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30 Must-Read LGBTQ Books That Everyone Should Know

15/10/2025 By ACOMSDave Leave a Comment

30 Must Read LGBTQ Books30 Must-Read LGBTQ Books That Everyone Should Know

The literary world has been profoundly enriched by LGBTQ voices telling stories of love, identity, struggle, and triumph. From groundbreaking classics to contemporary masterpieces, these books offer windows into diverse experiences while exploring universal themes of authenticity, belonging, and self-discovery. Here are 30 essential LGBTQ books that have shaped conversations, broken barriers, and touched countless hearts.

Classic Groundbreakers

1. Giovanni’s Room by James Baldwin (1956). Baldwin’s exquisite novel explores a passionate affair between an American man and an Italian bartender in Paris. Raw and unflinching, it examines masculinity, desire, and the devastating consequences of denying one’s true self.

2. The Price of Salt by Patricia Highsmith (1952) Originally published under a pseudonym, this revolutionary novel offered one of the first lesbian love stories with a hopeful ending. Later adapted into the film Carol, it remains a tender portrait of forbidden love in 1950s America.

3. Orlando by Virginia Woolf (1928) This fantastical biography follows a nobleman who lives for centuries and mysteriously changes gender. Woolf’s playful, genre-bending masterpiece challenges conventional notions of gender and identity.

4. The Colour Purple by Alice Walker (1982). Walker’s Pulitzer Prize-winning novel tells the story of Celie, a Black woman in the rural South whose life is transformed through love and friendship, including a profound relationship with the singer Shug Avery.

5. Maurice by E.M. Forster (1971) Written in 1913 but published posthumously, this novel traces a young man’s journey to self-acceptance in Edwardian England. Forster’s insistence on a happy ending was radical for its time.

Memoirs and Non-Fiction

6. Fun Home by Alison Bechdel (2006). This graphic memoir interweaves Bechdel’s coming out with the revelation of her father’s hidden sexuality and eventual death. Beautifully illustrated and deeply moving, it revolutionised the graphic novel genre.

7. When We Rise by Cleve Jones (2016). Jones, a protégé of Harvey Milk, chronicles his journey from the early days of the gay liberation movement through the AIDS crisis to the fight for marriage equality. This is living history from someone who helped make it.

8. Redefining Realness by Janet Mock (2014). Mock’s groundbreaking memoir offers an intimate look at growing up trans and multiracial in America. Her writing is both personal and political, challenging readers to expand their understanding of gender and identity.

9. The Best We Could Do by Thi Bui (2017) This illustrated memoir explores identity, family, and the refugee experience through a queer Vietnamese-American lens, examining intergenerational trauma and the meaning of home.

10. In the Dream House by Carmen Maria Machado (2019) Machado crafts an innovative memoir about surviving domestic abuse in a same-sex relationship. Each chapter employs a different literary genre, creating a haunting exploration of love and violence.

Contemporary Fiction

11. Call Me by Your Name by André Aciman (1997) Set in 1980s Italy, this sensuous novel captures a transformative summer romance between seventeen-year-old Elio and his father’s graduate assistant, Oliver. Aciman’s prose is intoxicating and bittersweet.

12. The Song of Achilles by Madeline Miller (2011). Miller reimagines Homer’s Iliad through the love story between Achilles and Patroclus. This mythological retelling won the Orange Prize and introduced a new generation to queer classical literature.

13. Red, White & Royal Blue by Casey McQuiston (2019) This joyful romantic comedy imagines the First Son of the United States falling for the Prince of Wales. Smart, swoony, and politically engaged, it became a cultural phenomenon.

14. Stone Butch Blues by Leslie Feinberg (1993) Feinberg’s semi-autobiographical novel follows Jess Goldberg, a working-class butch lesbian navigating identity and survival from the 1960s through the 1990s. A cornerstone of transgender literature.

15. Boy Erased by Garrard Conley (2016) This powerful memoir recounts Conley’s experience in a conversion therapy program in the South. Unflinching yet compassionate, it examines faith, family, and the harm of trying to change someone’s sexuality.

Young Adult Literature

16. Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz (2012) This tender coming-of-age story follows two Mexican-American teenagers in 1980s El Paso as their friendship deepens into something more. Sáenz’s writing is poetic and emotionally resonant.

