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Latest News![]() NIHRF 2014 Programme Launched!Today saw the launch of the programme for the 2014 Northern Ireland Human Rights Festival (NIHRF) which you can access here. The festival, which will take place from 8-13 December, consists of a series of events on a range of human rights issues from home and abroad in celebration of International Human Rights Day on 10 December. All events are open to the public and the majority are free. The festival is coordinated by the Human Rights Consortium, with individual events hosted by a wide range of charities, NGOs, colleges, trade unions, community groups and other organisations from across civil society. |
Dear straight people, this is how you should act in gay bars
Gay man writes an incredible open letter
Gay bars are not just for LGBTI people, we all know this, but it is a sanctuary for them.
We all know that feeling when we see a drunk straight girl angry she’s not getting any attention or when a straight guy reacts badly to getting hit on.
So a gay guy has absolutely nailed how the straights should act when they’re in a gay space, and it essentially comes down to ‘have respect’.
Reddit was asked: ‘Gay men or anybody – Do you find it slightly weird or disrespectful when a group of straight people (often liberal college girls) want to hang out at gay bars or clubs?
And one user responded by saying: ‘Speaking as a gay guy, I don’t think it’s categorically rude; it depends on the circumstances, and how the straight person in question acts while there. I have written an open letter to the straight community to explain the nuances,
‘Dear straight people:
‘Generally speaking, you are perfectly welcome in our bars, as long as you keep in mind that they are spaces that are not intended to cater to you – if you think that’s unfair, then go cry about it ANYWHERE ELSE IN THE WORLD, since that’s the space that DOES cater to you, pretty much exclusively. You know that sense of discomfort and alienation that you sometimes feel in our bars? That’s how we feel in virtually every social space we go to, so please do not begrudge us this one public place on Earth where we can pay for the “privilege” to hit on, dance with, and make out with people we actually find attractive without watching our backs.
‘For straight women, respecting the importance of our sanctuaries means that you should recognize gay bars are not an ideal place to hold your bachelorette party (in jurisdictions where we are not allowed to marry, that’s particularly tacky); that, if you are a young attractive woman, you will not be the centre of attention that you are accustomed to being in straight bars, and that just because you are among a bunch of gay dudes does not mean you have free reign to drunkenly grope us on the dance floor or at the bar (by the same token, we do not have the right to paw at your boobs just because we are gay; I invite you to put any drunken gay lout who does so firmly in his place).
‘For straight men (particularly good-looking ones), you should prepare for the very real possibility that a gay dude might make a pass at you while you are at a gay bar. If you can’t find it in yourself to politely decline a pass from another guy, then stay the hell out. Most of the time saying something like, “I’m flattered, but straight” will be the end of it, but remember that some gay guys are jerks, just like some straight guys are jerks, and will likewise not respond well to having their advances rebuffed. If you don’t think you can handle that, then you can be sure that your night will be better spent in a straight bar, no matter how much better our music is (and it IS).
‘Finally, for straight couples, try to have some decorum. We don’t resent your dancing together or engaging in modest displays of affection. If, however, you descend into a full-blown grinding/makeout session on the dance floor, it kind of sends the signal that you are trying to lay claim to our space, and we may not take kindly to that. Again, you can console yourself with the knowledge that you can do that kind of thing pretty much anywhere else on the planet; you should be more than content with that.
‘In closing, feel free to come to a gay bar, as long as you respect the fact that it’s a GAY bar.
‘Gaily Yours,
‘Esperandopara’
– See more at: http://www.gaystarnews.com/article/dear-straight-people-how-you-should-act-gay-bars141114#sthash.WWBGfIsf.dpuf
The Year's 10 Best Transgender Non-Fiction Books
Today we have added to our Booklists page a new listing of the 10 Best Transgender Non-Fiction Books as presented by The Advocate – to look at the list then click HERE

I Am Jazz: Teen Trans Advocate is published author

Thirteen-year-old Jazz-Jennings is a prolific trans advocate, recognized as the youngest person on The Advocate’s “40 under 40.” She has co-founded TransKids Purple Rainbow Foundation, which is committed to supporting and advocating for Trans children in their communities, shared her story on 20/20, 60 Minutes, the Oprah Winfrey Network, YouTube vlogs, and recently co-wrote an autobiographical picture book titled I Am Jazz.
