“Lobster Trap” (2023) is a compelling short drama that plunges into the turbulent world of youth and rebellion. Directed by Charlie Statires, the film masterfully captures the raw emotion and vulnerability of Chance, a troubled teenager navigating a chaotic home life. After being expelled from his trailer, where he shares a strained existence with his alcoholic brother, Wesley’s impulsive night leads him to an unexpected escape—finding himself aboard a lobster boat in the open sea.
The film’s brevity belies its depth, delivering a poignant exploration of seeking freedom amidst adversity. Statires expertly portrays Chance’s jo
urney, earning the film the Best Performance award at the New Hampshire Film Festival. The ocean setting serves as a powerful backdrop for themes of isolation, liberation, and self-discovery, resonating long after the credits roll. “Lobster Trap” is a visually evocative an
d emotionally honest piece that reminds us of the resilience and yearning for escape that exists within troubled youth. An impressive short that leaves a lasting impression.
This is not a gay movie, but the main actor, Chance, played by Charlie Statires, is attractive to look at, and is on screen for most of the nearly 20 minute long movie.
FILM CREDITS Written and Directed by: Charlie Statires
Produced by: Eric Charles Jorgenson and Versa Manos and Charlie Statires
Cinematography by: Nicola DiTomaso Edited by: Kenny Yates
Composed by: Lubomir Rzepka
CAST CHANCE: Charlie Statires
LOBSTERMAN: Eric Charles Jorgenson
JOHNNY: Braxton Hale
RUBY: Gabriella Santinelli
THOMAS: John Potvin
EDNA: Sylvia Hummel
CHRISTINE: Lisa Miller
Links:
The movie is “Orange Cheesecake,” a short film that came out in 2025. It’s a gay short film directed by Sam Liddell, with Harry Jenkins serving as the producer. The story centers around Joe, who gets invited to dinner, and as the night progresses, tensions start to rise as his father’s true intentions come to light. On IMDb, some user reviews describe it as “sweet, sad, and awkward,” capturing the film’s emotional complexity.