ACOMSDave

Community Journalist

  • Home
  • Community Journalist
  • Events
  • Media Page and Press Kit
    • Projects and Work
  • Resources & Documents
    • LGBTQ+ Support Groups and Documents
  • NIGRA
  • Archives
  • Contact

Archives for November 2024

“The Woodfolk” : Movie Review

17/11/2024 By ACOMSDave Leave a Comment

The Woodfolk“The Woodfolk,” directed by the talented duo Joey and Luke Culver, is an enchanting exploration of self-discovery wrapped in the charm of rural life. This romantic drama, produced by Benjy Alfreds, offers an engaging narrative that intertwines the whimsical with the profound, as it follows the journey of a young field worker, portrayed captivatingly by Bruno Kalo, in search of deeper meaning amidst the simplicity of his daily routine.

The film opens with sweeping panoramic shots of the countryside, captured beautifully by director of photography Sudiardi Sudyono. The visuals create an immersive atmosphere, transporting the audience into the lush, serene landscapes where the protagonist, a romantic young boy, spends his days. The cinematography enhances the emotional depth of the narrative, providing a visual metaphor for the character’s internal struggles and aspirations.

At its core, “The Woodfolk” tells the story of a field worker whose aspirations reach beyond the limitations of his daily labor. Bruno Kalo delivers a wonderful performance, portraying the character’s naivety and yearning with sincerity. His interactions with the natural environment serve as a poignant reflection of his quest for meaning. The film skillfully juxtaposes his mundane work hours with his introspective moments, evoking a sense of nostalgia and longing.

Maria Laura Gentile shines in the role of the love interest, infusing the film with warmth and chemistry. Their relationship unfolds against the backdrop of fields and woodlands, symbolizing the beauty and complexity of love in its simplest form. The narrative masterfully balances romantic tension and existential inquiry, inviting viewers to contemplate their own lives while invested in the characters’ journey.

The original score by The Swingin’ Hermlins enhances the film’s emotive moments, weaving a melodic thread that complements both the joyful and contemplative scenes. The music feels organic, embodying the spirit of the countryside and evoking memories of simpler times. It serves as both a narrative tool and a character in its own right, underlining the emotional peaks and valleys of the story.

The film’s production team, including sound designer Marcus Hudson and costume designer Cas Massey, contribute to the authenticity and richness of the narrative. From the soundscapes that capture the whispers of the wind and the songs of birds to the thoughtfully designed costumes that reflect the characters’ personalities and milieu, every detail adds depth to the story.

Editing by Nina Caprice and Luke Culver maintains a steady pace, allowing the audience to absorb the film’s lyrical quality while keeping the narrative moving forward. The seamless transitions between scenes—shaped with care—reflect both the passage of time and the protagonist’s evolving understanding of himself and his desires.

One of the most remarkable aspects of “The Woodfolk” is how it tackles themes of existentialism within a romantic framework. It poses questions about identity, purpose, and the connection to nature, encouraging viewers to reflect on their own paths and the meaning they find in their everyday lives. It’s this philosophical undercurrent that elevates the film from a simple romance to a thoughtful meditation on life and love.

Overall, “The Woodfolk” is a beautifully crafted film that invites its audience to slow down and savor the moments that define us. The Culver brothers, alongside their dedicated crew, have created a heartfelt narrative that resonates long after the credits roll. With rich performances, stunning visuals, and an evocative score, this film is a delightful reminder of the beauty found in both love and self-discovery. If you’re in the mood for a reflective and charming cinematic experience, “The Woodfolk” is undoubtedly worth watching.

The Woodfolk is not a gay movie, but Bruno Kalo is very pleasing to the eye.

 

Directed by Joey & Luke Culver Producer Benjy Alfreds

Written by Joey Culver 1st Ad Daniel Riccio

Post- producer Emma Cano Grant

Original Music by The Swingin’ Hermlins

Starring:

Bruno Kalo

Maria Laura GentileKit Smith

 

Links:

  • YouTube: THE WOODFOLK (2024) Film
  • Grief – 1993 (Movie Review)

 

Filed Under: Editor to ACOMSDave, Movie Reviews Tagged With: Bruno Kalo, cinematography, Joey Culver, Luke Culver, Maria Laura Gentile, movie review, romantic drama, self-discovery, soundtrack, The Woodfolk

LGBTQIA+ Heritage Symposium 2024

15/11/2024 By ACOMSDave Leave a Comment

I was fortunate to attend the LGBTQIA+ Heritage Symposium 2024, at Queen’s University Belfast. Queens University the hosts, granted the community the opportunity to use the esteemed Canada Room.