17. Simon vs. the Homo Sapiens Agenda by Becky Albertalli (2015) A charming story about a closeted teen who falls for an anonymous classmate online. Adapted into the film Love, Simon, it brought mainstream attention to LGBTQ YA literature.

18. The Miseducation of Cameron Post by Emily M. Danforth (2012). After being caught with another girl, Cameron is sent to a conversion therapy centre. This novel beautifully captures adolescent resilience and the search for authentic community.

19. Cemetery Boys by Aiden Thomas (2020) This supernatural romance follows a trans boy brujo determined to prove himself to his traditional Latinx family by summoning the ghost of his murdered cousin—but he accidentally summons the wrong ghost.

20. I’ll Give You the Sun by Jandy Nelson (2014) Told from dual perspectives, this luminous novel follows artistic twins navigating first love, family secrets, and grief. One twin’s storyline centers on a gay relationship that will break and mend your heart.

Poetry and Plays

21. The Collected Poems of Audre Lorde (1997). Lorde’s poetry explores being Black, lesbian, mother, and warrior. Her work is fierce, sensual, and politically charged—essential reading for understanding intersectional feminism.

22. Angels in America by Tony Kushner (1991-1992). This Pulitzer Prize-winning two-part play is an epic exploration of the AIDS crisis in 1980s America. Blending realism with fantasy, it remains one of the greatest works of American theatre.

23. Citizen: An American Lyric by Claudia Rankine (2014) While not exclusively LGBTQ, Rankine’s groundbreaking work examines microaggressions and systemic racism in contemporary America, with intersectional insights relevant to all marginalised communities.

24. Night Sky with Exit Wounds by Ocean Vuong (2016) Vuong’s debut poetry collection explores his identity as a gay Vietnamese-American man, weaving together family history, war, and desire in stunning, heartbreaking verses.

Genre Fiction

25. The Priory of the Orange Tree by Samantha Shannon (2019). This epic fantasy features a slow-burn lesbian romance at its centre while delivering dragons, political intrigue, and world-ending threats. At 800+ pages, it’s a commitment—but worth every moment.

26. Gideon the Ninth by Tamsyn Muir (2019). Described as “lesbian necromancers in space,” this sci-fi fantasy mash-up is wickedly funny, original, and features one of the most compelling enemies-to-lovers dynamics in recent memory.

27. The House in the Cerulean Sea by TJ Klune (2020) This cozy fantasy follows a caseworker who investigates an orphanage for magical children. Featuring a middle-aged gay romance, it’s a heartwarming story about found family and acceptance.

Essential Historical and Cultural Works

28. The Stonewall Reader edited by the New York Public Library (2019). This anthology collects firsthand accounts, speeches, and documents from the gay liberation movement. It’s essential for understanding the historical context of LGBTQ rights.

29. Gender Trouble by Judith Butler (1990.) Butler’s foundational academic text challenged conventional thinking about gender, arguing it’s performative rather than innate. Dense but revolutionary, it shaped queer theory for generations.

30. And the Band Played On by Randy Shilts (1987) Shilts’s investigative journalism chronicles the early years of the AIDS epidemic and the political failures that allowed it to spread. Devastating and necessary, it documents a crisis that decimated a generation.

Why These Books Matter

These thirty books represent just a fraction of LGBTQ literature, but they offer entry points into different genres, time periods, and perspectives. They document struggles and celebrate victories. They capture first loves and last goodbyes. They make visible what society once kept hidden.

Whether you’re looking for your own story reflected to you or seeking to understand experiences different from your own, these books offer empathy, education, and connection. They remind us that LGBTQ people have always existed, always loved, always created—and that their stories deserve to be read, celebrated, and remembered.

The best part? This is just the beginning. For every book on this list, hundreds more deserve recognition. The literary landscape continues to expand with new voices, new stories, and new ways of understanding identity and love. These 30 books are must-reads, but they’re also invitations to explore further and discover the rich, diverse world of LGBTQ literature.

 

Remember, Christmas is not far away, and there is nothing like receiving a gift that has been thought about for you – a lovely book!