In an interview with The Miami Herald, Jazz stated: “I wrote this book so we could help educate other transgender youth and families that it is OK to be different. It’s not just geared to LGBTQ people, but for everyone who is unique. And hopefully it can make a huge impact in letting everyone know that they have to accept each other because we’re all part of the same society.”
Gay Star Travel Expo
Discover the hottest gay destinations in 2015

Scott Nunn
Showcasing the hottest destinations for gay travel in 2015, the expo hosts tourist boards and top travel brands ready to help you plan the best year of your life in travel.
Once you’ve discovered your trip(s) of a lifetime, stick around as the daytime expo transforms into a holiday-themed club night with competitions, giveaways and more – you could even win a mystery getaway!
Tickets are free but please book yours here to claim special offers during the expo.
LIKE the Gay Star Travel Expo 2015 facebook page for exclusive teasers and announcements!

– See more at: http://www.gaystarnews.com/article/gay-star-travel-expo-discover-hottest-gay-destinations-2015181114#sthash.LOnXSq1p.dpuf
Cafes and restaurants in Botanic
Comment by Sean:
I recall queer kids being shoo’d out of cafés and restaurants in Botanic Avenue in the 1980s, because they couldn’t really afford refills of their teas and coffees. And there were no caffs outside of Botanic; and elders on the queer’s bench (beside the Gents) didn’t like then hanging about, partly because they were cute – and partly because they scared-off the closets who used the Gents for pick-ups or quick relief….
LGBT HISTORY MONTH: A pre-Stonewall LGBT sit-in
Special to the online edition of Windy City Times
by Ray Simon, Philadelphia Gay News
2014-10-28
The sit-in at Dewey’s, which occurred at a Philadelphia restaurant in the spring of 1965, is not as well known as the Stonewall Riots, but it deserves wider recognition.
On the evening of Sunday, April 25, 1965, staff at the diner turned away more than 150 people they believed to be LGBT. According to the August 1965 issue of Drum magazine, which mixed beefcake pictorials with news for gay men, the restaurant’s staff refused “to serve a large number of homosexuals and persons wearing non-conformist clothing.”
Eventually, three teenagers — two boys and one girl — refused to give up their seats, in effect beginning a sit-in. In the week that followed, LGBT activists used tactics borrowed from the civil-rights movement to put pressure on the restaurant’s owners until the ban was lifted.
On closer examination, the sit-in at Dewey’s suggests that gay militancy began at least a few years before Stonewall. It also hearkens back to a time when gays, lesbians and transgender people clearly saw their struggles as intertwined.
For Marc Stein, a professor of history at San Francisco State University, the sit-in at Dewey’s not only adds to our knowledge of the past, it also prompts us to reevaluate our current understanding of LGBT history.
“I think one of the important things to see is that there was a history of these episodes for at least five years before the Stonewall Riots,” Stein said during a telephone interview.
“I think for a lot of us,” he continued, “if there’s one thing we want to challenge, it’s the notion that the movement began at Stonewall or the notion that Stonewall was the first time that gays and lesbians, that LGBT people, fought back.”
The story of the sit-in at Dewey’s may very well have been forgotten if it were not for Stein. The mainstream media ignored the incident then and it received scant attention from scholars before Stein began his research. Fortunately, a handful of men and women mentioned the restaurant to the historian while he was interviewing them for his book, “City of Sisterly and Brotherly Loves: Lesbian and Gay Philadelphia, 1945-72.”
