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Review of “Oskar | A Coming-of-Age Short Film”

27/01/2026 By ACOMSDave Leave a Comment

OskarJoris Deffte’s “Oskar” is a student project that delves into familiar territory, focusing on the poignant transition of letting go of old friendships to embrace new beginnings. Deffte himself acknowledges a degree of dissatisfaction with the final product, yet his decision to share it offers viewers a glimpse into the challenges and rewards of youthful self-discovery.
 
The film centres around Oskar, played by Julian Maucher, as he navigates the shifting sands of adolescence. The narrative hinges on Oskar’s relationship with his old friend, Nick (played by Joris Deffte), and the necessity of moving on to find “new people and more joy in life.” While the description remains vague about the specific events that trigger this change, it’s clear that the film explores themes of growth, change, and the sometimes painful process of leaving the past behind.
 
The supporting cast, including Lara Jermann as Anna and Hamo Othman as Alex, likely play roles in Oskar’s journey, perhaps representing the “new people” he encounters. The involvement of family members, with Heike Werner von Niessen as Oskar’s Mother, Silke Deffte as Nick’s Mother, and Michael Deffte as Nick’s Father, suggests that the film also explores familial relationships and their impact on adolescent development.
Oskar Oskar
 
Technically, the film benefits from the work of Jan-Oliver Schenke as Director of Photography, with Linda Schmitz and Christopher Meier-Wilkening handling light and sound. The music, featuring Jack Vallier’s “Change Your Mind,” likely complements the film’s emotional tone.
 
Despite Deffte’s reservations, “Oskar” presents a relatable narrative about the complexities of growing up. Its exploration of friendship, change, and the search for personal fulfilment resonates with audiences who have experienced similar transitions in their own lives. While its status as a student project might imply certain limitations, the film’s heart and its willingness to tackle universal themes make it a worthwhile watch. The film is available on Joris’s YouTube channel.
Oskar
 
 
Oskar – CAST
Oskar – Julian Maucher
Anna –  Lara Jermann
Alex –   Hamo Othman
Nick-   Joris Deffte
Oskar’s Mum –  Heike Werner von Niessen
Nick’s Girlfriend –  Linda Schmitz
Nick’s Mother –  Silke Deffte
Nick’s Father –  Michael Deffte

CREW
Director of Photography –  Jan-Oliver Schenke
Light & Sound –  Linda Schmitz + Christopher Meier-Wilkening
Helping Hands –  Alexander Kläsener + Elvira Antipova

Editing =  Joris Deffte

MUSIC
Jack Vallier – Change Your Mind

Written and directed by Joris Deffte
Produced by Linda Schmitz & Joris Deffte

Links:

  • Oskar | A Coming-of-Age Short Film
  • ’17’ A Small Hookup Story with a Heavy Echo – A movie review
 
 

Filed Under: Movie Reviews, Reviews Tagged With: change, coming of age, English subtitles, friendship, growth, independent film, Joris Deffte, Oskar, short film, student project

Queer Narratives: Lived Experience, Activism & Change in Northern Ireland

27/07/2023 By ACOMSDave

PERFORMANCE AREA | £6.50 / £5.00 (MEMBERS)

QUEER NARRATIVES: LIVED EXPERIENCE, ACTIVISM & CHANGE IN NORTHERN IRELANDQUEER NARRATIVES: LIVED EXPERIENCE, ACTIVISM & CHANGE IN NORTHERN IRELAND – To mark Belfast Pride, we have invited artists and activists from the LGBTQ+ community to explore The Linen Hall’s LGBTQ+ archives. Hilary McCollum, Amanda Verlaque, Heather Fleming, and Mícheál McCann will choose an item from the archive – an artefact, a newspaper article, or a letter – to talk about their own lived experience and the history of gay rights in Northern Ireland.

PANELLISTS

Hilary McCollum
Hilary McCollum is an Irish writer and feminist activist with a long-standing interest in creative responses to trauma. She has explored issues related to violence against women and girls through narrative non-fiction, fiction, and drama. Her writing often focuses on women’s resistance to abuse and oppression. Her first novel, Golddigger, won the Golden Crown Literary Society prize for historical fiction in 2016. She has a PhD in Creative Writing from QUB and is a Senior Policy and Liaison Officer for Northern Ireland with the Society of Authors.

Amanda Verlaque
Amanda Verlaque writes for stage, screen, and VR. The Lyric produced This Sh*t Happens All the Time, her critically acclaimed play about homophobia, misogyny and coercive control. The MAC produced her critically acclaimed debut play Distortion, a satire about political hypocrisy, homophobia and PR spin. Amanda adapted and wrote the pilot for An Irish Country Doctor based on Patrick Taylor’s award-winning novel and she made her directorial debut with Egg, her VR short film in collaboration with RETìníZE. One of the Irish Theatre Institute’s Six in The Attic artists for 2022/23, she is also under commission to the National Theatre (GB) and the Abbey. Amanda worked in TV drama for 25 years as a script editor, storyliner, producer and executive producer before starting her writing career.