Links:

  • LGBTQI+ Books
  • Gay Book Reads

#BookList

#WhatToRead

#BookBlog

#ReadingCommunity

#Bibliophile

Filed Under: Book Reviews Tagged With: bisexual fiction, book list, contemporary queer lit, diverse books, gay books, inclusive literature, lesbian books, LGBTQ authors, LGBTQ book recommendations, LGBTQ books, LGBTQ classics, must-read LGBTQ, pride reading list, queer fiction, queer literature, reading guide, representation matters, transgender memoirs

Book Bans in the UK: History Repeats Itself in the Fight for the Right to Read

15/08/2025 By ACOMSDave Leave a Comment

Book BansBook banning or Book Bans — a practice as old as the printed word — is making a troubling return in the UK. What was once thought of as a relic of history is back in the headlines, with queer literature often finding itself at the centre of the storm. The question is no longer “Could it happen here?” but “Why is it happening again?”

A Legacy of Censorship

Britain’s history of banning books is long and uneasy, often tied to sexual “obscenity” laws. Radclyffe Hall’s The Well of Loneliness (1928) — a sympathetic portrayal of lesbian love — was swiftly banned for daring to exist, despite containing no explicit content. Havelock Ellis’s Sexual Inversion faced a similar fate in 1897, vanishing from English shelves for nearly 40 years.

Even in modern memory, Section 28 (1988–2003) cast a long shadow, banning local authorities from “promoting homosexuality.” While it didn’t target specific titles, it gutted library shelves of anything queer-positive for an entire generation.

Other classics faced the censor’s hand too: D.H. Lawrence’s Lady Chatterley’s Lover endured a public obscenity trial in 1960, while James Joyce’s Ulysses remained banned until 1936.

The New Wave of Bans

Fast forward to today, and the bans are back — often quietly, sometimes loudly — with LGBTQ+ books in the crosshairs. A survey by Index on Censorship found that over half of UK school librarians had been asked to remove books. In most cases, the request came from parents, and in far too many cases, the books vanished.

Among the most targeted:

  • This Book Is Gay — Juno Dawson

  • Julián is a Mermaid — Jessica Love

  • ABC Pride — Louie Stowell, Elly Barnes & Amy Phelps

  • Heartstopper series — Alice Oseman

  • Billy’s Bravery — Tom Percival

  • Tricks — Ellen Hopkins

Some librarians have faced intimidation, even threats to their jobs, for resisting. In extreme cases, every LGBTQ+ book in a library was purged after a single complaint.

Quiet Censorship: The Bans You Don’t See

The most insidious trend? “Quiet censorship” — where books never make it to the shelf (a clandestine form of censorship), and book bans. Some authors have been told not to bring their own LGBTQ+ books to school events. In 2025, Kent County Council took further action, ordering the removal of all transgender-related children’s books from its 99 libraries.

Following the US Playbook

Many of these UK cases mirror US campaigns, where book challenges have hit record highs. This transatlantic influence, coupled with political rhetoric framing trans existence as “ideological,” has created fertile ground for censorship.

Fighting Back

Book Bans - the fight Back

Banned Books Week UK returns in October 2025

There is resistance. Banned Books Week UK returns in October 2025, rallying libraries, bookshops, authors, and readers. Groups like Index on Censorship, Stonewall, and the Society of Authors continue to push back, reminding us that libraries are for everyone — and that children exploring sexuality and identity are safer with accurate books than with the unfiltered internet.

The fight isn’t just about shelves. It’s about empathy, understanding, and the refusal to let fear dictate what people can know. As author Simon James Green put it, book banners trade in “hate and fear” — but the counter is “love and acceptance,” which, in the end, will win.

If Britain’s past teaches us anything, it’s this: the freedom to read is never permanently won. It must be defended, again and again.

