of discriminatory laws, the rise of LGBTQ visibility in media and culture, and the fight for equal rights, culminating in the legalisation of same-sex marriage in 2014.

Culturally, LGBTQ individuals have enriched British arts, literature, and entertainment, challenging stereotypes and promoting diversity. Prominent figures, such as Alan Turing, a pioneering computer scientist and World War II codebreaker, and later activists, have become symbols of resilience and progress.

Overall, the LGBTQ community’s perseverance and activism have played a crucial role in transforming British society into a more inclusive and accepting nation, fostering ongoing debates about rights, identity, and equality.

 

Summary Table

Area Impact
Law & Policy Decriminalisation, anti-discrimination laws, marriage equality, repeal of Section 28
Culture & Arts Influential writers, artists, musicians, and designers, increased representation
Social Attitudes Greater acceptance, visibility, and understanding of LGBTQ identities
Activism Grassroots movements, Pride events, and intersectional advocacy
Community Building Creation of support networks and safe spaces

The LGBTQ community and individuals have fundamentally shaped modern British society, advancing legal rights, enriching culture, and driving social change from the 1800s to the present146.

  1. https://en.wikipedia.org/wiki/Timeline_of_LGBTQ_history_in_the_British_Isles
  2. https://phm.org.uk/blogposts/a-british-export-that-has-defined-lgbt-history-past-and-present/
  3. https://thefrontline.org.uk/blog-post/key-moments-of-visibility-in-lgbtq-history-in-the-uk/
  4. https://armycadets.com/features/influential-lgbtq-figures-in-uk-history/
  5. https://www.bbc.co.uk/newsround/55276399
  6. https://www.youngcitizens.org/blog/history-of-lgbtq-rights-in-the-uk/
  7. https://www.youngfabians.org.uk/the_forgotten_side_of_british_queer_history_month
  8. https://www.history.org.uk/publications/resource/11056/what-have-historians-been-arguing-about-modern
  9. Belfast Pride 2023

Filed Under: Community Journalist, Editor to ACOMSDave Tagged With: Activism, British society, community impact, cultural contributions, equality, history, legal reforms, LGBTQ community, rights movement, social acceptance, visibility

Gayfest 82

23/01/2025 By ACOMSDave Leave a Comment

GAYFEST 82

Three NIGRA (from Sean McGouran’s recollection [Sean, Ho Mun Chien and Mark McKeronon]) persons went to the Gay Fest for a jaunt. 

 

Gayfest

PeaceGdnsSheffd

‘’’Our first impression of the People’s Republic of South Yorkshire was good – incredibly low bus fares.  The second was dire, Sheffield (appears) to have the dourest population imaginable.  The Gayfest was held in the Polytechnic, a teacher training college with delusions of grandeur, its architecture based on the labyrinth principle.  We had to walk to the opposite end of the campus to get to our billet, a very comfortable two-bedroom.  This is more than can be said for some of the other beds/rooms we slept in that weekend.

Apart from continually walking into closed meetings of CHE (the Campaign for Homosexual Equality) and into a wrangle between the SWPGG (Socialist Workers Party Gay Group) and a nice young man from the Spartacus League*.  (The SL and SWP are among the 57 varieties of Trot groupeens), the young ‘Spart’ compared their ‘line’ on Ireland with that of Iran.  The SWP gave undifferentiated support to the anti-Shah opposition, and look at what the Iranians got!  In Ireland, Master Spartacus said they supported anti-Gay and anti-women forces.  This led to the epochal event of a member of the SWP admitting that his Party was small and not about to seize power just yet.

The next meeting I attended was a duo between the Liberal Gay Action Group (LibGAG) and the Gay Social Democrats (GSD).  The Libs were very lordly and made rather injudiciously nostalgic remarks about the Lib-Lab pact pipe dream of the early ’70s (i. e. a governing alliance of Labour and the Liberals).  The GSD took it in good part and asked sharp questions, like will the Liberals’ portmanteau Bill of Rights be feasible?

Others attended the Gay Youth Movement (GYM)’s AGM, where a snide article about them in the Gay Gazette (the Festival’s journal) was attacked and the author ‘Pandora’ asked to apologise and also admit his / her name.  [It was Eric Presland / Peter Scott Presland – currently still playwriting and producing a history of CHE].  The youth groups GYM and the Joint Council for Gay Teenagers (JCGT) threaten to boycott next year’s Gay Fest. 