Dewey’s was a small, family-owned chain of diners that operated in Philadelphia from the 1940s to the 1970s. When the chain’s owner, Farrel Yesner, passed away in 2003, his obituary stated that “Dewey’s doled out tasty comfort food to customers at restaurants that were mostly old-fashioned lunch counters.”
The all-night eateries served customers from all walks of life, but its 13th Street and 17th Street locations drew many LGBT customers, especially after the bars closed. According to Laurie Barron, one of Stein’s interviewees, the restaurant was known as “Fag Dewey’s.” And another, Joan Fleischmann, told him that at Dewey’s “you’d find streetwalkers, you’d find drag queens, you would find everybody.”
Why things came to a head on Sunday, April 25, 1965 is unclear. The June 1965 newsletter of the Janus Society, the local homophile organization, indicates that the diner’s management had grown tired of a group of young LGBT kids just sitting around, being rowdy and ordering little, so it encouraged its employees to shoo them away.
As Stein put it, “What I do know is that in the months or years leading up to the Dewey’s sit-in, that Dewey’s had become a late-night hangout, especially for young people and for lots of people we would now call trans.”
That night, staff interpreted the directive zealously. Eventually, three teens refused to budge, the police were called and so was Clark Polak, a local LGBT businessman and advocate. At the time, Polak was head of the Janus Society and also published Drum magazine.
Exactly what Polak did that night is unknown. The businessman claimed that he was advising the teens of their rights, but Stein acknowledges it’s easy to imagine him getting cantankerous.
“We know from other stories that Polak would scream and curse at the police, but he would also argue. He was almost fearless. So I’m sure emotions got intense,” Stein said.
The police promptly arrested Polak and the three teenagers. The savvy businessman quickly organized a picket outside Dewey’s. Roughly 1,500 pieces of literature were distributed to customers and passersby over the next five days. Finally, on Sunday, May 2, just one week after the initial confrontation, a handful of teenagers began a second sit-in.
The police were once again summoned, but this time they refused to arrest anyone. Both parties spoke to one another, the situation was defused and the restaurant resumed serving LGBT customers.
This was no small victory. Writing in the Janus Society’s May 1965 newsletter, its editor, Barbara Horowitz ( who signed her work Barbara Harris ), asserted, “There is no reason to assume that this cannot be called a job well done.”
That same editorial also makes it clear that Horowitz, and, by extension, Polak, recognized that what took place was about more than just being able to order a cup of coffee. As Horowitz wrote:
“All too often, there is a tendency to be concerned with the rights of homosexuals as long as they somehow appear to be heterosexual, whatever that is. The masculine woman and the feminine man often are looked down upon by the official policy of homophile organizations, but the Janus Society is concerned with the worth of an individual and the manner in which she or he comports himself.”
That statement suggests that at least some LGBT activists saw the limitations of pursuing a policy of militant respectability, which was, roughly speaking, the notion that straights would accept LGBT people if only LGBT people could demonstrate that they were just like everybody else.
There is still more work to be done regarding Dewey’s. Who were the three teenagers arrested that first evening? Were they the same teenagers who initiated the final night’s sit-in? Who manned the picket lines? Were the people involved in the action radicalized by it? What happened to them as the years passed? These remain unanswered questions.
Perhaps fighting for the opportunity to sit in a diner and order a meal appears trivial, but it is important to remember that the civil-rights movement had already demonstrated that seemingly mundane actions could have profound implications.
Studying the sit-in at Dewey’s, Stein discerns significant implications for our understanding of LGBT history. Later in the 1960s, a new kind of LGBT activism emerged: the gay liberation movement, which was more radical than the earlier homophile movement.
For many, Stonewall was the momentous beginning of that next phase of activism, but Stein believes otherwise. In the sit-in at Dewey’s, he finds evidence of LGBT militancy beginning much earlier than 1969.
“The idea of fighting back, the idea of borrowing tactics from the civil-rights movement, that stretches back 20 years before Stonewall,” he said.