 

Links:

  • The Censorship Acceleration An Analysis of Book Ban Trends After 2020
  • The Belfast Anarchist Collection, Just books
  • Crescent Arts – Books Festival
  • School Is In: LGBTQ Picture Books
  • Firm apologises for saying it would not process LGBTQ+ payments 
  • Free speech row as National Library of Scotland bans book opposing gender self-ID after staff complained of ‘hate speech’

 

Filed Under: Campaigns, Editor to ACOMSDave Tagged With: banned books, banned books week, book banning UK, book bans 2025, book censorship history, censorship, freedom to read, Intellectual freedom, LGBTQ books, literary freedom, queer literature, right to read, Section 28, UK libraries

LGBTQ YA by the Numbers: Gender and Genre

23/06/2015 By ACOMSDave Leave a Comment


 
After seeing an ask about speculative fiction with LGBTQ+ protagonists on the Gay YA tumblr a few weeks ago, I got curious, so I did what I often do in circumstances like these: I went through the masterlist to figure out just how much LGBTQ+ speculative fiction was on it. Thinking about speculative fiction numbers got me thinking about other numbers, so I thought it might be interesting to do a gender breakdown as well. This turned into a slightly more involved project (“more involved” meaning “I had to count more books”, basically). These numbers are based on the list as it stood on 21 April, 2015; they would look (slightly) different if recalculated today.
Totals
I’m going to go down the list from most books to least books.
Gay: 315 books

  • male author: 174.5 (55.4%)
  • female author: 130.5 (41.4%)
  • non-binary author: 0 (0%)
  • multi-author anthology: 7 (2.2%)
  • anonymous: 1 (0.3%)
  • I couldn’t find out: 3 (1.0%) (two books by M.C. Lee and one by R.J. Seeley)

While a majority of books about gay male characters are written by men, a significant portion of them are written by women (a far, far greater percentage than the numbers for books about lesbians written by men, as we’ll see in a moment).
That said, my initial perception that the majority of the books in the Gay section of the masterlist were written by women was, obviously, very wrong — it’s clear I fell victim to the 17%/33% fallacy (if you’re reading this, are a man, and haven’t heard about this, I’d highly recommend reading the article; it really opened my eyes to the limitations of my perception and is the reason that in contexts like this my approach is to actually count so I have accurate numbers instead).
I’d be very interested to hear from authors about why they chose to write the stories they wrote (as opposed to writing stories about non-straight female characters).
Lesbian: 203 books

  • male author: 13 (6.4%)
  • female author: 172 (84.7%)
  • non-binary author: 1 (0.5%) (S.J. Adams)
  • multi-author anthology: 15 (7.4%)
  • I couldn’t find out: 2 (1.0%) (two books by Ari Bach)

These percentages become even starker if you exclude the anthologies: over 90% of the non-anthologies were written by women.
Bisexual: 81 books

  • male author: 21.5 (26.5%)
  • female author: 58.5 (72.2%)
  • non-binary author: 0 (0%)
  • multi-author anthology: 1 (1.2%)

A further breakdown of the bi books by the gender of the bi character (and character gender vs. author gender) would be very interesting, but that will have to wait for another time.
Transgender: 38 books

  • male author: 6.5 (17.1%)
  • female author: 26.5 (70.0%)
  • non-binary author: 2 (5.3%) (one book by Sassafras Lowry and one by Rae Spoon)
  • multi-author anthology: 3 (7.9%)

The same note as for the bi books applies here, as well.
Asexual/Aromantic: 19 books

  • male author: 2 (11%)
  • female author: 17 (89%)
  • non-binary author: 0 (0%)
  • multi-author anthology: 0 (0%)

Caveat: the ace/aro section of the masterlist includes non-YA books, in deference to the rarity of ace/aro representation in YA, so take these numbers with a grain of salt.
Intersex: 6 books

  • male author: 0 (0%)
  • female author: 6 (100%)
  • non-binary author: 0 (0%)
  • multi-author anthology: 0 (0%)

There are so few books with intersex characters. Hopefully that will change in future.
Genre
I’ve included a gender breakdown here, as well. For the purposes of this list, I counted all forms of speculative fiction: high fantasy, urban fantasy, paranormal stuff, science fiction, postapocalyptic and/or dystopian books, magical realism, etc. Not included are things like thrillers, historical fiction, sports books, and the like. Again, I’m going to go through by number of books.
Gay: 76 (24.1% of total)

  • male author: 39 (51.3% of genre)
  • female author: 33 (43.4% of genre)
  • multi-author anthology: 2 (2.6% of genre)
  • I couldn’t find out: 2 (2.6% of genre) (two books by M.C. Lee)

Lesbian: 58 books (28.6% of total)