Three of us attended the SHRG (Scottish Homosexual Rights Group)’s seminar on S / M (sado-masochism).  It had a very good attendance neck and neck with the Labour Campaign for Gay Rights’ meeting which had the ‘bisexual’ MP for Bootle, Allan Roberts as guest speaker.  [One of us ought to have gone – but ‘sex’ proved more of an attraction  – upstart 2013]

The rest of Saturday was spent boozing and inflicting Gay Star on unsuspecting Brits.  Thus we missed the Workshop on Sexism and an explanation of what was the Gay Community Organisation [GCO – CHE split itself into a ‘political / campaigning side – CHE, and a ‘social’ side the GCO.  It was disastrous, GCO barely lasted out the year, and CHE was seriously weakened – upstart 2013].  We did get an ear-bashing about how wonderful Friday’s disco had been.  It sounded great until we were told the Gay’s are only allowed in once a month! 

We did see Eric Presland’s Teatrolley, or a Midsummer Night’s Scream, done by Consenting Adults in Public, in the open air.  Drink, damp grass, and an aversion to cod-Shakespeare, somewhat cloud one’s judgement, but generally the parade of Gay ‘types’ was interesting: the two Liberationists offering tea and ideological purity – the clones, the leathermen (played by an actor of great beauty and courage…  Anyone who would expose his bum to the inclemencies of an English Autumn, and an audience made up entirely of Gay women and men would have to be).  There was also a policeman who turns almost human.

The evening ended on a deliberately sour note when Consenting Adults… handed out leaflets recounting the horrors while befell the Kasir family and their small business.

On Sunday morning after carefully avoiding the Act of Worship, and not being lucky enough to avoid the truly dreadful breakfast, we nipped into the Gay Rights at Work meeting, where we learned that Judith Williams is getting fed up with a dreary round of meeting – and general unpleasantness.

We then went off to the worst-attended, but in many ways the most interesting meeting of the weekend.  The Revolutionary Gay Men’s Caucus organised Political Activity and Social Life, which was a pretty punchy attack on the Gay Liberation Movement.  According to their outlook the radicals, the lobbyists / civil-righters and the Gay proprietors were as one in seeing the oppression of Gays as a ‘technical matter of the distribution of resources’.  Meanwhile, whole categories of people are excluded from the Gay ‘scene’ – women, the disabled, the elderly, Black Gays, and to an extent, the unemployed.  The Gay Liberation Front had married revolutionary rhetoric to feeble reformist demands.  Thus they had to defend sexual pluralism under any guise, e. g., pornography, S / M – one of the RGMC defended pædophilia, presumably on the grounds that it wasn’t exploitative.

The arguments of the Caucus were rather like traversing a superbly engineered bridge, which one suddenly realises does not quite reach to opposite shore.  They offered no programme – ‘shopping lists of demands were useless without money or power’.  And some of the building materials of the bridge were questionable.  The ‘working class’ was referred to as if it were a solid entity.  Questioning brought the admission that it was difficult to define the working class, and that it is wracked with deep contradictions anyway; racism, sexism and so forth. 

Their attitude to ‘Ireland’ was, roughly: the Brits are in Ireland for imperialist reasons, therefore it was a brill idea to chuck ’em out.  The people who said this did admit that they were not entirely happy about the results for Gay people. 

An overall impression of the Festival: the price of set meals did tend to put a damper on socialising over meals, the restaurants and cafés on Eccleshall Road did a roaring trade.  The youth groups and ILIS (International Lesbian Information Service) met in separate venues from the (‘adult’) male, or anyway, male-oriented groups.  We only saw them striding purposely about from place to place.

The main corridor, from the bar to the gym-cum-disco area, was crowded with stalls hired by all sorts of Gay groups; revolutionaries, Tories (but no fascists – yet), humanists, Christians (but no Muslims or Hindus), weekend walkers, real ale freaks, pure-as-the-driven-snow bookshops, and bookshops selling porn.  There were bisexuals and leather people, but no (overt) pædophiles, young people, and a considerable number of decidedly elderly people.  People selling good papers, people selling bad papers, and people selling… um… Gay Star.