As Stein and his fellow LGBT historians do more research, a fuller picture of LGBT life in the decades after World War II is taking shape. The sit-in at Dewey’s, for example, can no longer be dismissed as an isolated, random event, thanks to the work of transgender scholar Susan Stryker.
Her 2005 documentary, “Screaming Queens: The Riot at Compton’s Cafeteria,” examines a 1966 incident in San Francisco that is strikingly similar to the sit-in at Dewey’s with one difference: at Compton’s, the drag queens literally punched, kicked and scratched to defend themselves.
Obviously, more work must be done. But recognizing the significance of what a ragtag group of LGBT teenagers and the adults who supported them accomplished at Dewey’s is a good first step.
Ray Simon is an editor and freelance writer in Philadelphia. He has written about everything from cryptograms to drag kings, and environmental sustainability to video games.
View the leaflette handed out at the Dewey’s demonstration April 1965 at the link:www.windycitymediagroup.com/pdf/DeweyLeaflette1965.pdf .



Welsh History Month: South Wales’ first ever gay pride march took place in Cardiff with marchers parading down Queen Street
Picture 83: These activists envisioned this march in Cardiff as a “coming out” for gay and lesbian activism in South Wales and an occasion to celebrate and affirm Wales’ sexually diverse and gender-blended

Dating from 1985, this image, right, depicts South Wales’ first ever gay pride march. It took place in Cardiff with marchers parading down Queen Street to the bemusement of shoppers and pedestrians. According to the editorial piece accompanying the image, “many [onlookers] shook their heads in disbelief – others laughed and laughed away”.
The presence of policemen and placards in this picture may give the impression of a demonstration, but the theme of this march was pride, not protest.
Holding signs which read “Gay love is good love”and “sing if you’re glad to be gay”, these activists envisioned this march in Cardiff as a “coming out” for gay and lesbian activism in South Wales and an occasion to celebrate and affirm Wales’ sexually diverse and gender-blended society.
The gay rights movement has come a long way since 1985, and Wales’ population continues to be made up of individuals with differing sexual orientations. Nowhere is this diversity celebrated more openly than in Cardiff’s annual LGBT Mardi Gras festival, now Pride Cymru.
Established in 1999, Cardiff’s gay pride festival is held every summer in Cooper’s Field in Bute Park and is the largest event of its kind to take place in Wales. It’s serious and it’s loud, but it is primarily a celebration of diversity, with thousands of people (gay and non-gay) taking part each year.
Gay pride events such as this are not limited to the confines of Wales’ capital city, however. Similar events have been held and continue to be held in other towns and cities in the country such as Aberystwyth’s “Pride on the Prom”, Bangor’s North Wales Pride and Swansea Pride.
Wales has an interesting history of gay activism, one which stretches back further than the late 20th and early 21st centuries. Leo Abse (1917-2008), the Cardiff-born solicitor and Welsh Labour MP for Pontypool and Torfaen between 1958 and 1987, for instance, was an active gay rights campaigner and noted for promoting legislation to decriminalise male homosexual relations in the United Kingdom in the 1960s.
Cai Parry-Jones: “I am a Welsh-speaking Cardiff-born historian. I was awarded a doctorate in History from Bangor University in 2014 and I now work in academic publishing. I have a great interest in the histories and cultures of minority groups and I am currently in the process of turning my PhD thesis on the modern history of Jewish individuals and communities in Wales into a book.”
Republished from Wales Online
Oscars’ Foreign Language Preview: Gay Contenders Come Out With Pride

What gives? It’s not merely a question of France being more progressive than the U.S. (It’s not, judging by widespread protests against marriage equality seen in Gaul over the past year.) Other countries, including several we think of as more conservative than the States, are also getting behind gay-themed pics.
Study the list of submissions for the upcoming Oscar foreign language prize — always an interesting indicator, since selection committees from each country are allowed only one film to represent them at the Academy Awards — and it’s clear that the U.S. lags in its willingness to make, much less celebrate, films dealing with homosexual themes.