Cara-Friend has expressed it’s heartfelt thanks to all the speakers and audience members who attended the LGBTQIA+ Heritage Symposium.

This symposium gathered a diverse group of academics, heritage institutions, LGBTQIA+ community workers, artists, students, and volunteers dedicated to preserving and exploring LGBTQIA+ heritage.

The Lord Mayor of Belfast, Cllr. Micky Murray also attended and actively engaged with everyone in attendance.

This event was part of the ‘Founding Cara-Friend: Preserving At Risk LGBTQIA+ Heritage Project,’ which has received generous funding from The National Lottery Heritage Fund Northern Ireland for £24,900.

This funding will empower Cara-Friend to safeguard at-risk heritage related to its inception in 1974 and the crucial early years of the charity during the 70s and 80s.

Linked in this article are the three panels that ran as voice recordings (next time I will be better prepared), and also are photographs that I took during the symposium.

I would welcome any comments and observations that you have, as I am sure the Cara Friend will welcome all the support that you can offer them.

 

Links:

LGBTQIA+ Heritage Symposium 2024

                                                                 LGBTQIA+ Heritage Symposium 2024

20241012_110616 20241012_100802 20241012_102548 20241012_100747 20241012_100746 20241012_100755 20241012_110618 20241012_111821 20241012_110948 20241012_111849 20241012_111838 20241012_111857 20241012_112000 20241012_112133 20241012_121256 20241012_121306 20241012_113342 20241012_113057 20241012_121348 20241012_121350 20241012_121354 20241012_121358
  1. School of Peace and Conflict Studies, Kent State University 
  2. Cara-Friend
  3. NIGRA Communications forum
  4. The Carpenter Club

 

Filed Under: Community Journalist Tagged With: Cara Friend, Cllr. Micky Murray, Community Engagement, Heritage Symposium, LGBTQIA+, LGBTQIA+ history, NIGRA, Northern Ireland, preservation, Queen's University Belfast

Skins: A Landmark in LGBTQ+ Representation on British TV

06/11/2024 By ACOMSDave Leave a Comment

Skins: A Landmark in LGBTQ+ Representation on British TV

SkinsWhen *Skins* premiered in 2007, it revolutionized the portrayal of youth sexuality on television. Unlike anything before, this gritty teen drama tackled complex themes of identity and belonging, boldly integrating LGBTQ+ narratives into its fabric. Among its memorable characters were Tony Stonem, played by Nicholas Hoult, and Maxxie Oliver, brought to life by Mitch Hewer. Their journeys, exploring sexual fluidity and openly gay experiences, set a new standard for representation.

Tony, while predominantly portrayed as straight, played with his sexuality in poignant moments with his gay best friend Maxxie. Their friendship blurred traditional boundaries, showcasing teenage experimentation without labelling. Meanwhile, Maxxie emerged as one of TV’s first openly gay main characters, navigating not only romantic relationships but also the harsh reality of societal prejudice.

Over its seven series,  Skins not only mirrored the struggles faced by LGBTQ+ youth but also contributed to a cultural shift in how these stories were told. Despite facing criticism, its candid exploration of sexuality resonated with audiences, paving the way for more inclusive narratives in television.  Skins remains a landmark achievement, forever altering the landscape for LGBTQ+ representation in the media.

 

Links:

  • Grief – 1993 (Movie Review)
  • Skins (British TV series)
  • Amazon – Skins – Complete Series 1-7 [DVD]

 

Filed Under: TV programme reviews Tagged With: adolescent identity, British entertainment, British TV, coming out, cultural impact, LGBTQ, Maxxie Oliver, Mitch Hewer, Nicholas Hoult, Representation, sexuality, Skins, teen drama, television history, Tony Stonem

Categories

Copyright ACOMSDave.com © 2026