A Workshop deriving from Saturday’s seminar on S / M was very interesting and would have been more interesting if it had not been decided to split us into two groups.  In a small room, this caused both sessions to be incomprehensible.  People admitted to being nervous about some of the accoutrements of S / M sex and admitted that their fascination with the outer manifestations of dominance was distressing to them. Admittedly, some others did not find such things in the least distressing. 

Early in the session, someone launched a shrill and rather over-heated attack on S / M, suggesting that people into S / M are also into ‘terminal sex’.  The argument is self-evidently foolish.  Not everybody is a Mistress / Master, and anyway the economics of sex intervenes.  If you constantly bump people off, apart from the fact that it becomes rather noticeable even in the most closeted of scenes, you will find that people will no longer accept your invitations to light torture sessions.  Possibly this person was trying to say, in the manner of Freudian psychoanalysis, that S / M is something else.  Leather-sex people are ‘really’ repressed corpse-fuckers.

So far as we were concerned, the Festival ended roughly here.  We went off to the Stars disco later in the evening.  The organisers’ “five minute’s walk” proved to be wildly over-optimistic; it was more like half an hour.  The disco (run by Mecca, inventors of ‘Miss World’) was pretty drab.  It had a curious, limp, pre-liberation feel – there were lots of black’n’white pics of 1940s Hollywood ‘stars’.  There were lots of Muir caps with Anglo-Saxon potato faces under them.  The huge bar sold flat beer at inflated prices, and the dance floor was small. 

The only Gay elements were the Muir caps and the poppers.  The Gays are allowed into Stars once a fortnight.

Editorial report

 

* This was probably called the Spartacist League – a ‘Spartacus League’ was, or had been, the youth wing of the SWP (in its early IS / International Socialist guise).  This may not be entirely accurate – but the niceties of British Trotskyist history are very complex.  [upstart 2013].

This was the last Gay Fest – they had been run by CHE – presumably, there was some debate about whether or not it was a ‘political’ or a ‘social’ event.

Fortunately, CHE decided some years ago that the political and the social are no longer incompatible…

Gayfest

Unidentified young man at the CHE Conference 1975 (LSE HCA Archive)

Links:

  • Manchesterhive – Lesbian and Gay politics
  • LGBT Archive – Sheffield
  • University of Sheffield – Gay Pride, 1968 – 1979
  • LGBTQIA+ Heritage Symposium 2024

Filed Under: Editor to ACOMSDave, History Tagged With: 1970sGayRights, Activism, ArtInActivism, Bisexuality, CampaignForHomosexualEquality, CulturalCritique, CulturalFestival, GayActivism, GayCulture, GAYFEST82, GayLiberation, GaySocialDemocrats, HistoricalEvents, HomosexualRights, Intersectionality, LGBTQCommunity, LGBTQEvents, LGBTQIdentity, LGBTQYouth, PoliticalActivism, PublicDiscourse, QueerHistory, QueerPolitics, QueerStudies, QueerTheories, RevolutionaryCaucus, SadoMasochism, SexualPluralism, Sheffield, SheffieldPolytechnic, SocialJustice, Trotskyism

1983 – Gay Conference Comes To Belfast

12/10/2024 By ACOMSDave Leave a Comment

 
 

Gay Conference Comes To Belfast1983 – Gay Conference Comes To Belfast, what a headline.  When you consider that the Good Friday Agreement was 5 years away.  The ‘troubles’ were still happening all around us, and we were also 8 years away from our first Pride March in Belfast, the fact that a gay conference was held is nothing short of remarkable.  This is the small article that was published in Northern Ireland’s only gay publication, which can be found in the Linen Hall Libary Political Collection on the fourth floor.

 

…This is a short report on the All Ireland Lesbian and Gay Men’s Conference which was held in 1983 in Belfast, at the Crescent Arts Centre and the Gay Centre.  As many as 200 lesbians and gay men were expected at this 3rd annual conference.

The first conference was in Cork in 1981, and in 1982 was in Dublin.  The two of them were organised by ‘independent’ lesbians and gay men and supported by national organisations that provided facilities.  It was significant that only a handful of delegates from Northern Ireland were present at both conferences.