  • male author: 3 (5.2% of genre)
  • female author: 48 (82.8% of genre)
  • multi-author anthology: 5 (8.6% of genre)
  • I couldn’t find out: 2 (3.4% of genre) (two books by Ari Bach)

Bisexual: 40 (49.4% of total)

  • male author: 5 (12.5% of genre)
  • female author: 35 (87.5% of genre)

Asexual/Aromantic: 17 books (89% of total)

  • male author: 1 (6% of genre)
  • female author: 16 (94% of genre)

As above, these statistics are perhaps a bit dubious considering that the masterlist includes non-YA books with ace/aro characters.
Transgender: 9 books (23.7% of total)

  • male author: 2 (22% of genre)
  • female author: 7 (78% of genre)

Intersex: 2 books (33% of total)

  • female author: 2 (100% of genre)

There are so few of these that these statistics mean nothing, basically.
Comments
Excluding asexual/aromantic and intersex on the grounds that there are too few of them to make any real judgments, the percentage of genre fiction is pretty consistently around 25% for gay, lesbian, and trans books.
So what’s up with the bi books? I mean, that’s awesome if you’re looking for speculative fiction about bi characters (and really, is anyone not?), but still: almost 50% of the books on the masterlist about bi characters are speculative.
This raises two questions that are two sides of the same coin: first, why is it that we can more easily imagine bi characters in speculative contexts than in the real world? And, relatedly: why is it that gay, lesbian, and trans characters are limited (relatively speaking) to realistic (or at least grounded in the real world) fiction?
I think the answers to those questions are related in much the same way the questions are:

  • the dominant narrative about LGBTQ+ youth is the coming out story, prototypically about gay men, lesbians to a lesser extent, and more recently trans people (cf. Casey Plett’s excellent commentary on the “Rise of the Gender Novel“). Bi young people don’t fit as neatly into this narrative, so fewer versions of it are written.
  • by the same token, the dominant narrative about LGBTQ+ youth is the coming out story about gay men, lesbians, and trans people. Speculative fiction plots don’t tend to leave as much room for this as realistic fiction does, so less speculative fiction about these groups is written because it’s harder to fit that dominant narrative into speculative stories.

The (relative) overrepresentation of bisexuality in speculative fiction worries me: it’s already easy enough for realistic media to refuse to say the word “bisexual”. Moving to a fantasy world where contemporary labels for sexuality aren’t used or don’t apply can be liberating, but it can also be an uncomfortably convenient way to not engage with real-world questions about identity.
The (relative) underrepresentation of gay, lesbian, and trans characters in speculative fiction has been extensively discussed elsewhere, and I don’t have much to add that hasn’t been said elsewhere, better, before. Speculative fiction allows members of marginalized groups to imagine possibilities for themselves beyond what the dominant group(s) acknowledge, and that’s incredibly important (N.K. Jemisin has an amazing essay on representation that you should go read immediately).
This is not at all to say that realistic fiction isn’t important, because it is. If we take one thing away from this post, let it be that there just isn’t enough LGBTQ+ YA being published. The Gay YA Masterlist is not a complete list, by any means, but it’s fairly comprehensive, and it’s also short enough that it’s not unreasonable for me to sit down and count every book on it. Malinda Lo estimated in 2013 that only “1.9% to 2.4% of YA books published in 2013 include LGBT main characters or are about LGBT issues”.
Realistically, there just aren’t enough LGBTQ+ YA books being published for any of these numbers to be more than vaguely suggestive of questions or trends. How meaningful is it to say more books about bi characters in speculative contexts are being published when only a handful of books about bi characters are released every year? Or that there are “too many” coming out stories when major publishers released only 24 LGBTQ+ YA books total in 2014?
We desperately need more stories. In N.K. Jemisin’s words (seriously, read the essay I linked to above):

We all have futures. We all have pasts. We all have stories. And we all, every single one of us, no matter who we are and no matter what’s been taken from us or what poison we’ve internalized or how hard we’ve had to work to expel it —
 
 
— we all get to dream.
Nathaniel | May 28, 2015 at 6:00 am | Categories: Guest Blogs, Updates and Announcements | URL:http://wp.me/p1tHav-Bv

Filed Under: Anti-Bullying & Homophobia, Book Reviews Tagged With: LGBTQ books

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