Brazil picked Daniel Ribeiro’s “The Way He Looks,” a coming-out story centered on a blind teen.
Portugal went for Joaquim Pinto’s first-person documentary “What Now? Remind Me,” in which the HIV-positive helmer reflects on living with the virus. It was awarded the Fipresci prize at the Locarno film fest.
Switzerland’s selection, “The Circle,” above, from director Stefan Haupt, blends scripted reenactment and non-fiction interview segments to convey a sense of the country’s nascent post-war gay scene.
Finally, France is sending Bertrand Bonello’s “Saint Laurent,” a Cannes-anointed biopic on the influential fashion designer that doesn’t shy away from its subject’s sexual proclivities.
(One could also count Canadian submission “Mommy,” from openly gay director Xavier Dolan, whose flamboyant protagonist isn’t identified as gay, per se, but certainly defies Hollywood’s heteronormative paradigm in nearly all respects.)
Past Is Prologue
Considering the Academy’s historical reluctance to reward films with queer content (exceptions being “Boys Don’t Cry,” “Brokeback Mountain” and “Milk”), it’s surprising to see five countries submit pics that, were they competing in other categories, show little precedent for nominations. Such a move suggests that regardless of how Oscar voters might feel, a group of key influencers in each country sincerely believes these films are the best they have to offer.
It’s hard to imagine an American committee deciding to throw its support behind a “gay movie.” But then, Americans seem uniquely inclined to pigeonhole films according to the sexual persuasion of their protagonists, whereas foreign directors have been far more successful in achieving mainstream success with human-interest stories in which the characters happen to be gay — though it hardly goes for all countries, with serious cultural obstacles in Russia, Iran, the Middle East and Japan.
Meanwhile, in the U.S., cinematic representations of homosexual identity are typically relegated to one of two categories: either “gay movies” (typically low-budget fare made for LGBT auds and released, often directly to homevid, by a handful of specialty distribs) or as side characters in mainstream movies (a relatively recent phenom for pics looking to score PC points, often revealing the news as a third-act surprise, a la “ParaNorman’s” gay jock).
Rare Crossover Success
This year brings an interesting exception in Ira Sachs’ “Love Is Strange,” a sweet, low-key romantic drama centered on a longtime gay couple, finally allowed to marry, who find themselves kicked out of their New York apartment and forced to rely on family and friends for housing — essentially a same-sex twist on Leo McCarey’s 1937 “Make Way for Tomorrow.” Sachs’ film was a rare crossover success, overcoming the obstacles one imagines facing a film in which the characters are not only gay, but gray (that is, well past the age of the average American moviegoer). This, of course, is what filmmakers want: for their work to appeal beyond the rigidly defined demographic of the characters themselves.
“If you look at the bulk of the work coming out of other countries, they’re still making human dramas about everyday life that are not being made here,” says Sachs, who deliberately — and somewhat defiantly — chose to tell stories centered on gay lead characters (first “Keep the Lights On” and now “Love Is Strange”) after a gap of 15 years.
The vast majority of independent helmers responsible for making the landmarks of American queer cinema — Todd Haynes, Gus Van Sant, Kimberly Peirce, Gregg Araki — have subsequently gravitated toward more mainstream (i.e. straight) subjects in order to sustain their careers and court a wider audience. Sachs blames the system, not the filmmakers, since American distribs remain gun-shy about supporting directors who incorporate that aspect of their identity into their work.
“If there’s no economic incentive or possibility of sustaining a career as an American filmmaker making strictly personal, human films, there’s no way for those filmmakers to develop or become better over time,” notes Sachs, whose freedom comes from working outside the system. “I’ve built a community (of individual investors) around me that has supported my own personal filmmaking.”
Alternative to Hollywood
In other countries, where big-budget Hollywood tentpoles make it tough for local cinema to compete, there remains a wide gap for relatively inexpensive adult dramas, which have all but disappeared from American studios’ diet.