In January 1983 a planning meeting was in Belfast for the 1983 conference which was attended by many of the former committee members from 1981 and 1982.  Belfast representation was limited to half a dozen men – all members of NIGRa (Northern Ireland Gay Rights Association).

The Dublin Conference had been uniquely successful in having equal numbers of women and men attending.  The absence of women from this planning conference augured poorly for the future of a Belfast conference.

The afternoon session was better attended by Belfast/Derry people and a meeting was planned for a fortnight later to bring together ‘non-organisation’ lesbians and gay men in the region.  Six women and six men attended, including Charles Kerrigan of the Dublin Gay Collective.

It was decided in principle, that those non-organisational people would determine the nature and organisation of the conference.

NIGRA’s role was to provide facilities, admin and any other help…

 

We talk about our history, but we have done little to mark it, to record it and remember it.  If you wish to have your history recorded, don’t forget the LGBTQIA+ Heritage Project (link below).

 

Links:

  • World Congress of Families – Conference Speaker
  • The National Union of Students (NUS), Lesbian and Gay Liberation Campaign Conference 1988
  • The Linen Hall Library – Northern Ireland Political Collection
  • LGBTHistoryni
  • Welcome to Queer NI – 
  • LGBTQIA+ Heritage Project

 

 

 

Filed Under: Community Journalist, Editor to ACOMSDave Tagged With: 1983 Conference, Activism, Belfast History, Community Organizing, crescent arts centre, Cultural Events, gay conference, gay rights, Gender Equality, Good Friday Agreement, Irish LGBTQ History, Lesbian and Gay Rights, LGBTQ+ History, LGBTQIA+, LGBTQIA+ Heritage Project, NIGRA, Northern Ireland, Political History, Pride March, Social Movements

Callings

06/10/2024 By ACOMSDave Leave a Comment

CallingsCallings, written by Dominic Montaque is a wonderful, heartwarming play about five queer people who manage to discover a community and through that community support for themselves and their journey of discovery about themselves and being gay.

It is set in an era when the government used many tactics to hide our existence.  It is also set in Northern Ireland, for England had a Switchboard Service for (LGBT as it was then) or as stated in those days ‘Queers’.  The play is set in Belfast, Northern Ireland in the CARA Friend Switchboard Room – (that in itself is a misnomer as we only had 1 or 2 lines and phones) No such things as mobile phones then – chunky big desk phones and outside you had to find a phone box that worked, which was also safe for others listening, and you had to have plenty of change.

In the background, you had the ‘Save Ulster from Sodomy. Campaign, Jeff Dudgeon vs UK Trial etc., and of course ‘theCallings Troubles’.

Callings brings together tales that reflect on the challenge we faced with being ‘queer’ during this period but also celebrate our history and what has now been accomplished.

I urge you to try and get along to see this wonderful play (Callings) but don’t forget

‘…that’s why learning from history is important.  I grew up under Section 26, so I wasn’t taught about LGBTQI+ issues at school…

Owen Jones (Attitude March 2019)

 

 

 

The full Show Schedule is:

Lyric Theatre, Belfast: Wed 2 Oct – Sun 6 Oct;

The MAC Birmingham, 10 – 11 Oct;

Stanley Arts London: 16-17 Oct;

Chats Palace London: 18–19 Oct;

Hawkswell Sligo: 23 Oct;

Market Place Armagh: 24 Oct;

Riverbank Kildare: 25 Oct;

Down Arts Centre: 26 Oct;

Droichead, Drogheda: 2 Nov;

Garage, Monaghan, 3 Nov,

Project Arts Centre, Dublin: 6-9 Nov.

For more information on the production and to get tickets go to www.kabosh.net

To find out more about the services offered by Cara-Friend visit www.cara-friend.org.uk

 

Links:

  • Kabosh play celebrates 50 years of heroic activism by pioneers of gay community – https://thegourmetboys.com/kabosh-callings-cara-friend-50-years/
  • ‘Gay people were living in fear’ – play marks 50 years of helpline – https://www.bbc.co.uk/news/articles/cwyvdn2e8vyo
  • The play that captures the fallout after Section 28 – https://acomsdave.com/the-play-that-captures-the-fallout-after-section-28/
  • Schools play about homophobia attacked by rightwing press – https://acomsdave.com/schools-play-about-homophobia-attacked-by-rightwing-press/