Heather Fleming
Heather Fleming came out, when she was seventeen, in rural Co Down in 1977. She moved to Belfast, became involved in LGBTQ+ activism; joining NIGRA, volunteering for CaraFriend /Lesbian Line and founding Lavender Lynx (a safe space for lesbians, especially those just coming out). Heather is a visual artist and has exhibited widely throughout Ireland and internationally. Creative writing was confined to her sketchbooks but in the last few years, it has become more public. A number of her “Ten X 9” stories were broadcast on BBC Radio Ulster’s Tall Tales. A recording of one of her stories about being lesbian in NI is now part of the Irish Studies curriculum at the prestigious Swarthmore University in Philadelphia. In 2023, two of her poems were ‘Highly Commended’ for the CAP/Executive Office Good Relations Award and she had a poem printed in the Seamus Heaney Award for New Writing Anthology.

Mícheál McCann

Mícheál McCann is a poet from Derry. His poems have appeared in The Poetry Review, The Stinging Fly and Poetry Ireland Review, and anthologised in Queering the Green and Romance Options: Love Poems for Today. He has published pamphlets of poems, most recently Waking Light (Skein Press) and Keeper (14publishing). He was a co-editor of Hold Open the Door (UCD Press), Trumpet (Poetry Ireland) and is a founder and editor of Outburst Arts’ catflap magazine. He lives in Belfast where he is completing a PhD in the Seamus Heaney Centre for Poetry.

Tagged With: Activism, Cara Friend, Carpenter Club, change, library, Linen Hall, Lived Experiences, Narratives, NIGRA, Northern Ireland, queer

TV’s Power to Change Lives

19/04/2015 By ACOMSDave Leave a Comment

 

Empire Jamal Jussie Smollett

Nearly every current popular television show at the moment was created, directed, written, or produced by a gay person. Does that translate into greater understanding and acceptance?
Republished from OUT : BY STACY LAMBE
APRIL 16 2015 9:07 AM EDT
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Pictured: Jussie Smollett as Jamal in the ‘Empire’  finale | Photo: Chuck Hodes/FOX
LGBT-inclusive shows have been trending for years, but that two of the season’s biggest hits—Empire and How to Get Away with Murder—featured gay characters in sexual scenarios on Fox and ABC has defied typical ratings logic.
The former, created by award-winning director Lee Daniels (alongside straight writer Danny Strong), channels Daniels’s childhood experiences with homophobia in the African-American community into a melodrama about gay R&B star-in-training Jamal Lyon as he fights his family for power while looking for love.Daniels told Out that working on the show has also already changed mega-producer Timbaland’s “opinion on how he feels about gays.”
“He really had this epiphany,” Daniels said. “It was beautiful, and it deepened our friendship.”
Murder comes from Shonda Rhimes’s protégé Pete Nowalk, who made headlines by having gay character Connor rim a man in the pilot. “Putting out the character on network TV, especially someone who’s young and confident, is very important to me,” Nowalk explains. As for the racy sex, Nowalk says the scene made it into the story because it shows part of who Connor is. “He’s sexual, and he can use that to his benefit, but it’s also just one of the ways that he lives and feels good.”
For years, gay men and women toiled in the shadows of Hollywood, crafting funny and heartbreaking narratives for mainstream America. Alan Ball (Six Feet Under), Darren Star (Sex and the City), and Marc Cherry (Desperate Housewives) were among those who ruled the airwaves in the late ’90s and early aughts, but with content focused largely on women and families. Now, similar creatives are openly discussing their personal lives and translating them into stories for the rest of the world. American Horror Story was created by Power List regular Ryan Murphy, whose groundbreaking Glee ended this year. Arrow and its hit spin-off, The Flash (with a gay villain played by openly gay actor Andy Mientus), have Greg Berlanti at the helm. Brad Bredeweg and Peter Paige, along with executive producers Greg Gugliotta and Joanna Johnson, have made The Fosters a mainstay. And when it comes to HBO’s The Comeback and Looking, there’s practically a gay man at every level of production, including Dan Bucatinsky, Michael Lannan, and Andrew Haigh.
Considering that Berlanti had to threaten to quit his job to get the first gay prime-time kiss on Dawson’s Creek just 15 years ago, TV has come a long way in terms of the real, open, sexual, complicated (and sometimes boring) LGBT characters now found on nearly every network, as well as the streaming sites Netflix and Amazon.Berlanti has made it a point to include gay characters in everything he’s done and has seen a cultural evolution. “It’s rewarding when you talk to younger writers and directors who say that they saw something that you did and that it had an impact on them,” he explains. “I like to think I’ve played a small, small part in some of that.”

Filed Under: TV programme reviews Tagged With: change, lives, televison, TV

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