That creates an opportunity for foreign directors working to tackle stories not being done bigger and better by Hollywood — which is where gay-themed pics stand to shine and be recognized in their respective countries. The phenomenon is hardly limited to LGBT stories either: In Germany, a modest, black-and-white portrait of a twentysomething slacker called “Oh Boy” (retitled “A Coffee in Berlin” for U.S. release) connected in a big way, winning six Lolas.
The same was true in France of “Blue Is the Warmest Color,” “Stranger by the Lake” and “Me, Myself and Mum”: All three connected with audiences because they presented mature, human-interest portraits seen lacking among the flashier American imports.
Ironically, the most commercially successful — Guillaume Gallienne’s “Me, Myself and Mum,” about an effeminate young mama’s boy who’s the last to accept himself as gay, whereas his entire family has long since accepted his identity — has yet to find distribution in the U.S., where it has two big strikes against it: The film is not only perceived as “gay,” but it’s also foreign to boot (whereas “Blue Is the Warmest Color” and “Stranger by the Lake” had a more sexually explicit hook, landing distribution from Sundance Selects and Strand Releasing, respectively).
Just because a film is submitted by its country to compete for the foreign-language Oscar doesn’t mean it’s assured a U.S. release. Of the five pics mentioned, only “Saint Laurent” (Sony Pictures Classics) and “Mommy” (Roadside Attractions) stand to do much business in the U.S. But they also represent what pics like “Love Is Strange” and British-made Alan Turing biopic “The Imitation Game” got right: They tell compelling human-interest stories in which the characters’ sexuality is acknowledged, but not the pic’s sole focus.
“People are always asking me, ‘Don’t you think this is a great time for gay cinema?’ And I think, what about Visconti, Fassbinder, Chereau? There’s a history that I feel connected to, that American cinema has forgotten, that existed of gay filmmakers making films that were not culturally positioned:They were part of art cinema in a larger way,” says Sachs.
Granted, there is more gay representation on American screens than ever before, but it’s been pushed to the margins: supporting characters and niche pics. However progressive its politics, the U.S. could stand to learn from other countries, where such stories are getting the treatment — and recognition — they deserve.
An Interview With Michael Denneny
The problem with writing for the LGBT community and being based in Northern Ireland is the limited access to the movers and the shakers within our community. I would dearly love to have the finances and the time to rove around the world and interview a long list of people that I have been putting together, however as this is not likely to happen anytime soon (hic) then I am afraid that I will sometime have to resort to reposting articles which I believe are interesting for your the readers.
The History of Gay Publishing in One Career: An Interview With Michael Denneny

Photo by Khary Simo, used with permission of LambdaLiterary.org
BBC to air film about trans teen on children's TV
‘I just want people to finally see me the way I see myself’
The film will star Leo, a 13-year-old guy, will tell the story of his life interchanged in a sequence of moving diary sequences.
Called ‘My Life: My Name Is Leo’, he will explain the bullying he’s encounted from people who could not accept who he is.
The film is set across seven months, following Leo and his family as he undergoes hormone therapy, meet other trans kids and eagerly waiting for a new passport that confirms his real identity to the world.
‘I just want people to finally see me the way I see myself,’ he says.
‘I had wanted to do a story on a transgender child for a while, because I know there are kids out there having a tough time. But up to now, we hadn’t found the right story to tell, and we trusted Nine Lives Media to tell this one sensitively,’ Kez Margrie, executive producer, told BBC’s in house magazine Ariel.
‘It feels very much like his journey and story, as told by him.’
Cat Lewis, Nine Lives executive producer, said: ‘The great thing about making documentaries like this for children is that they’re not born with prejudices.’
Or as Leo himself concludes in the film: ‘Everyone’s different somehow.’
My Life: I Am Leo will be broadcast as part of CBBC’s anti-bullying week on 17 November at 6pm.
– See more at: http://www.gaystarnews.com/article/bbc-air-film-about-trans-teen-childrens-tv121114#sthash.Dy8eqDyY.dpuf
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