Filed Under: Community Journalist, Theatre Reviews Tagged With: Activism, BelfastTheatre, CallingsPlay, CaraFriend, ComingOut, CommunitySupport, CulturalHeritage, DominicMontaque, HeartwarmingDrama, HistoricalTheatre, LGBTQHistory, LGBTQRepresentation, NorthernIreland, PlaySchedule, QueerCommunity, QueerTheatre, SelfDiscovery, SupportAndSolidarity, TheatreInIreland, TheTroubles

Queer Narratives: Lived Experience, Activism & Change in Northern Ireland

27/07/2023 By ACOMSDave

PERFORMANCE AREA | £6.50 / £5.00 (MEMBERS)

QUEER NARRATIVES: LIVED EXPERIENCE, ACTIVISM & CHANGE IN NORTHERN IRELANDQUEER NARRATIVES: LIVED EXPERIENCE, ACTIVISM & CHANGE IN NORTHERN IRELAND – To mark Belfast Pride, we have invited artists and activists from the LGBTQ+ community to explore The Linen Hall’s LGBTQ+ archives. Hilary McCollum, Amanda Verlaque, Heather Fleming, and Mícheál McCann will choose an item from the archive – an artefact, a newspaper article, or a letter – to talk about their own lived experience and the history of gay rights in Northern Ireland.

PANELLISTS

Hilary McCollum
Hilary McCollum is an Irish writer and feminist activist with a long-standing interest in creative responses to trauma. She has explored issues related to violence against women and girls through narrative non-fiction, fiction, and drama. Her writing often focuses on women’s resistance to abuse and oppression. Her first novel, Golddigger, won the Golden Crown Literary Society prize for historical fiction in 2016. She has a PhD in Creative Writing from QUB and is a Senior Policy and Liaison Officer for Northern Ireland with the Society of Authors.

Amanda Verlaque
Amanda Verlaque writes for stage, screen, and VR. The Lyric produced This Sh*t Happens All the Time, her critically acclaimed play about homophobia, misogyny and coercive control. The MAC produced her critically acclaimed debut play Distortion, a satire about political hypocrisy, homophobia and PR spin. Amanda adapted and wrote the pilot for An Irish Country Doctor based on Patrick Taylor’s award-winning novel and she made her directorial debut with Egg, her VR short film in collaboration with RETìníZE. One of the Irish Theatre Institute’s Six in The Attic artists for 2022/23, she is also under commission to the National Theatre (GB) and the Abbey. Amanda worked in TV drama for 25 years as a script editor, storyliner, producer and executive producer before starting her writing career.

Heather Fleming
Heather Fleming came out, when she was seventeen, in rural Co Down in 1977. She moved to Belfast, became involved in LGBTQ+ activism; joining NIGRA, volunteering for CaraFriend /Lesbian Line and founding Lavender Lynx (a safe space for lesbians, especially those just coming out). Heather is a visual artist and has exhibited widely throughout Ireland and internationally. Creative writing was confined to her sketchbooks but in the last few years, it has become more public. A number of her “Ten X 9” stories were broadcast on BBC Radio Ulster’s Tall Tales. A recording of one of her stories about being lesbian in NI is now part of the Irish Studies curriculum at the prestigious Swarthmore University in Philadelphia. In 2023, two of her poems were ‘Highly Commended’ for the CAP/Executive Office Good Relations Award and she had a poem printed in the Seamus Heaney Award for New Writing Anthology.

Mícheál McCann

Mícheál McCann is a poet from Derry. His poems have appeared in The Poetry Review, The Stinging Fly and Poetry Ireland Review, and anthologised in Queering the Green and Romance Options: Love Poems for Today. He has published pamphlets of poems, most recently Waking Light (Skein Press) and Keeper (14publishing). He was a co-editor of Hold Open the Door (UCD Press), Trumpet (Poetry Ireland) and is a founder and editor of Outburst Arts’ catflap magazine. He lives in Belfast where he is completing a PhD in the Seamus Heaney Centre for Poetry.

Tagged With: Activism, Cara Friend, Carpenter Club, change, library, Linen Hall, Lived Experiences, Narratives, NIGRA, Northern Ireland, queer

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