| Title | Grief |
| Year | 1993 |
| Director | Richard Glatzer |
| Writer | Richard Glatzer |
| Actors | Craig Chester
Illeana Douglas Jackie Beat |

Looking at Grief (1993) is like looking at the balance sheet of a business. You know that it is valid for the time it was put together, but you also know that things have changed.
Grief (1993) has a feeling of surrealism, which continues for the first 20 to 30 minutes of the film, creating an uneasiness: a sense of dissatisfaction; interspersed with which the writer has thrown in several one-liners or situations to make people laugh- hence the uneasiness!
At this point, the film appears to come into focus, with [or was it 6?] storylines being played out at the same time. I believe the characters are very thin; an intentional ploy to keep you disorientated.
the movie is located somewhere in the USA, with a team of writers for a typical low-budget soap. ‘Real Life’ is mixed with soap opera, with both ending up as an extremely tacky parody.
Overall the film is competent, but not one that I believe was suited to the large screen; home video would seem to be the more obvious choice.
The fact that I walked away without remembering the character’s names, or the dead lover indicates how much impact it made on me.
Links:
- IMDb – Grief
- Amazon – Grief [currently £5.28 to £34.37]
- Photographs – A Gay Movie Review
- Wikipedia – Grief (film)

I watched Mad About The Boy the documentary about Noel Coward in the Queens Film Theatre, Belfast and was intrigued and entranced with Noel’s life, his ability to have escaped from poverty with a father who is mentioned briefly in the beginning and who was a piano salesman, and his mother who was his bedrock throughout his life until she died in 1954.
Photographs is a short gay romance movie about Greyson who has just broken up with his girlfriend, Maddie, and Robbie a college-aged boy who can help him get the photographs he needs for a dating app.


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SEQUINS is a short comedy film about the coming of age of a 17-year-old teenage boy, of self-discovery and achieving your ambition. In Paul’s case, he wants to become a ‘drag queen’. Opportunity favours the brave, and after meeting Mimi Le Pur, a seasoned performer and drag queen, at The Sequin Club in Blackpool, his future is set; this is despite his fear of ridicule from his peers (remember he still is at school) and of being ostracized or disowned by his parents (a very real consideration as well all know).
In September 1989, Torch Song Trilogy had just ended its run at the Queen’s Film Theatre. It was well worth going to pains to see it. Indeed, if you haven’t seen it yet, then do make an effort either on DVD, one of the streaming media or if it ever returns to the cinema theatres. The lead, Harvey Fierstein, also wrote the original stage play and the screenplay. The theatrical origins of the piece are quite obvious but not intrusive – except at one point.

Sitting through Carrington I wished that I was at Braveheart, I did not quite think the opposite at Braveheart. Mel Gibson is going to have to face the fact that dallying with women in their twenties is beginning to look dubious in a man who’ll soon be a grandfather.
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a railway line. You can almost hear the mothers saying ‘don’t go near the line it is dangerous!’